Saga 37

saga 37

Today, Ryan M. and Ryan D. are discussing Saga 37, originally released August 31, 2016. As always, this article contains SPOILERS.

Ryan M: When something bad happens, my first instinct is to go back in my mind and try to find all of the places where I could have seen it coming. Did I miss a moment of insight, overlook a bit of non-verbal communication or flat out ignore glaring signs? Then, I start looking at all of my life under that same lens. There is a sense that if I can see the bad things coming, they will hurt less when they hit. After all of the shock and heartache that Saga has offered, I may be hypersensitive because I saw potential for future pain everywhere. Continue reading

Saga 36

Today, Ryan M. and Patrick are discussing Saga 36, originally released April 27, 2016.

Ryan M: I’m a sympathetic cryer. When I hear that telltale catch in someone else’s voice, my eyes swell. It’s not limited to real people either. Characters in movies I don’t even like can get me pretty easily, as well as any one who is dying and says that they aren’t ready out loud. I’m also not really a fan of crying in front of people, so I tend to be wary about finishing a book on the bus or seeing heavy dramas at the movie theater. So, I made sure I was all alone when I read Saga 36. That’s how sure I was that Brian K. Vaughan and Fiona Staples were preparing to gut me with empathetic sadness as they closed an arc with the death of one of the characters. Of course, I was pretty wrong about that. I still cried, but only happy tears. Continue reading

Saga 35

saga 35

Today, Shelby and Spencer are discussing Saga 35, originally released March 30th, 2016.

Shelby: One of the changes I’ve been trying to make for myself these last few years is in improving my communication. So many problems in both the real world and in fiction can be solved with just some simple communication. Every time two big-name superheroes meet for the first time, there’s always an issue devoted to them punching each other; if they just took two seconds to communicate a bit first, we’d be spared those boringly inevitable stories. The real problem, though, comes in when characters cannot communicate and have to act anyway. Characters who choose to act first, I got no sympathy for; it’s the ones that couldn’t even if they wanted to that I find the most intriguing and the most sympathetic. If you’re at all familiar with Brian K. Vaughan’s Saga, you’ll understand this sentiment completely. Continue reading

Saga 34

saga 34

Today, Spencer and Ryan M. Patrick are discussing Saga 34, originally released February 24th, 2016.

Spencer: Every once in a while, a long running series will introduce a new concept and try to say, “hey, this has been important all along!” This can be frustrating when it isn’t true (see: all the various retcons in Star Wars) or when the concept changes the entire dynamic of the series. Yet, when a new idea seamlessly integrates itself into the structure of the story, helping to express and define concepts that have been there all along, it can be absolutely enlightening. That’s what happens in Saga 34, where Fiona Staples and Brian K. Vaughan use the idea of “diversity” to dig into both the causes and the solutions to all the problems plaguing the world of Saga. Continue reading

Saga 31

Alternating Currents: Saga 31, Ryan and Drew

Today, Ryan D. and Drew are discussing Saga 31, originally released November 25 2015.

Ryan D: The hiatus is over! Superstar creative team Brian K. Vaughn and Fiona Staples have been keeping themselves rather busy since issue 30 released a million years ago in July, hitting Comic Cons and embarking upon new series. Though Vaughn’s mini-series We Stand on Guard outsold Saga in the month of it’s debut, the Eisner-winning space opera returns with a new chapter which promises to keep returning readers satiated with its signature bend of absurdly imaginative and developed characters in an ever-expanding universe. Continue reading

Saga 29

Alternating Currents: Saga 29, Drew and Spencer

Today, Drew and Spencer are discussing Saga 29, originally released June 10th, 2015.

Turning and turning in the widening gyre
The falcon cannot hear the falconer;
Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned;
The best lack all conviction, while the worst
Are full of passionate intensity.

William Butler Yeats, “The Second Coming”

Drew: Written in the wake of the first World War, “The Second Coming” features some of the most vivid images in modernist poetry. The second stanza takes on a more biblical tone, name-dropping the titular second coming, but the first stanza, quoted above, features no hint of the divine — this is pure horror of war stuff. Of all the concepts Yeats evokes, the notion that “the best lack all conviction” might actually be the scariest to me. If war can change our values and convictions, what are we actually fighting for? Curiously, we talk about becoming a parent in similar ways: our values and priorities shift around when we have a child to care for. Saga has always existed at the weird intersection between war and parenthood, but issue 29 makes its exploration of the values we sacrifice in the name of either a bit more explicit. Continue reading

Saga 28

Alternating Currents: Saga 28, Drew and Patrick

Today, Drew and Patrick are discussing Saga 28, originally released May 13th, 2015.

Drew: There are few things more depressing than studying altruism at a biological level. In a world driven by survival, what could possibly compel an individual to risk life and limb (or, more modestly, share food and shelter) with another? For sexually mature individuals, the most obvious answer is reproduction — helping your mate or your offspring survive increases the chance of your genes, and thus, the behavior of protecting your mate and offspring, will be carried on to future generations. But what about other relationships? Well, in 1964, W.D. Hamilton proposed that we help others for basically the same reason we protect our offspring: because we share genes with them. Importantly, we only share genes with those that are actually related to us, and a key part of Hamilton’s formula was the “relatedness coefficient” — essentially, you’re more likely to help your sibling than your cousin because you’re more related to them, or, more precisely, because you’re more likely to share genes with them. Which is to say, we don’t help people at all, we help their genes, and only because their genes are our genes. From that perspective, “altruism” doesn’t exist at all — we’re all just working in service of totally self-interested genes.

Of course, we’re not entirely driven by our genes. If genes give us our hardware, culture gives us our software, allowing us to do all kinds of things our genes wouldn’t dream of, from taking vows of celibacy to covering a live grenade to protect our platoon. Those are some extreme examples, but I think they become more relatable when we think of those acts as protecting family. Sure, a religious congregation or military unit aren’t technically families, but they can act as families for those who need it. It’s exactly these types of makeshift families — and the sacrifices they elicit — that Saga 28 is all about. Continue reading

Saga 25

saga 25

Today, Ryan and Patrick are discussing Saga 25, originally released February 4th, 2015.

Ryan: Pop culture loves rebels. We hang posters of them in our dorm rooms, whether they have a cause or not. We wear red graphic t-shirts emblazoned with their likeness, not very concerned about some of the more morally ambiguous acts this person committed. Luke Skywalker played figurehead for the Rebel Alliance and may be the most popular and beloved rebel of all time, despite the fact that the blood of 322,951 Death Star personnel (not to mention the oil of 400 thousand plus droids) stains his non-synthetic hand. Saga 25 adds another variable into the mix with the introduction of a third side to the outstanding war between Landfall and Wreath, while also providing another complication to the Dengo child-heist. Continue reading

Saga 19

Alternating Currents: Saga 19, Drew and SuzanneToday, Drew and Suzanne are discussing Saga 19, originally released May 21st, 2014.

Drew: I’ve expressed this before, but I’m somewhat uncomfortable with parenting stories — not because there’s anything wrong with them, but because I’m necessarily lacking the parenting experience to be able to appreciate them fully. With each issue of Saga, Brian K. Vaughan has put those concerns out of my head — I’m not the last man alive, either, but that didn’t stop me from enjoying his Y: The Last Man — but with issue 19, he takes that relatability a step further. Indeed, he so intimately catalogues the reshuffling of priorities of early parenthood that — in at least some small way — I fell like I actually understand what it might mean to be a parent.

Continue reading

Saga 18

saga 18

Today, Patrick and Drew are discussing Saga 18, originally released January 29th, 2014.

Patrick: In the Season 2 episode of Community Cooperative Calligraphy,” the group voluntarily sequesters itself in the study room until they can determine who stole Annie’s pen. Jeff eventually brings about peace by saying that he would rather believe the impossible — in this case, that a ghost stole it — than believe that one of his friends would subject the rest of them to this kind of psychological and emotional torture. It’s a play on the idea that we make ourselves believe all kinds of things that aren’t true in the name of love. We believe our friends and family to be capable of so much, exaggerating their talents or intelligence or compassion in our minds. Brian K Vaughan’s world has been punishing Marko and Alana for their love, but this issue tangibly rewards them for their blind faith in one another. It’s the metaphorical made real, and it’s absolutely beautiful. Continue reading