by Drew Baumgartner
This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

The tonal range of Tom Taylor’s All New Wolverine is truly remarkable. We’ve seen issues of high drama and irreverent fun, all of which gives this series a depth of emotional experience that at least approaches real life. Moreover, the range allows Taylor to wield tone with a nuance that is rare in superhero comics, juxtaposing and combining them within issues to evoke ever more specific emotions. The surprising tonal twist in issue 22 is far from the most subtle Taylor has ever pulled, but I’ll be darned if it isn’t effective. Continue reading








