Tag Archives: Marco D’Alfonso

Aug 20 2018

Astonishing X-Men Annual 1 Corrupts a Generation

by Patrick Ehlers

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

One of the frustrating things about our currently social and political landscape is that the generation pulling our country to the right was once a force for radical social change. When the baby boomers where hippies, they believed in equality and rejected conformity and corporatization. They championed peace, both as an antidote to war and on its own merit. We can argue about the efficacy of that countercultural movement all we want, but the point is that they were idealistic once. Somewhere over the last 50 years, peace and love turned into opportunism and xenophobia. To this point, the original X-Men have been spared this curmudgeonly fate. Introduced as avatars of otherneess in 1963, Jean Grey, Hank McCoy, Warren Worthington and Bobby Drake have such a long way to fall. Matthew Rosenberg and Travel Foreman’s Astonishing X-Men Annual 1 shows this corrupting influence in action, slowly radicalizing the most level headed, unimpeachable voices for equality in the marvel universe.

It’s a truly heartbreaking ride. Continue reading →

Dec 11 2017

Color and Foreshadowing in Astonishing X-Men 6

by Patrick Ehlers

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Patrick: Over the weekend, a friend who had fallen out of comics asked me how the Iron Man comics were these days. He was last reading like four years ago, when Kieron Gillen was writing about the secret origin of Tony Stark. Between the Tony Stark A.I., Riri Williams, and a reformed Doctor Doom, I realized it was almost impossible to walk him through all of it in any meaningful way. I mean, just explaining how / why Doom could be a good guy requires briefing him on all of Jonathan Hickman’s Avengers and Secret Wars run. And in summary, it all sounds nuts — like the ramblings of a lunatic — but the moment-to-moment fireworks display that brought us to that point was exciting, compelling, and fun. That’s exactly what we get in Astonishing X-Men, a technicolor extravaganza content to sell the spectacle of the moment over the logic of the scene. But, man: what a spectacle it is! Continue reading →

Jun 20 2017

There’s No Virtue in Compliance in Bitch Planet Triple Feature 1

by Drew Baumgartner

Bitch Planet Triple Feature 1

This article will contain SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

It is more important that innocence should be protected, than it is, that guilt be punished; for guilt and crimes are so frequent in this world, that all of them cannot be punished…. when innocence itself, is brought to the bar and condemned, especially to die, the subject will exclaim, ‘it is immaterial to me whether I behave well or ill, for virtue itself is no security.’ And if such a sentiment as this were to take hold in the mind of the subject that would be the end of all security whatsoever.

John Adams

There are always folks who will defend punishment for the guilty — whether it’s prison, public shaming, or being shot by a cop — but that often necessitates retroactively framing those who receive punishment as guilty. In the wakes of countless police (and neighborhood watchmen) shootings, the offenses that have been deemed worthy of death have ranged from stealing a pack of cigarettes to wearing a goddamned hoodie. It’s an absolutely despicable line of reasoning (even when it’s “I agree they didn’t deserve to die, but…”), but it falls completely on its face in the case of Philando Castile, who was inarguably guilty of no crime whatsoever. This is exactly the situation Adams was warning against. There is no virtue in innocence or — in the parlance of Bitch Planet — compliance, so why follow the rules at all? Continue reading →

Mar 10 2016

The Vision 5

vision 5

Today, Drew and Patrick are discussing The Vision 5, originally released March 9th, 2016.

Drew: I’m always baffled that the notion of privilege — that the majority class might benefit from their majority status in ways they aren’t aware of — is met with such resistance. But, I suppose that’s another symptom of privilege: blindly assuming you’re in the right, evidence to the contrary be damned. That’s the spirit that made Imperialism such a cultural force in the 19th and 20th centuries, as Western Europeans and (later) Americans replaced indigenous cultures with their own, believing whole-heartedly that it was the moral thing to do. Of course, whatever high ground a colonist might presume their medical technology or christian theology gives them, there’s no denying that imperialism brings all of the evils of the western world, as well, from literal plagues to damaging social and economic practices. The Vision 5 opens with the most memorable line from Shakespeare’s Merchant of Venice — Shylock’s pledge to embrace the evils of the majority class — suggesting that the Visions might be better off not being human, after all. Continue reading →

Oct 23 2015

Weirdworld 5

weirdworld 5

Today, Patrick and Spencer are discussing Weirdworld 5, originally released October 21st, 2015. 

secret wars div

Patrick: One of the reasons people like genre films so much is that you never really need to guess what their values are. Are you watching a Western? Great: we value tough, honest men. Are you watching a teen drama? Great: we value cleverness and beauty. Jason Aaron and Mike del Mundo’s heart-stoppingly beautiful Weirdworld wears its chief value on its sleeve (and in its title): weirdness. That may sound like a shallow value, like when someone criticizes South Park for being all about “shock value,” and that may be the case. But even if we want to call weirdness a “shallow” value, it is startling how persistently it presents itself in this series. Even a little thing like The End of the World isn’t going to stop it from expressing itself as thoroughly — and as weirdly — as possible. Continue reading →

Dec 30 2014

Best of 2014: Best Colorist

Best of 2014: Best Colorist
From lines at conventions to the internet petitions every time an assignment changes, its clear comic fans put a lot of stock in who writes and draws their comics, often to the exclusion of the rest of the creative team. While colorists have slowly been gaining more recognition, they are still largely the unsung heroes of the comics world, adding depth and meaning to the storytelling in ways so subtle as to be almost invisible. As we started preparing our year-end lists, we realized that we, too, had been overlooking the contributions of these indispensable artists, and decided it was high time to offer the best the praise they so rightly deserve. These are our top 14 colorists of 2014.
Continue reading →