Good vs. Evil in Astonishing X-Men 12

by Patrick Ehlers

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

“Good vs Evil” implies that there are two sides — two warring factions — battling for the fate of the world. It’s a compelling image: a battlefield with good guys on one side and bad guys on the other. Good and evil are separate forces, and in our imaginations, represented by two different groups of people. While Charles Soule and Gerardo Sandoval’s Astonishing X-Men 12 still gives the reader avatars of light and darkness in the forms of X and The Night King, the armies fighting for each side are made up of all the same players. Old Man Logan is both a reformed ally-murderer and an irredeemable death machine; good and evil waging war within one mind. Continue reading

Are New Mediums Influencing the Artwork in Astonishing X-Men 10?

by Taylor Anderson

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Much has been made about how the internet and e-books are killing the printed word. Even though that’s a bit hyperbolic, it is true that more and more people are reading books on an electronic device. This same trend holds true in the world of comic books, where sites such as Comixology have cut into the traditional printed market. I myself prefer to read comic books on my iPad these days, and as I do so, I sometimes wonder how this change in medium might be affecting the way comics are made and published. With that in mind, I couldn’t help but consider Astonishing X-Men 10 an interesting case study in the way electronic formats might be alternating the way comic book artists produce their craft. Continue reading

Melting n’ Melding Bodies in Astonishing X-Men 8

by Taylor Anderson

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

There’s a scene in John Carpenter’s The Thing when Kurt Russell and the rest of crew at an Antarctic research station realize that their sled dogs have been melted by an alien and blobbed together into one hideous creature that is the stuff of nightmares. Like a lot of the movie, it’s disturbing to say the least. There’s something about the the design of the blob-dog-alien creature that just rings as…wrong. Eyes are where they shouldn’t be, jaws open up from weird crevices, and melted organic all make for something that looks like it came straight out of Hell. It sounds awful (which it is), but that’s also what makes the movie great and, coincidentally, is what makes Astonishing X-Men 8 enjoyable as well.

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Resurrection Breeds Suspicion in Astonishing X-Men 7

by Taylor Anderson

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Charles Xavier has been dead for some time now and while that’s not new ground for a comic book character, it is notable just how long he’s been departed. It was way back in the quaint year of 2012 when Charles was killed by a Phoenix-possessed Scott Summers. Since then, his spirit has been wandering around various spirit realms. Now, however, Charles is back in the world of the living, having possessed the body of Fantomex. While the rebirth of Charles Xavier sounds like a good thing, it’s also important to remember that rarely does someone coming back from the dead a work out for the best. Continue reading

Color and Foreshadowing in Astonishing X-Men 6

by Patrick Ehlers

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Patrick: Over the weekend, a friend who had fallen out of comics asked me how the Iron Man comics were these days. He was last reading like four years ago, when Kieron Gillen was writing about the secret origin of Tony Stark. Between the Tony Stark A.I., Riri Williams, and a reformed Doctor Doom, I realized it was almost impossible to walk him through all of it in any meaningful way. I mean, just explaining how / why Doom could be a good guy requires briefing him on all of Jonathan Hickman’s Avengers and Secret Wars run. And in summary, it all sounds nuts — like the ramblings of a lunatic — but the moment-to-moment fireworks display that brought us to that point was exciting, compelling, and fun. That’s exactly what we get in Astonishing X-Men, a technicolor extravaganza content to sell the spectacle of the moment over the logic of the scene. But, man: what a spectacle it is! Continue reading

E is for Extinction 4

Alternating Currents: E is for Extinction 4, Drew and Patrick

Today, Drew and Patrick are discussing E is for Extinction 4, originally released September 30th, 2015. This issue is a Secret Wars tie-in. For more Secret Wars coverage from the week, check out our Secret Wars Round-Up!

secret wars div

Drew: Do you ever hate movies for ruining a good premise? Like, not just for failing to live up to the potential they had, but for poisoning that premise for anyone else. You might have an interesting story where plants conspire to wipe out humanity, but the only thing anyone will see when they look at it is The Happening. A similar phenomenon can happen with smaller details, from memorable character names to meet-cutes to death scenes, that, for one reason or another, are so strongly associated with a crummy piece of art that it’s difficult to repeat. X-Men: The Last Stand is one such piece of crummy art, yet E is for Extinction 4 aims to reclaim many of the moments it had soiled. That’s an unexpected windmill to tilt at, but the more surprising fact is that the issue largely succeeds in winning those moments back. Continue reading

Uncanny X-Men 32

uncanny xmen 32

Today, Taylor and Michael are discussing Uncanny X-Men 32, originally released March 25th, 2015.

Taylor: In the modern world revolution has become sexy. One has but to look at our continued fascination with James Dean and Che Guevera to realize this. One reason for this obsession with revolution is that we always love new things and, if nothing else, revolution promises something new and different. However, strip away the romanticized version of revolution and you’re left with something much less appealing. In particular, the likes of the ongoing war in Syria comes to mind. In the end while we appreciate the fruits of revolution the actual process of it turns out to be quite messy. Uncanny X-Men 32 explores the difference between the perception of revolution with the reality of it to mixed results. Continue reading

Uncanny X-Men 30

uncanny xmen 30

Today, Drew and Michael are discussing Uncanny X-Men 30, originally released January 28th, 2015.

There was an old lady who swallowed a cow
I don’t know how she swallowed a cow
She swallowed the cow to catch the dog
She swallowed the dog to catch the cat
She swallowed the cat to catch the bird
She swallowed the bird to catch the spider
She swallowed the spider to catch the fly
I don’t know why she swallowed a fly — Perhaps she’ll die!

Traditional

Drew: Way back in All-New X-Men 1, Hank McCoy was up against a problem so insurmountable, his only solution was to drag the original X-Men into the present to help solve it. Uncanny X-Men 30 finds Eva Bell against an even more insurmountable problem, one the original X-Men already failed to solve. What’s she left to do but to go back in time and call in the X-Men’s boss? It’s escalation in its purest (and most obvious) form, but does bringing Charles Xavier back from the dead suffer from the repetition? Continue reading

Uncanny X-Men 25

Today, Taylor and Drew are discussing Uncanny X-Men 25, originally released September 3rd, 2014.

Taylor: While comics readers know it not to be true, there is a stigma that hero worship is something juvenile. Why this stigma persists I can’t say — after all, we have grown men who wear the jerseys of their sports heroes on a weekly basis. Why superhero worship is considered nerdy in comparison to these other idols, I don’t know. Still, it says something about people that we love to have heroes, even after we’ve reached an age where we like to think we don’t need them anymore. But the weird thing about heroes is that they seldom live up to our conception of them. We seem to never outgrow this aspect of hero worship, and as Scott Summers learns in Uncanny X-Men 25, this can be a bitter pill to swallow.

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New Avengers 13.INH

new avengers 13 INH

Today, Spencer and Ethan are discussing New Avengers 13, originally released December 31st, 2013. 

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Spencer: When you need to fight evil dictators or invading aliens, you call the Avengers, but when you find yourself facing threats a tad more existential, threats that can’t just be punched in the face, you call the Illuminati. Indeed, the Illuminati have spent most of writer Jonathan Hickman’s run on New Avengers trying to solve the Incursion problem, but in this month’s issue they find themselves faced with a threat much more tangible, yet just as overwhelmingly impossible as the Incursions themselves. As Doctor Strange says, the Black Priests are eviler than evil, “darker than dark.” Continue reading