Today, Mark and Michael are discussing Wonder Woman 18, originally released March 8th, 2017. As always, this article contains SPOILERS.
Mark: One of the most compelling features of Greg Rucka’s Wonder Woman is its willingness to incorporate into real issues facing society, as we come to terms with our systematically poor treatment of women and grapple with how to resolve it. Like a proclamation of intent, the earliest arc in the book, “The Lies,” features Cheetah dealing with the devastation caused by abuse, rape, and victim-blaming. These are issues deeply entrenched in American culture made palatable to general audiences because the villains manifest themselves as mystical beasts and gods. But not all of the methods Rucka and his collaborators use to convey their message (for lack of a better term) are quite so foregrounded. For instance, every position of authority in Wonder Woman so far is held by a woman. This is a story about women, featuring women, that is in no way lacking because its pages aren’t filled with more dudes. Continue reading →
Today, Taylor and Mark are discussing Wonder Woman 16, originally released February 8th, 2016. As always, this article contains SPOILERS.
Taylor: When you look at where the genre of superhero comics comes from, it’s unwise to overlook the influence of pulp fiction. Pulp fictions were serialized stories printed on crappy paper that told stories ranging from the bizarre to the terrible. While it’s easy to dismiss these stories and their authors, they had an undeniable influence on generations of writers to come. While the quality of pulp fiction may be suspect, there’s no denying the stories were innovative and daring. And even though the monthlies we read nowadays are printed on better paper, it’s always fun to look back and pay homage to these stories that influenced so much of our modern pop culture, just as is done in Wonder Woman 16.Continue reading →