This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
Patrick: Doctor Stephen Strange was the Sorcerer Supreme of Earth. It’s a baller title, and it comes with some insane responsibilities and nearly unimpeachable authority. Like, when Doctor Strange shows up on the scene, the other heroes know that he’s there because he knows what he’s doing. But when you strip the title away, what changes in Stephen’s life? Doctor Strange 383 continues Donny Cates’ saga of Loki’s tenure as the Sorcerer Supreme, but keeps Stephen under the microscope to determine what the remains of the main without the mantle. Continue reading →
Today, Spencer and Taylor are discussing Doctor Strange 7 and Doctor Strange: Last Days of Magic 1, originally released April 27th, 2016.
Doctor Strange 7
Spencer: Science vs. magic, in one form or another, has been a debate since the beginning of time. Those fighting this battle defend their side vehemently, probably because the conflict taps into a number of elemental aspects of the human condition, such as the origin of life, the idea of a higher power, and perhaps most fundamentally, the balance between order and chaos. The thing most people lose sight of, though — especially the Imperator of the Empirikul, villain of Jason Aaron and Chris Bachalo’s Doctor Strange 7 — is that it isn’t an either/or proposition. Science and magic can, and should, exist side-by-side. Continue reading →
Today, Mark and Spencer are discussing Doctor Strange 2, originally released November 4th, 2015.
Mark: Do comic books—straight up comic books—make money? Like, remove the merchandise licensing, remove the blockbuster movies and animated releases, are comic books a profitable business? Both DC and Marvel operate under the umbrella of their corporate parents (Warner Bros. and the Walt Disney Company respectively), and while the publishing of comic books probably continues to bring in a tidy sum, these books are really just generating intellectual property that the real money makers (the aforementioned merchandise and blockbusters) can continue to exploit. It’s with that lightly cynical viewpoint that I approach the relaunch of Doctor Strange. Like Ant-Man earlier this year, Jason Aaron’s Doctor Strange feels like a timely relaunch intended to bring Stephen Strange to a more prominent role in the cultural landscape after years of languishing on Marvel’s bench. Continue reading →