Today, Drew and Shelby are discussing Trees 1, originally released May 28th, 2014. 
Drew: All stories have a narrator. This point was obvious enough to me in high school english classes, as we aimed to parse first person from close third person, or subjective from omniscient, but was utterly lost when I thought about the more visual storytelling of film and comics. Who is the narrator of Casablanca? Of The Godfather? It’s easy enough for us to point to a first person narrator when there’s overbearing voiceover, but whose is the default point of view we take when watching a movie or reading a comic book without that kind of obvious diegetic narration? Some might argue that those narratives present some kind of objective accounting of the events in question, but subjectivity creeps in at every turn, with shot composition, lighting, costuming, pacing, editing, even music cues designed to illicit very specific emotional reactions (often those of the characters on the screen or page). With Trees 1, Warren Ellis and Jason Howard have shined a spotlight on those very details, starting threads that differ not only in their settings and characters, but in the perspective of their narrators, as well. Continue reading
Category Alternating Current
Ms. Marvel 4
Today, Suzanne and Drew are discussing Ms. Marvel 4, originally released May 28th, 2014.
“What’s Ms. Marvel supposed to look like?”
Kamala Khan
Suzanne: It’s easy to get wrapped into other people’s expectations of you. Subtle messages and feedback from friends and strangers can inadvertently contribute to your sense of self. I’m reminded of this every time I walk into a comic book shop with my husband. The (male) store clerks start up a conversation with him and barely acknowledge my presence. Little do they know that he’s just keeping me company and doesn’t even read comics. So what is a comic book nerd supposed to look like? Would most people even consider women a part of the general readership? Stereotypes like the balding, Caucasian comic shop owner and socially awkward fans like Sheldon from The Big Bang Theory are still common in pop culture. Continue reading
Winter Soldier: The Bitter March 4
Today, Drew and Taylor are discussing Winter Soldier: The Bitter March 4, originally released May 28th, 2014.
Drew: In a time when serialized storytelling is very much in vogue, it’s easy to forget that some characters are designed for a specific narrative. That is, the situations that they endure during the story so define them that they can’t really exist outside of it. Would we even recognize Hamlet if he wasn’t having an existential crisis? The only way to reuse a character like that is to put them in essentially the same situation again, which obviously yields diminishing returns, and might just undermine the power of the original. Unfortunately, as Winter Soldier: The Bitter March ramps up to its conclusion, it’s clear that Bucky Barnes may only have one important story to tell. Continue reading
Thunderbolts 26
Today, Patrick and Shelby are discussing Thunderbolts 26, originally released May 28th, 2014.
Patrick: Every time you meet an enemy of the Hulk, you gotta ask yourself: this guy’s not really a bad guy, right? Thaddeus Ross — in his platonic, Hulk-huntin’ phase — is a totally rational individual. Who wouldn’t want to find a way to stomp out the big green guy? Oh sure, he’s more or less learned to control himself now, but Ross’ goal is fundamentally noble. That’s part of the reason the anti-hero label never stuck to him all that well in Thunderbolts. He’s not like the rest of these guys – they’re all amoral killers only looking out for their own selfish ends. But should that make them any more expendable than anyone else? With his final issue on Thunderbolts, Charles Soule reinforces that Ross’ view of his teammates, past and present, is precisely what makes him worthy of their company. But like most of the darker revelations in this series, its tinged with eventual sweetness, and we’re allowed to love these monsters all the same. Continue reading
Batman Eternal 8
Today, Spencer leads a discussion on Batman Eternal 8, originally released May 28th, 2014.
Spencer: Last time I wrote about Batman Eternal I praised how quickly the plot seemed to be coming together, but in the five issues since, things have slowed down dramatically. The end of issue three saw the genesis of a brutal gang war that threatened to rock Batman’s city down to its core, but the resulting conflicts haven’t looked all that more dangerous than any typical Gotham evening. There’s a lot of fun stuff going on in Batman Eternal 8, but these pacing issues sap much of the tension from the developments, leaving a final product that’s not quite as awesome as it should be. Continue reading
Batman 31
Today, Drew and Patrick are discussing Batman 31, originally released May 28th, 2014.
Drew: Between comics, movies, tv shows, video games, radio serials, and children’s imaginations, Batman is arguably the most prolific fictional character in history. With that long, multi-media history comes a secondary history of reinvention. I’ve seen it said that each generation redefines Batman, but in my mind, he’s revamped far more often than once a generation. Each new iteration brings changes, some more superficial than others, but what is it that actually defines Batman? What is his immutable core? The thing that would actually make him a different character if it was absent? With Zero Year, Scott Snyder and Greg Capullo have already given lie to what many people would assume were givens — grimness chief amongst them — but issue 31 finds them asserting an essential element I hadn’t expected: masochism. Continue reading
Superman 31
Today, Shelby and Scott are discussing Superman 31, originally released May 28th, 2014.
Shelby: I hate being in the way. Like, to the point of anxiety: if I’m with people, trying to help, but just getting in the way, I have a really hard time with it. It’s frustrating on two levels; not only am I not helping like I want to be, I’m probably making things harder by being in the way. Apparently, I’m just like Superman; he’s infected with Doomsday spores, and while all he wants to do is, you know, help save the world over and over, he’s stuck being in the way. And by the way, I mean threatening everyone and everything around him. Heads up, I’m not reading Superman OR Doomed, so I am definitely approaching this from an outsider’s viewpoint.
The Amazing Spider-Man 2
Today, Spencer and Taylor are discussing The Amazing Spider-Man 2, originally released May 21st, 2014.
Spencer: I’m a pretty big fan of Doctor Who, and one of my favorite aspects of the show is that its premise has infinite possibilities; the writers can literally take the Doctor to any location or time-period they can imagine. The only problem is that the network created a rule that every episode has to feature a monster of some sort. This isn’t a huge deal — monsters are an essential part of the Doctor Who mythos — but it becomes rather frustrating when there’s an episode that doesn’t need a monster, but has one shoehorned in anyway; at its best it’s distracting, but at its worst it can derail episodes completely. Dan Slott and Humberto Ramos’ The Amazing Spider-Man 2 suffers from a similar problem; while the scenes about Peter are quite enjoyable, everything about Electro’s inclusion feels shoehorned, and it threatens to derail the entire issue. Continue reading
Deadpool Annual 2
Today, Drew and Patrick are discussing Deadpool Annual 2, originally released May 21st, 2014
Drew: Humor — and especially jokes — are defined by our expectations. A set-up literally sets up a framework that the punchline carefully subverts. “Orange you glad I didn’t say banana?” only makes sense if there was ever an expectation that the joke-teller was going to say “banana”. The point is, those expectations are absolutely crucial to the success of a joke, which makes a jokey comic book character like Deadpool a bit of an anomaly. He exists in a world filled with superpowered mutants, aliens, robots, and gods — it’s hard to have a concrete set of expectations when anything is possible, anyway. So, how do you keep Deadpool from disappearing up his own butt? With the Deadpool Annual 2, writer Christopher Hastings chooses to mine the expectations we have for Spider-Man, resulting in a substantive deconstruction of Spidey, but revealing little about Wade himself.
Velvet 5
Today, Greg and Shelby are discussing Velvet 5, originally released May 21st, 2014.
Greg: When I come home from work — hell, when I come home from a light jog — I’m often dog-tired. I feel drained and emaciated, like the only thing I have energy to do is crash in front of the TV. I have, at time, uttered the phrase “This day beat me up” out loud. However, after reading this particularly haunting and emotionally draining issue of Velvet, I realize that my pity parties are a grain of sand compared to how massively exhausted Velvet — hell, even other fictional spies like Bond and Bourne — must feel after an average day. The day beat her up, alright. Physically, emotionally, and everything in between. Continue reading
Retcon Punch 