The Flash 10

Today, Drew and Patrick are discussing the Flash 10, originally released June 27th, 2012.

Drew: Patrick and I like The FlashLike like. I guess I shouldn’t speak for Patrick, but The Flash is perpetually on my list of top 3 comics. I love the writing, I love the art, and I especially love the synergy of the two. It’s hard for me to imagine it improving, so I’m generally wary of any changes. This is the first time we’ve seen a guest artist on The Flash, and while guest penciler Marcus To delivers a crisp, clean issue, it’s hard to compete with the Francis Manapul’s painterly style that has so defined this title for me. Continue reading

Chat Cave: Zero Issues

With the release of the Zero Issues in September, DC is publishing origin stories for all of their current New 52 series. (Not so fast, JLI). They will also be introducing 4 new series by this same method. What are your thoughts on the new books? Are you interested in getting more origins on stories that just started over a year ago? With the sheer number of events and crossovers since the relaunch, is this just another easy cash grab or a meaningful addition to universe?

Peter:  It is no secret that I love backstory and history. With the announcement of #0 issues that coincide with the 1 year anniversary of the New 52, I was pretty stoked. For me, these #0 issues, along with a ‘Third Wave’ with 3 interesting titles, there is probably NO WAY this could go bad. But then again, after some thinking there are DEFINITELY ways it could, and that’s what worries me.

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Birds of Prey 10


Today, Patrick and Drew are discussing Birds of Prey 10, originally released June 20th, 2012.

Patrick: In a lot of ways, the New 52 incarnation of Birds of Prey acts as as one of only a few blank canvasses in DC’s library. The two founding members of the group are a brand new character — as in Starling — and one reformed in such a way as to be unrecognizable as the Black Canary of old. The rest of the team is rounded out by characters either not normally associated with the Birds of Prey or (in Barbara’s case) aggressively altered by the new continuity. My first dip into this world was so fresh and new and exciting, that I started to feel a little let down as writer Duane Swierczynski wrapped up one story arc, vamped for time, and then paid lip-service to Snyder’s Night of the Owls crossover event. I’m not going so far as to claim that those three issues (7, 8 and 9) were wasted, but now that Birds of Prey seems firmly set its own two feet again, it’s apparent that this series is at its strongest when its free to develop on its own terms. Continue reading

Batwoman 10


Today, Patrick and (guest-writer) Jack Ehlers are discussing Batwoman 10, originally released June 20th, 2012.

Patrick: This whole arc has been about the power of belief. The monsters of Medusa’s army are all terrors from the zeitgeist, and while there’s a fair amount of straight-up magic that brings these creatures into play, Maro states time and again that she can only spawn these monsters is because the citizens of Gotham believe in them. Their belief makes the impossible possible. But people don’t just believe in ghosts and hook-handed men and sewer creatures – even in a city as dark as Gotham, they believe in each other and abstract Bat-ideal of justice.

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Red Hood and the Outlaws 10

Today, Patrick and Peter are discussing Red Hood and the Outlaws 10, originally released June 20th, 2012.

Patrick: Red Hood and the Outlaws is a kitchen sink sort of series. There are aliens, there are mist-women, there are secret races of warrior people – and at the heart of it is a trio of heroes that don’t really make sense in each other’s worlds. Whenever the series teeters on the edge of a metaphysical discovery of the ancient mystical world, a spaceship flies in, or some classic Batman villain makes an appearance. So much of the series’ appeal comes from the way our core group of heroes interacts and adapts to these insanely diverse (diversely insane?) scenarios.

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Before Watchmen – Silk Spectre 1

Today, Shelby and Patrick are discussing Silk Spectre 1, originally released June 13th, 2012. Silk Spectre is part of DC’s Before Watchmen prequel series. Click here for complete Before Watchmen coverage (including release dates).

Shelby:  Silk Spectre has never been one of my favorite characters from Watchmen. I got the point of Sally’s role, but I didn’t care much about her, and Laurie always…irritated me. Because I have the advantage of being outside the Jupiter familiy, I can more easily see the things Sally has done for her daughter, which has always left me with little patience for Laurie’s whiny attitude. I never thought I would be the most excited for the Silk Spectre issue of Before Watchmen, but after I heard Amanda Conner talk about it at C2E2 (and more importantly, after I saw a sneaky peek of the art), this immediately became the title I am most excited about.

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Deathstroke 10

Today, Patrick and Drew are discussing Deathstroke 10, originally released June 13th, 2012.

Patrick: Writer and artist Rob Liefeld is an interesting dude. He’s been a huge figure in american comic books since the 1990s, was one of the founding members of Image Comics, and currently writes and/or draws more comic series than the average person is reading. He’s a prodigious talent, and even when he’s mired by controversies about misogyny, late work or even plagiarism, the man sells a ton of comic books. There’s a legion of critics that absolutely loathe his contributions to the medium, but the legion of fans that support his efforts far outweigh the nay-sayers. For all the content the guy produces, he somehow manages to keep up a very active, incredibly aggressive public persona (the man’s twitter appetite is insatiable). He’s boastful, and likes to remind critics that no matter what they say, he’s always going to be successful. Besides, Liefeld frequently asserts, he’s not writing for the critics he’s writing for the fans. So if the artist is so interesting, why is his art so boring?

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Green Lantern 10

Today, Patrick and Peter are discussing Green Lantern 10, originally released June 13th, 2012.

Patrick: Before the relaunch, Blackest Night and Brightest Day cast a enormous shadows over the entire DC Universe. While much of that shadow receded in September, with most of the lingering vestigages hanging around the Green Lantern books. Understanding the existence of any non-green, non-yellow lantern corps requires knowledge of the Night and Day but writers have been cagey to reveal how much of that old mythology remained canon. With the events of Green Lantern 10, it would appear that we’re heading for a big exploration of those events as the universe makes the same mistakes over and over again.

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Batman 10

Alternating Current: Batman 10, Drew and Patrick-NoOToday, Drew and Patrick are discussing Batman 10, originally released June 13th, 2012.

Drew: There’s a moment, right in the middle of this issue, that finds Bruce sitting in his robe, idly handling a pair of shell casings. How these clues fit into his current case isn’t apparent, but as the scene plays out, it slowly becomes clear that these were the casings of the bullets that killed Bruce’s parents. This kind of shocking, resonating reveal first introduced as something innocuous is a microcosm of writer Scott Snyder’s current run on Batman; a magic act he’s able to pull off time and time again, to impossibly greater and greater effect. This issue is an exemplar of that skill, cashing in on a set-up not just 10 issues, but 73 years in the making. Continue reading

Worlds’ Finest 2


Today, Patrick and Peter are discussing Worlds’ Finest 2, originally released June 6th, 2012.

Patrick: Last month, I had a great time with the Earth-2 books. The giddy thrill of watching Batman, Superman and Wonder Woman all eat it, coupled with a handful of details that were just different enough from the main world, really sold me on both Earth-2 #1 and Worlds’ Finest #1. But now that we’re settling into the actual stories that these series wish to tell, it becomes apparent that Worlds’ Finest is stuck on some dull details, even if there is a compelling narrative buried below the surface. Continue reading