This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
While Superman’s abilities to punch hard, fly fast, and jump high are the sizzle to his steak, the real meat (pardon the tortured metaphor) of Clark Kent as a character is his strong moral center. Comic books are lousy with characters possessing superpowers, but only a precious few represent truth and goodness like the man from Krypton. That’s why the Superman stories that really stick with us are the ones that find ways to challenge his moral certitude — and by challenging it, ultimately end up amplifying it even more. At multiple points, James Robinson and Doug Mahnke’s Superman 40 is on the precipice of testing the Man of Steel’s philosophical strength in interesting ways, but never shows any interest in doing so.
This article contains SPOILERS! If you haven’t read the issue, proceed at your own risk.
Fans and creators alike often complain that it’s hard to find a proper challenge for Superman when the character is so unfathomably powerful. But as far as I’m concerned, the best Superman stories aren’t the ones that challenge him physically, but the ones that test his morals and ideals, his methods and resolve. Peter Tomasi and Patrick Gleason’s run on Superman has excelled in this respect, and issue 36 continues this streak, further defining Superman’s greatest strengths by showing what happens when he doesn’t live up to his own lofty standards. Continue reading →
This article containsSPOILERS. If you haven’t read the issue yet, proceed at your own risk!
Patrick: For as much mythological importance as we place on origin stories, the question of how a superhero came to be very seldom adds up to his or her actual origin. Batman is the example in question, so let’s use him: a random mugging in crime alley, a broken string of pearls, two shots fired, an orphan. That’s quintessential, primordial Batman — the very stuff of which he is made. But that’s incomplete. A DC Comics murderers’ row of artists and writers set out to remind readers just how strange Batman’s origins really are in Batman Lost 1. In so doing, they also remind us how infinite and unpredictable Batman’s future truly is. It’s a dizzying collage of what-ifs and secret histories, all presented as true with unflinching authority. Continue reading →
This article contains SPOILERS. If you haven’t read the issue yet, read on at your own risk!
Rarely does Superman venture into horror territory, and rarer still does it do so as successfully as in Keith Champagne and Doug Mahnke’s Superman 29. The duo take a story featuring child abduction, possession, and a generally dour and oppressive atmosphere — things I generally would find anathema to a good Superman story — and make them work by never compromising Superman as a character. In fact, while Superman is brave and dependable as always, Champagne and Mahnke dial up his virtue to exaggerated heights, the better to combat the strange darkness of the material. Continue reading →
How many Batman books is too many Batman books? Depending on who you ask there ain’t no such thing! We try to stay up on what’s going on at DC, but we can’t always dig deep into every issue. The solution? Our weekly round-up of titles coming out of DC Comics. Today, we’re discussing Batman 23, Green Arrow 23,Green Lanterns 23, Super Sons 4, and Superman 23. Also, we’ll be discussing The Flash 22 on Friday and The Wild Storm 4 on Monday, so come back for those! As always, this article contains SPOILERS.
Today, Spencer and Mark are discussing Superman 22, originally released May 3, 2017. As always, this article contains SPOILERS.
Spencer: DC’s double-shipping initiative has created quite the creative dilemma: how do you handle art duties with a schedule that makes it impossible for a single regular artist to handle every issue? Most titles have found a regular roster of artists to cycle through, but Superman adds an interesting wrinkle to that concept — while there are several artists who have consistently lent their talent to the book, co-writer Patrick Gleason is clearly its “main” artist, whose work is usually saved for the most important issues and stories. Such is the case with “Black Dawn,” the culmination of Gleason and Peter Tomasi’s first year of Superman stories. Gleason illustrated “Black Dawn’s” first two chapters, but Doug Mahnke takes over for its third installment. The switch in artists could be jarring, but Tomasi and Gleason incorporate it beautifully, using the opportunity to switch the perspective of their story entirely. Continue reading →
Today, Michael and Patrick are discussing Green Lanterns 10, originally released November 2nd, 2016. As always, this article contains SPOILERS.
Michael: Writing and critiquing works of fiction can be a tricky thing. Saying things like “I wish it would’ve ended like this” or “they should’ve done things this way” can lead to a whole different discussion than that of the work in front of you. I try not to make those kinds of statements too often when I write, but sometimes the story and the context clues provide what seems like an obvious answer to me that the creators might not have considered. Sometimes I feel like a character on The Sopranos saying “All due respect” before I criticize someone. Continue reading →
Today, Patrick and Mark are discussing Superman 9, originally released October 19th, 2016. As always, this article contains SPOILERS.
Patrick: Issues 8 and 9 of Superman read like an entire season of LOST. I’m only partially saying that because the action takes place on a mysterious, temporally displaced, impossible-to-escape island populated by monsters. The comparison is actually more apt in the way both LOST and Superman treat their central mysteries. By the end of issue 9, Clark and Jon’s adventure on the island may appear to be over, but readers are left with a host of lingering questions. In lieu of answers, storytellers Patrick Gleason and Peter Tomasi revel in the charming and illuminating details of the mystery itself, letting the mysterious, the symbolic, and the evocative beats speak for themselves. Continue reading →
Today, Shane and Michael are discussing Superman Rebirth 1, originally released June 1st, 2015.
Shane: It can be incredibly difficult to lose a hero. This year has seen a lot of notable role models pass — David Bowie, Prince, Mohammed Ali, and others. To be entirely honest, though? I know that they meant a lot to a lot of people — many close friends were crushed with Bowie’s passing, as an example — but although I appreciate them all, they weren’t as influential to my own life. In fact, I have a hard time thinking of any real-life famous figure who notably inspired me…but Superman? He was my hero. Reading his adventures during my formative years genuinely helped impart a true sense of right and wrong, to try to not just take the easy route, to genuinely do better and make a difference if possible. Continue reading →
Today, Drew and Spencer are discussing Batman/Superman 32, originally released May 4th, 2016.
Spencer: I’m a sucker for fight scenes. When I was younger, my top priority for any piece of media I checked out was “lots and lots of fighting,” as my voracious consumption of Dragonball Z in middle and high school can attest to. I still have a soft spot for this kind of action — and I look forward to lots of lovingly, intricately choreographed fight scenes when I finally get to see Captain America: Civil War on Friday — but as I’ve grown older, I’ve come to realize that action without any sort of substance supporting it is just hollow. While the “Final Days of Superman” storyline has plenty of substance to it, little of it makes its way into Batman/Superman 32. This issue has tons of action, but little of it means anything. Continue reading →