Category Shelby Peterson

Shelby Peterson, Editor, Designer
shelby@retcon-punch.com

Location: Chicago

History With Comics: While the X-Men will always hold a special place in her heart, Shelby’s first love was Batman. Between Michael Keaton and Kevin Conroy, she fell hard. Like many, her first graphic novel was The Watchmen in college, followed by a handful of the Batman must-reads. Fast forward to last year: Shelby discovered the awesomeness of the DC universe through Geoff Johns’ Green Lantern Rebirth and Blackest Night. She once again fell in love with a comic book character, but this time it was Neil Gaiman’s Morpheus from his Sandman series, and now all her thoughts are translated into 8 or 9 panels per page with the occasional 2-page spread.

New 52 Favorites: Batgirl, Animal Man, Swamp Thing, Batman

Other Favorite Comics:

Mar 29 2013

The Flash 18

flash 18

Today, Scott and Shelby are discussing the Flash 18, originally released March 27th, 2013.

Scott: Use your gifts to help in every way you can. This is what Barry Allen believes being a superhero is all about. Or so he claims. In The Flash 18, Barry contradicts himself, telling the eager-to-help members of team “Speed Force” that they must not use their newfound powers. Despite having gifts and wanting to help, these men are not superheroes in Barry’s eyes, at least not yet. So what does it take to truly become a superhero? Does it require a fine-tuned sense of when and how to use your powers? Does it even require having superpowers at all? Looks like Barry’s about to find that out the hard way. Continue reading →

Mar 28 2013

Justice League Dark 18

Today, Taylor and Shelby are discussing Justice League Dark 18, originally released March 27th, 2013. 

Taylor: Magic versus Science is an old trope. This theme has presented itself in books uncountable, in roughly half of all the Star Trek TNG episodes ever made, and in 67% of the movies filmed between 1985 and 2011. Hell, this battle is even present in music. If we accept that magic is essentially a stand-in for things of the past while science stands for those of the future it becomes clear how this relation works.  Just take a look at any of your friend’s iTunes list and you’ll see a large portion of it is devoted to neo-folk while another large portion is made up of electronic or club music. I suppose it is a testament to mankind’s preoccupation with this theme that it exists in so many aspects of our daily life. However, I’m surprised that as a society we haven’t gotten tired of this conversation. While we all certainly long for the past in some way or another, we also all enjoy innovation and exploration. Perhaps there is some deep explanation for why this subject fascinates us all and perhaps that is the reason why the recent events in Justice League Dark are so entertaining. Or maybe, just maybe, the reason why it’s so compelling in JLD is because the story telling is just so damn good, as exemplified in the most recent issue.

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Mar 27 2013

Green Lantern: New Guardians 18

new guardians 18 wrath

Today, Shelby and guest Pivitor are discussing New Guardians 18, originally released March 20th, 2013. This issue is part of the Wrath of the First Lantern crossover event. Click here for our First Lantern coverage.

Shelby: Be true to yourself. It’s the sort of lesson a pre-teen protagonist would learn at the end of an after school special about peer pressure or cliques or something like that. Disney Channel-sentimentality aside, the idea of recognizing who you are at your core is an important one to me. It took me about 28 years, but I think I’m finally figuring myself out, finally learning what really motivates me to be the person I am. Is this core me something that I’ve always had inside me, or has the life I’ve lived shaped it? If my life had taken a number of very different turns, would I be a completely different person, or would this core me be the same?  Continue reading →

Mar 26 2013

All-New X-Men 9

all new x-men 9

Today, Patrick and (guest writer) Michael D. are discussing All-New X-Men 9, originally released March 20th, 2013.

Patrick: ­”What are we doing here?” It’s a practical question, but it’s also often a petulant one. The question is so charged, packed with implications about the many other ways the asker would rather be spending their time. In my experience, the next thought after “what are we doing here?” is usually “I’m leaving.” When you’re young and unattached, it’s a dangerous question because it can lead you to take almost any course of action. So when a time-displaced mutant that feels alienated from his only friends asks “What are we doing here?” it’s cause for alarm.

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Mar 26 2013

Saga 11

saga 11

Today, Shelby and guest writer Suzanne are discussing Saga 11, originally released March 20th, 2013.

Shelby: How am I supposed to speak intelligently about this title? In all my write-ups, I strive to find that deeper meaning, that thread of something more that runs through the book. That’s what we do here, and we do it because we believe whole-heartedly that comic books are a form of literature and deserve to be treated as such. But then I get a title like Saga, and I don’t know what to say. Brian K. Vaughn is masterfully juggling broad themes like family, love, and sacrifice, tying it all together with strongly-developed characters and moments of emotional nuance. Fiona Staples work is beyond compare; she animates the men and women (and cats) Vaughn has already breathed life into. To be frank, sometimes this book just leaves me kind of speechless it’s so good. Continue reading →

Mar 21 2013

Constantine 1

constantine 1

Today, Shelby and Patrick are discussing Constantine 1, originally released March 20th, 2013.

Shelby: There’s no such thing as a free lunch. Everything has a price, and everyone has to pay it eventually. It might be nice to try to live your life like that isn’t true: to give of yourself freely and expect nothing in return. While I believe the world would be a better place if everyone were less selfish, if we all helped each other out with a no-strings-attached free lunch every now and again, I know that there will always be people who will take advantage of that system. People like John Constantine.  Continue reading →

Mar 19 2013

Before Watchmen – Ozymandias 6

ozymandias 6 B4WToday, Michael and Shelby are discussing Ozymandias 6, originally released March 13th, 2013. Ozymandias is part of DC’s Before Watchmen prequel series. Click here for complete Before Watchmen coverage (including release dates).

Michael: What you don’t show is as important as what you do show. If a story is told well, you can thankfully take this writerly aphorism for granted. We’re free to focus on what we are shown, because it’s gripping and we care about these moments over others. The rest — the implied events — blends into the background. It might be important. It might be necessary we know about it, but it isn’t right in front of us, on the page, and that’s OK. Unless that story is Before Watchman: Ozymandias 6, then it’s not OK. Every grinding gear of a story must be on display. It’s my own fault. I crave the supplemental information and shifts in perspective — I’m just upset when it doesn’t work out.

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Mar 15 2013

Batgirl 18

batgirl 18

Today, Patrick and Shelby are discussing Batgirl 18, originally released March 13th, 2013.

Patrick: You know how NBC does a week of environmentally themed shows for the week of Earth Day? (Maybe they even call it Earth Week, who knows?) It’s a network-wide mandate and there’s a persistent green peacock in the lower right corner of the screen to remind us of this fact. How individual shows deal with this mandate is sorta flexible — The Office will relegate their green message to the cold open, and 30 Rock will have Al Gore on again. Everybody tows the line because to not do it would be monstrous. You don’t want to be the only sitcom that doesn’t care about global warming, right? Batgirl 18 finds itself in a similar predicament: how to participate in this REQUIEM without derailing the series’ forward momentum. Ray Fawkes eschews convention by trading in themes rather than plot points. The results are mixed.   Continue reading →

Mar 13 2013

The Superior Spider-Man 5

superior spider-man 5

Today, Shelby and Patrick are discussing Superior Spider-Man 5, originally released March 6th, 2013.

Shelby: For a super-villain, murder is often the most efficient way to do business. Unless you need hostages or information, civilians are at best in your way, and at worst witnesses to your nefarious deeds. Also, there’s no more efficient way to be feared and considered dangerous than by ganking a few innocent bystanders. It’s why so many heroes have pretty strict “no kill” rules; not only does it make the hero the diametric opposite of the villain, there are also times when not killing is the harder choice. Doing the hard thing (like saving the life of a cold-blooded murderer) because it’s the right thing is a core tenet of hero-ness. When faced with a choice between what’s right and what’s efficient, I think we all know which option Otto will choose.  Continue reading →

Mar 12 2013

All-New X-Men 8

all new x-men 8

Today, Ethan and Shelby are discussing All-New X-Men 8, originally released March 6th, 2013.

Ethan: ­Time-travel narratives always have the potential to bring up questions of self and identity. Though he wrote in less sci-fi context, Famous Dead White Guy David Hume talked about self not in terms of one, coherent, persistent soul but as a collision of different, constantly changing ideas and perceptions, like a train barreling forward with an ever changing set of passengers. While I may feel like I’m one, same person from one day to the next, I’m occasionally startled when my brain abruptly serves up a memory from the past. I remember the experience, the decisions, the stimuli as if it was me, but the choices and statements made by that past person often seem alien. That person was, in many real ways, NOT the me I am now. Reading All-New X-Men 8, I was happy to see that writer Brian Michael Bendis and artist David Marquez took some time to play around with these ideas.

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