Deadpool 21

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Today, Taylor and Patrick are discussing Deadpool 21, originally released October 26th, 2016. As always, this article contains SPOILERS.

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Taylor: The Music Box Theater in Chicago has an ongoing series of film showings called “Is It Still Funny?” The premise of the event is that viewers go and watch an older comedy film and then listen to a discussion that begs the questions “is this film even funny anymore?” It’s an interesting idea and I think it works because unlike other genres, comedy tends to not age well. There’s a slew of reasons for that and here is not really the place to get into it, but the question is interesting when applied to a character like Deadpool. At what point do all of his antics fail to amuse and humor? More importantly, at what point do they begin to put innocent lives in danger?

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Weekly Round-Up: Comics Released 10/26/16

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Look, there are a lot of comics out there. Too many. We can never hope to have in-depth conversations about all of them. But, we sure can round up some of the more noteworthy titles we didn’t get around to from the week. Today, we discuss Star Wars 24, Star Wars: Poe Dameron 7, Jughead 10, TMNT Universe 3, and Outcast 22. Also, we’ll be discussing Saga 39 on Tuesday and Descender 16 on Wednesday, so come back for those! As always, this article contains SPOILERS.

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The Mighty Thor 12

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Today, Taylor and Spencer are discussing The Mighty Thor 12, originally released October 19th, 2016. As always, this article contains SPOILERS.

Taylor: Even though it’s easy to recognize a fairy tale or myth, it’s hard to explain what sets them apart and makes them so recognizable compared to other forms of storytelling. True, there are the usual suspects that jump out to tell us that what makes a story a myth is a moral, an explanation of how things came to be, or supernatural creatures. More than these, however, there’s something about the structure of a myth or fairy tale that makes it instantly recognizable as such, something intrinsic and deep down that on some level defies explanation. So, even though it’s hard to say exactly what makes these stories work the way they do, they simply cannot be misunderstood for anything else. And in just this way, there’s no denying that The Mighty Thor 12 is a myth in all the best ways possible.

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Infamous Iron Man 1

Alternating Currents: Infamous Iron Man 1, Drew and Taylor

Today, Drew and Taylor are discussing Infamous Iron Man 1, originally released October 19th, 2016. As always, this article contains SPOILERS.

Drew: I tend not to sweat spoilers — frankly, the notion that a story could be “spoiled” by knowing the plot ahead of time so disregards the importance of every other aspect of storytelling that I believe it misses the point of stories entirely. BUT, I do get how annoying it is to have the ending of a story blurted out when I wasn’t suspecting it. I may not mind clicking on articles I know contain spoilers, but I’d at least like to know what narratives those spoilers pertain to. Which is why Infamous Iron Man 1 seems to warrant a special spoiler warning: one for readers of Civil War II. Certain events in this issue fall out directly from events of Civil War II that haven’t happened yet, making it all but impossible to talk about the issue without spoilers. Consider yourself warned. Continue reading

Marvel Round-Up: Comics Released 10/19/16

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We try to stay up on what’s going on at Marvel, but we can’t always dig deep into every issue. The solution? Our weekly round-up of titles coming out of Marvel Comics. Today, we’re discussing Amazing Spider-Man 20, Astonishing Ant-Man 13, Black Panther 7, Black Widow 7, Captain America Sam Wilson 14, Death of X 2, Doctor Strange 13, Patsy Walker AKA Hellcat 11, Silk 13, Spider-Woman 12, Unbeatable Squirrel Girl 13, and Uncanny Inhumans 14 — and come back on Friday for our discussion of Infamous Iron Man 1, on Monday for our discussion of Mockingbird 8, and on Wednesday for our discussion of Mighty Thor 9! As always, this article contains SPOILERS.

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Howard the Duck 11

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Today, Spencer and Taylor are discussing Howard the Duck 11, originally released October 12th, 2016. As always, this article contains SPOILERS.

Spencer: On her twitter, Gail Simone recently discussed something she calls the “Batmobile Effect.” In short, it’s the exhilarating feeling a creator gets when they realize they’re working on a comic icon, on a character they grew up adoring and now, all of a sudden, are in charge of. That feeling right there describes much of the appeal of writing for Marvel or DC — the downside, of course, is that you never truly “own” a character. At the Big Two there’s only so much a writer can change a character because, when their run is over, it has to go right back into the “toy box” for another creator to use.

Howard the Duck 11 brings Chip Zdarsky and Joe Quinones’ run to an end, and the two show an exquisite understanding of how to handle a work-for-hire ending. Zdarsky and Quinones have truly made Howard their own, yet leave the character in better condition than when they found him, leaving the door open for future creators to try their hand at Howard as well. It’s a skill their in-story counterparts, Chipp and Jho, never quite grasp. Continue reading

Weekly Round-Up: Comics Released 10/12/16

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Look, there are a lot of comics out there. Too many. We can never hope to have in-depth conversations about all of them. But, we sure can round up some of the more noteworthy titles we didn’t get around to from the week. Today, we discuss Star Wars Han Solo 4, Teenage Mutant Ninja Turtles 63, The Fix 6, Jupiter’s Legacy Volume 2 4, Lazarus 25. Also, we discussed Darth Vader 25 on Thursday and will be discussing Reborn 1 on Tuesday and Kill or Be Killed 3 on Wednesday, so come back for those! As always, this article contains SPOILERS.

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DC Round-Up: Comics Released 10/12/16

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How many Batman books is too many Batman books? Depending on who you ask there ain’t no such thing! We try to stay up on what’s going on at DC, but we can’t always dig deep into every issue. The solution? Our weekly round-up of titles coming out of DC Comics. Today, we’re discussing All-Star Batman 3, Doom Patrol 2, Gotham Academy Second Semester 2, Hal Jordan and the Green Lantern Corps 6, New Super-Man 4, Supergirl 2, and Wonder Woman 8. Also, we’ll be discussing Detective Comics 942 on Monday, so come back for that! As always, this article containers SPOILERS.

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Darth Vader 25

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Today, Taylor and Patrick are discussing Darth Vader 25, originally released October 12th, 2016As always, this article contains SPOILERS.

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Taylor: Darth Vader stands alone in pop culture. He is at once terrifying and relatable, a killer and a loving father, a villain and a hero. Perhaps the reason for his enduring popularity is that Vader cannot be defined by one singular trait. Like every human, he changes over time, is sometime good and sometimes evil, and is all too fallible. Ultimately this is what makes him a character that is uniquely memorable. Despite controlling an ancient mystical power, using a sword made of pure energy, and conquering the known universe, what makes him an essential character is the simple fact that he changes. In the final issue of this amazing run, Darth Vader explains once and for all why there is such a big change in the Lord of the Sith between Episode IV and Episode V in wonderful fashion.

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Cage! 1

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Today, Taylor and Spencer are discussing Cage! 1, originally released October 5th, 2016. As always, this article contains SPOILERS.

Taylor: Somewhere in my internet wanderings I read an article about the evolution of American cartoon design. In the article (which totally eludes me now despite many internet searches), the author makes the claim that the design of characters in American animation has gradually moved away from the influence of major animation houses over time. Looking at this evolution in pictures, I could see characters going from more detailed to symbolic and abstract in their design. With these ideas still rolling around in my brain, I read Cage! 1 and was delighted by the radical design of the characters and setting. Eschewing traditional styles in favor of his own unique brand, Genndy Tartakovsky has created a comic that is totally unique yet somehow familiar.

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