Bebop and Rocksteady Destroy Everything: Anatomy of Destruction with Ben Bates

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Bebop and Rocksteady Destroy Everything has a premise that’s just too innately appealing to ignore. There’s something elemental about this pair of boneheads wrecking up the universe, and the pedigree of comics from IDW’s Teenage Mutant Ninja Turtle team suggests that this is going to be some marvelous wreckage indeed. We’re sitting down with five artistz that helped contribute to the mayhem to discuss their approach to action.

This week, Patrick is talking to co-writer and issue 1 artist, Ben Bates about being true to dumb characters, non-linear storytelling and why Leonardo is his favorite turtle (and why all his haters are wrong).  Continue reading

DC Round-Up Comics Released 6/1/16

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We here at Retcon Punch are a naturally curious bunch, and there are few things more curious than DC’s Rebirth publishing initiative. In this Round-Up, we’re discussing Green Arrow Rebirth 1 and Green Lanterns Rebirth 1. For our thoughts on Batman Rebirth 1, check out our in-depth discussion here. And come back on Wednesday, June 8, for our thoughts on Superman Rebirth 1.

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Batman: Rebirth 1

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Today, Drew and Mark are discussing Batman: Rebirth 1, originally released June 1st, 2016.

Sometimes a cigar is just a cigar.

Sigmund Freud

Drew: There’s plenty of reasons to believe Freud never said such a thing, but whatever its origin, this quote always helps me keep perspective when attempting to parse the symbolism in a work of art. The last thing I want is to sound like Fred Armesin’s exaggerated (and nonsensical) lyrical analyses, so it always makes me nervous when I find my attention drawn to symbols within a comic. Even with that reticence, though, I couldn’t ignore the deeply symbolic nature of Scott Snyder and Tom King’s Batman: Rebirth, even if I’m not quite sure what all of the symbols mean. Continue reading

Spider-Women Omega 1

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Today, Spencer and Patrick are discussing Spider-Women Omega 1, originally released June 1st, 2016.

Spencer: In the letters at the end of Spider-Women Omega, writers Dennis Hopeless, Jason Latour, and Robbie Thompson all touch upon one of the primary elements that has made this crossover so strong: its focus on character-driven storytelling, not spectacle for spectacle’s sake. Spider-Women‘s grand finale sticks with this winning formula, leaving every character in a far different state emotionally than they were at the story’s beginning. Continue reading

Afterlife With Archie 9

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Today, Taylor and Ryan M. are discussing Afterlife With Archie 9, originally released May 25th, 2016.

Taylor: At the beginning of Afterlife With Archie, Reggie says, “everyone is the hero of their own life story.” This is an old saying that certainly has some truth to it; the world as any individual conceives it, necessarily revolves around themselves. This is a powerful idea and it speaks to the nature of how persuasive solipsistic thinking can be. However, after stating this, Reggie imagines himself saving the day by leading some horses back to the survivors of the Riverdale zombie outbreak. The message seems to be that not only are we the center of our own stories, but we are also always the good guy in our personal narrative. But Reggie doesn’t see himself as the good guy in his own life story, he sees himself as the bad guy.

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Marvel Round-Up: Comics Released 5/25/16

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We try to stay up on what’s going on at Marvel, but we can’t always dig deep into every issue. The solution? Our weekly round-up of titles coming out of Marvel Comics. Today, we’re discussing Daredevil 7, Deadpool 12, Doctor Strange 8, Hyperion 3, Mockingbird 3, Mighty Thor 7, Patsy Walker a.k.a. Hellcat 6, Unbeatable Squirrel Girl 8, Uncanny Inhumans 9, Weirdworld 6.

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Batgirl 52

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Today, Mark and Drew are discussing Batgirl 52, originally released May 25th, 2016.

Mark: What is the best way to portray a female superhero?

Batgirl 52

The first sizzle reel revealed for CBS’s (now CW’s) Supergirl television series was met with a healthy dose of skepticism and derision since it included a number of moments where Kara is shown doing stereotypical “girlie” things and its The Devil Wears Prada-esque setting. Some compared it to SNL’s satirical trailer for a Marvel Black Widow movie that aired just a little bit before the Supergirl first look was released. The fact that Kara worried about boys at all or worked at a fashion magazine meant that she wasn’t a strong female character. I haven’t watched Supergirl at all outside of the pilot, but the general consensus of her portrayal now that the first season has concluded seems to be overall positive.

Likewise, Brenden Fletcher and Cameron Stewart’s Batgirl of Burnside, making Barbara Gordon more pop and significantly less intense than the Gail Simone run that preceded it, has been met with similar criticism. I’m not a woman, but I am gay and it is through that lens that I approach the desire for people like me to be represented in media by strong characters. In that way, I can understand the eye-rolling at a social media obsessed Batgirl just like I sometimes get annoyed at what I perceive as grossly flamboyant gay characters in movies and TV shows. Continue reading

Weekly Round-Up: Comics Released 5/25/16

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Look, there are a lot of comics out there. Too many. We can never hope to have in-depth conversations about all of them. But, we sure can round up some of the more noteworthy titles we didn’t get around to from the week. Today, we discuss Aloha, Hawaiian Dick 2, East of West 26 and Tokyo Ghost 7. Continue reading

Steve Rogers Captain America 1

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Today, Patrick and Spencer are discussing Steve Rogers Captain America 1, originally released May 25, 2016.

Patrick: The most troubling thing about any inspirational figure is that they are necessarily mutable. Human beings are never only one thing, but we often reduce them to a single trait or value so that we may incorporate that into our own view of the world. John Lennon believed in peace, Martin Luther King Jr. believed in equality, Steve Jobs believed in innovation. Those are all trite reductions of fantastically complicated people, but it is useful to have avatars of these qualities and principals. Nick Spencer and Jesus Saiz’ Steve Rogers Captain America 1 sets out to complicate one of the most inspirational figures in comics — which I feel is a necessary exploration of the Greatest Generation — but the issue is almost more interested in the concepts of inspiration and legacy than the specific twist deployed on the final splash page. Continue reading

Star Wars 19 & Obi-Wan and Anakin 5

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Today, Michael and Taylor are discussing Star Wars 19 and Obi-Wan & Anakin 5, originally released May 25th, 2016.

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Star Wars 19

Star Wars 19Michael: In past write-ups, I’ve argued that nothing truly significant can happen to our band of Rebels in the pages of Star Wars, since they are bound to the canon of both the preceding and following films. What the Star Wars comics can do, however, is serve as a study of any given character from the original Star Wars film. Leia isn’t necessarily a damsel in distress in the original trilogy, but she does often play second fiddle to the likes of Luke or Han. Star Wars 19 is the finale of the “Rebel Jail” arc, which has highlighted Leia’s strength and resolve as both a hero and leader.

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