Tag Archives: Cyclops

Oct 7 2013

All-New X-Men Special 1

all new x-men special

Today, Patrick and Ethan are discussing All-New X-Men Special 1, originally released October 2nd, 2013. This issue is part of the three-part Arms of the Octopus story.

Patrick: No matter how well superheroes puncture the zeitgeist, there’s always going to be a stigma around actually reading comic books. Both the medium and the genre have a ton of idiosyncratic problems, and even those of us willing to suspend our disbelief to read stories about muscly warriors putting on pajamas to punch each other in the face — a suspension which is largely worth it — struggle with the way stories are distributed. Extreme serialization leads to long epic, emotionally fulfilling stories, but it also means you get entire months where nothing really happens. On the flipside, extreme episodism leads to easily digestible stories that leave little lasting impact on the reader. Mike Costa’s Arms of the Octopus seems to have its sites set somewhere in the middle, combining the fun escapism of something like A+X, with the more meaningful stories from the series it borrows its titles from. Continue reading →

Oct 2 2013

Wolverine and the X-Men 36

Alternating Currents: Wolverine and the X-Men 36, Drew and TaylorToday,  Drew and Taylor are discussing Wolverine and the X-Men 36 originally released September 25th, 2013. This issue is part of the Battle of the Atom event. Click here for our complete coverage of Battle of the Atom.

atom divider

Isn’t it worth a few bruised children to save the entire future?

Xavier

Drew: Sacrifice is a funny thing. If helping others requires harming yourself, people will hail you as a hero, but if it requires someone else being hurt — even with the same net result — people hem and haw about ends justifying means. Obviously, the sticking point is free will; it’s perfectly okay to willingly do something yourself, but each of us must be free to make that choice. Of course, that can become a bit of a sticking point in time travel narratives, where there’s a sense that certain things have to happen — Sarah Connor has to survive to give birth John, Marty McFly’s parents have to kiss at the enchantment under the sea dance — in order for the story to even be possible. We tend to focus on the potential paradoxes there, often forgetting that the affected characters have effectively had their free will’s sacrificed by whatever time-travelers happen to be meddling with their pasts. The morality of that act is under scrutiny in Wolverine and the X-Men 36, as Jason Aaron adds new players to both sides of the debate. Continue reading →

Sep 19 2013

Uncanny X-Men 12

Alternating Currents: Uncanny X-Men 12, Drew and ShelbyToday,  Drew and Shelby are discussing Uncanny X-Men 12 originally released September 18th, 2013. This issue is part of the Battle of the Atom event. Click here for our complete coverage of Battle of the Atom.

atom dividerDrew: I’ve always loved the hypothetical question: “if your friend/family member/significant other committed a crime, would you hide them from the police?” It pits our relationships against our morals, or, more elegantly, our loyalty to people against our loyalty to ideas. What do you value more? Obviously, there are a number of mitigating factors, including the relationship to the given person, and the severity of the crime in question, but the point of the exercise is to think about where those factors start to matter — is this love truly unconditional, or are there conditions that trump it? Some situations are harder to call than others, but Uncanny X-Men 12 might mark the first narrative I’ve ever read where a man is conflicted with the idea of aiding and abetting himself. Continue reading →

Sep 13 2013

X-Men 5

Alternating Currents: X-Men 5, Ethan and TaylorToday,  Ethan and Taylor are discussing X-Men 5 originally released September 11th, 2013. This issue is part of the Battle of the Atom event. Click here for our complete coverage of Battle of the Atom.

atom dividerEthan: If you’ve ever run away from home, or snuck out in the middle of the night to dodge your curfew, or even just stormed off in the middle of a fight, you know the feeling. The conviction that you’d rather be ANYWHERE but where you just left; an undirected need to get away; but the nagging little awareness that your escape is only temporary. Sooner or later, you’re going to have to turn around and confront whatever it is that pushed you away — finish the conversation with your parents, make amends with a friend or significant other — in short, come home. In X-Men #5, we find Jean and Scott on the outbound leg of this sort of journey, and contrary to their fears, they might not have to go home quite as soon as they think.

Continue reading →

Sep 9 2013

All-New X-Men 16

all new x-men 16 atom

Today,  Shelby and Ethan are discussing All-New X-Men 16 originally released September 4th, 2013. This issue is part of the Battle of the Atom event. Click here for our complete coverage of Battle of the Atom.

atom divider

Shelby: 

“I think that you X-Men are so used to the space and time and life and death craziness in your lives that you don’t even notice how crazy it is anymore.”

-Triage, All-New X-Men 16

“And which of our numerous, terrible mistakes are you referring to?”

-Wolverine, All-New X-Men 16

Continue reading →

Sep 6 2013

X-Men: Battle of the Atom 1

x-men battle of atom 1 atom

Today,  Patrick and Taylor are discussing X-Men: Battle of the Atom 1 originally released September 4th, 2013. This issue is part of the Battle of the Atom event. Click here for our complete coverage of Battle of the Atom.

atom divider

Patrick: Hey, is it just me, or does it seem like comic book movies are growing more courageous in what they’re willing to put on the screen. I blame Thor for laying some of the sillier cards on that table and daring the audience to object. Subsequent superhero movies have followed suit: the Krypton sequence in Man of Steel is long and unapologetically alien, Avengers featured the fucking Chitauri, and the upcoming X-Men movie will feature the bonkers time travel insanity of Days of Future Past. Battle of the Atom feels like a challenge to those emboldened film franchises: as if to say: “You don’t know what crazy is. Brother, this is Marvel Comics, we’ve got three versions of Beast interacting with each other – we know crazy.”

Continue reading →

Sep 4 2013

A + X 11

a+x 11

Today, Patrick and Taylor are discussing A + X 11, originally released August 28th, 2013.

Patrick: A+X prides itself of being a pick-up and read series – a zero-cost entry point for anyone looking to have some fun with the Marvel characters. As such, there’s no nonsense that’s too out of line for these stories – you want Beast and Spider-Man to travel to a post-apocalyptic future? No problem! The carefree nature of these stories is compounded by the fact that there are two in every issue – it’s not just a one-off story, it’s a two-off (or half-off… I guess I’m not totally sure how you’d articulate that). A+X 11 bucks this trend, nestling both of it’s stories between the events of current series. It’s a bold, oddly alienating decision for a series that boasts such inclusiveness.

Continue reading →

Sep 4 2013

Uncanny X-Men 11

Alternating Currents: Uncanny X-Men 11, Drew and PatrickToday, Drew and Patrick are discussing Uncanny X-Men 11, originally released August 28th, 2013.

Drew: Does bravery matter in war? Society has long honored the soldiers most willing to ride out and face their enemies, but modern technology renders that way of thinking almost obsolete. Why risk your life in hand-to-hand combat when you can shoot your enemy from a quarter mile away? Or drop a bomb on him? Or better yet, have a drone drop a bomb on him while you sit comfortably in a control room on the other side of the planet? The danger for yourself stops being physical, and starts being spiritual — under what circumstances is it moral to kill someone who poses no immediate threat to you? America has become a bit desensitized to these drone strikes, but in Uncanny X-Men 11, Brian Michael Bendis examines how would-be-victims react to murder-by-proxy. Continue reading →

Aug 20 2013

Uncanny X-Men 10

uncanny x-men 10Today, Ethan and Drew are discussing Uncanny X-Men 10, originally released August 14th, 2013.

Ethan: When moderately intelligent villains start going about business of realizing their aims, one of the early practical considerations is that of personnel. If you want to take over the world, or bend its orbit into the sun, or just make a whole lot of money, you’re gonna need some other people to help you get there. You can solve this problem in a few different ways: one common one is to just shell out the cash, but you tend to get an army of dim thugs that way. Another way is to come up with an idea that has the twin benefits of both supporting your own aims while striking a chord in the hearts and minds of your potential followers/muscle. In Uncanny X-Men #10, we start to receive signals that Scott is in danger of following in the footsteps of the bad guys he used to square off against, and I don’t even think he knows he’s doing it. Continue reading →

Aug 14 2013

All-New X-Men 15

all new x-men 15

Today,  Shelby and Patrick are discussing All-New X-Men 15, originally released August 7th, 2013.

Shelby: No one knows better than I the importance of taking a break every once in a while; heck, I took several writing breaks before I even started this post. But seriously, it’s important to take breaks to keep from getting burned out, and the same applies to comic books. Stories take little breaks with what we call “hang-out issues,” where the bulk of the plot consists of the characters hanging-out. The beauty of the hang-out issue is, when it’s done well, we get a story break AND character development. Artists take breaks too, but the obviously visual nature of art can make an artist break more jarring and disruptive. This month, Brian Michael Bendis gives us a story break as we wait for Battle of the Atom to start, and David Lafuente gives Stuart Immonen a break on pencils; the result is a story which feels very different from what we’re used to in All-New X-Men.

Continue reading →