Superman 1: Discussion

by Spencer Irwin and Patrick Ehlers

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Spencer: One of the biggest criticisms I’ve seen thrown around about Superman as a character is that he’s “too powerful,” that nothing can challenge a man who can quite literally juggle planets. There’s a bit of truth to this, to be sure, but it’s a narrow criticism, one that only takes into consideration physical challenges; the most interesting Superman stories are the ones that challenge him morally, ethically, or in ways that make his physical abilities useless. Superman 1 is such a story, an issue that finds the character at his most physically competent, yet feeling more lost and helpless than ever before.  Continue reading

Superman Fails to Find a Better Way in Man of Steel 6

by Drew Baumgartner

Man of Steel 6

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Superman always finds a better way.

Superman purist, Traditional

I’m paraphrasing pretty heavily here, triangulating a sentiment from the dozens of arguments I read (and participated in) in the wake of Zack Snyder’s Man of Steel, but the idea that Superman can always come up with a solution that doesn’t involve murder is a ubiquitous one in Superman fandom. And I agree with that idea as it applies to that film — Superman certainly could have at least attempted something else (or the movie could have done a better job convincing us that he had exhausted his options) — but something about “always finding a better way” doesn’t quite feel like Superman to me. His moral compass true, and he’ll never fail to aim for a solution that satisfies his sense of what’s right and wrong, but the thought that he always comes up with a solution would rob those morals of any real consequence. While some Superman stories might resemble Sherlock Holmes in that “seeing how he solves it is the fun” kind of way, one of the most interesting things about Superman having such a strong morality is that it might be tested or bear some emotional cost. That’s a point Brian Michael Bendis and Jason Fabok leverage twice in Man of Steel 6, as Superman fails to “find a better way” in both his superheroing and family lives. Continue reading

Batman 50: Discussion

by Drew Baumgartner and Michael DeLaney

Batman 50

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Drew: Bruce Wayne understands that his responsibilities as Batman demands sacrifice. He devotes his time, body, and earthly resources to his mission to fight crime, and generally takes that mission very seriously. All of which can look like he’s sacrificed his own happiness in order to be Batman. Or, more precisely, that his happiness is a necessary sacrifice for his existence. Batman’s drive, the argument goes, comes from his grief, anger, and sadness, so anything that blunts or dilutes those feelings weaken his mission. It’s a position DC Editorial staked out back in 2013, when Dan DiDio explained why Batwoman’s marriage could never happen, but it’s not necessarily a philosophy writer Tom King ascribes to. Indeed, King has argued that Batman’s happiness is a valuable source of drama, stating “There’s no conflict in having Batman be sad. There’s conflict in having Batman be happy.” That may mean King sees Batman’s happiness as only a temporary condition, but it’s obviously not out of the question. The point is, it’s a hotly debated topic, and one that King cleverly allows to play out in the pages of Batman 50. Continue reading

Green Lantern 23

green lantern 23

Today, Patrick and Drew are discussing Green Lantern 23, originally released August 7th, 2013.

Patrick: I moved out to Los Angeles because I wanted to be a television writer. If you want to be a lumberjack, you move to the forest, right? I don’t have much in the way of family on the West Coast, and I knew that distance from those that I loved was just going to be part of this bargain I was striking. The idea of giving up family for my art was romantic — I could live an idealized life of creativity and yeah I’d suffer for it, but I’d be suffering for a reason. When my older sister had her second kid, however, I was on a plane to Atlanta: I wasn’t going to miss out on meeting my nephew. It’s love, and it’s a primal motivator. No matter how much you will it away, love can dictate your actions. It’s the sort of thing that will make Hal Jordan drop the fight that he’s right in the middle of to check on the girlfriend he swore off to defend the corps. Continue reading

Green Lantern 17

green lantern 17 wrath

Today, Patrick and Drew are discussing Green Lantern 17, originally released February 20th, 2013. This issue is part of the Wrath of the First Lantern crossover event. Click here for our First Lantern coverage. 

Patrick: The end of an era is nigh: Geoff Johns and crew are stepping down as shepherds of the Green Lanterns. Wrath of the First Lantern is the grand finale, but it’s already showing signs that it’s really more of a victory lap. With concepts as grandiose as the creation of the universe and altering the past in play, the entire Green Lantern Universe — past, present and future — is exposed and vulnerable. I haven’t been this excited about Green Lantern in years.

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Earth-2 4

Today, Patrick and Drew are discussing Earth-2 4, originally released August 1st, 2012.

Patrick:  Self-awareness is all the rage these days. You can get away with telling any story – no matter how cliche or inane – by simply having the characters acknowledge the various well-worn tropes they’re engaged in. It’s a safe way for writers and film-makers to assure their audience that they’re in on the joke – yes, we all know how crazy this looks. Joss Whedon is the king of this sort of thing (y’all saw Avengers, right?), but you see it everywhere. There are a couple of draw-backs to this approach, but the biggest danger is that of white-washing your characters’ personalities. If everyone is savvy enough to comment on their genre-adventures, then no one’s really an individual. Another big draw-back is that it makes everyone extremely — and interchangeably — chatty. While Earth-2 manages some neat concepts and fun characters, the cut-and-paste nature of the dialogue is holding it back in a serious way.
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Earth-2 3

Today, Peter and Patrick are discussing Earth-2 3, originally released July 4th, 2012.

Peter:  Alan Scott’s sexual orientation has been quite the hot topic lately. But Alan’s transformation into the Green Lantern of Earth-2 brings with it many more interesting and surprising developments than just the one hot-button issue. As Earth-2 slowly repopulates with costume heroes, he will certainly be playing large role. The character has been pretty much completely redone with the New 52, which means we have a total reinvention of the Green Lantern side of his character. But there is no way I am going to spoil that on the home page.
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Green Lantern 6

Today, Shelby and Patrick are discussing Green Lantern 6, originally released February 8th, 2012.

Shelby: I forget how much I like Green Lantern. You wouldn’t think I would be able to forget; I devoured Rebirth and Blackest Night. Green Lantern was my introduction to the wackiness of the DC universe. Without Green Lantern, I probably would not be sitting here writing this post.  Hal’s cocky attitude, his eternally doomed relationship with Carol, his never-ending-struggle with Sinestro, his former mentor and partner: I enjoy it all. While I’ve been enjoying Green Lantern so far with the relaunch, it was this issue that really made me remember just how much I like Green Lantern. Continue reading