FF 10

ff 10Today, Patrick and Drew are discussing FF 10, originally released July 31st, 2013.

“I’ve written myself into my own script.”

“That’s kinda weird, huh?”

“It’s self-indulgent! It’s narcissistic! It’s solipsistic! It’s pathetic! I’m pathetic and I’m fat and pathetic!”

Nick Cage as Charlie and Donald Kaufman, Adaptation

Patrick: Adaptation is the best narrative I’ve ever encountered that directly confronts the challenges of portraying beauty abstractly. The screenplay works incredibly hard to achieve this, constantly doubling down on both its own cleverness and its disdain for said cleverness. Screenwriter Charlie Kaufman does this my making himself a character in his own movie about adapting the book he’s been hired to adapt. If that sentence seemed to loop back on itself — and consequently, not make any sense — that’s because the film really needs to be experienced to be understood. Matt Fraction inserts himself, artist Mike Allred and editor Tom Brevoort into this issue of FF, but the lessons he offers have more to do with history than with expression. Plus, he makes himself say “ginchy,” like he’s Velma from Scooby-Doo, so you know it’s a home run.

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New Avengers 8

new avengers 8

Today, Patrick and Drew are discussing New Avengers 8, originally released July 24th, 2013. 

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Patrick: “What have you done?” This phrase appears a couple times throughout the issue. It’s a fantastically loaded question, both accusatory and sincerely seeking an answer. With so many balls in the air, and so many mysteriously motivated characters, I find myself asking the same question of our heroes. But rather than being motivated by anger or desperation or any emotion whatsoever, I’m asking for clarification. “Hey, Tony,” I ask, hands sheepishly in my pockets, “what did you do?”

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FF 9

FF 9

Today, Patrick and Ethan are discussing FF 9, originally released July 17th, 2013.

Patrick: We recently decided to ax our coverage of the FF‘s sister series, Fantastic Four. Partially, we did this because Reed Richards is an insufferable asshole, but the series also suffered from its own apparent non-importance. The idea of the Fantastic Four’s totally episodic adventures through time and space sounded like an awful lot of fun, but they started to feel trivial pretty quickly. When you account for the Magic School Bus level of coincidence involved in some of their stories (“hey look kids, it’s Julius Cesar!”), it became clear that the story wasn’t for us. Or was it? FF’s stories have been pretty insubstantial too, but there’s something about the cast and the sense of humor we just liked more. With this issue, Fraction reveals that none of his stories have been irrelevant, and all of these threads are woven together into a single tapestry, telling personal, interested and interesting stories about the people touched by the Fantastic Four. Plus: POOL PARTY!

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Fantastic Four 9/FF 8

fantastic four 9 ff 8Today, Shelby and Ethan are discussing Fantastic Four 9 and FF 8, originally released June 19th, 2013 and June 26th, 2013, respectively.

Shelby: Everyone makes mistakes. There’s no way around it. Personally, I think it’s a better judge of character to see how a person deals with their mistakes, and less so that the mistakes were made in the first place. It’s important to admit when you’ve messed up and take responsibility fr your actions, but the gesture rings a little hollow when you don’t actually expect to be held responsible. Or if you can just go back in time and undo what you did: how will you learn from a mistake if you can just erase it? Moreover, if you aren’t going to be held responsible for what you did, and you can’t undo it no matter how badly you may want to, can you really forgive yourself?
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New Avengers 7

new avengers 7

Today, Spencer and Patrick are discussing New Avengers 7, originally released June 19th, 2013. 

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Spencer: The more responsibility you have, the harder it is to find time to yourself. I consider myself fortunate to have a job that I can ignore completely on my days off, but if I was, say, a CEO or the president, I just wouldn’t have that luxury; there are no days off when you’re that important. As the self-appointed protectors of our universe, the Illuminati fall firmly into that camp. Even as the threat of the Incursions recedes for the moment, they’ve still got more than their fair share of life-or-death, morally gray decisions to make.

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Batwoman 21

batwoman 21

Today, Shelby and guest writer Suzanne are discussing Batwoman 21, originally released June 19th, 2013.

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Shelby: Story breaks are a tricky thing to manage when you’re dealing with a serialized form of media. In the case of comic books, the writer already has to contend with a month of time passing between story points; I like to think I’m a pretty attentive reader, and there are times I have to go back and skim over last month’s issue to remember what all we’re dealing with. But to interrupt your own on-going story with a mini-story takes a lot of confidence in both your on-going work and your interlude. J.H. Williams III and W. Haden Blackman have that confidence for good reason, as they interrupt out regularly scheduled Batwoman programming for a touching look at Gotham’s scaliest villain.

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FF 7

FF 7

Today, Ethan and Shelby are discussing FF 7, originally released May 15th, 2013.

Ethan: Family is the most important thing. The ones closest to us make all the difference, whether that’s helping us reach our goals, being there for us when we’re down, or providing vital sustenance when we kill them and eat them. More on that later. Writer Matt Fraction and artist Michael Allred continue to shepherd FF forward through the latest crisis — the assault by The Wizard — with the all of the quirks and charm we’ve come to expect. Even for an issue that spends more time than usual on its fight scenes, Fraction still finds ample room to pack in both the standard measure of goofball interactions and touching moments.

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FF 6

FF 6

Today, Shelby and Ethan are discussing FF 6, originally released April 24th, 2013.

Shelby: It’s interesting to see the real world creep into comic books. On the one hand, real world elements make comic books more relateable; if we can relate to the events our heroes are facing, it’s easier for us to become immersed in the story. On the other hand, real world events juxtaposed with fantastic (and sometimes dumb) comic book events can be jarring and ultimately make the story unnecessarily nonsensical. Matt Fraction maintains the balance of real world and comic world by making the silly comic book stuff EXTRA silly while at the same time making the characters extra endearing. I don’t understand how or why, but it works. Continue reading

FF 5

Alternating Currents: FF 5, Drew and Shelby

Today, Drew and Shelby are discussing FF 5, originally released March 27, 2013.

Drew: Comics have a LOT of history, which is precisely what makes them so intimidating. Marketing ploys like the New 52 and Marvel NOW are designed specifically to minimize the cost of entry — sure, there may be decades of dense continuity to follow, but why bother when you can start with a brand new #1. As someone who was enticed by those ploys, I often have the false sense of security that I understand the universes these stories are told in. Sure, there are references to events and characters I don’t know, but I continue on the faith that, if it’s important, everything will be explained. For the most part that attitude has served me well, but every so often, I’m reminded of just how my ignorance might color my readings. The recent twist ending in Age of Ultron 3 is a great example — everything about the reveal told me that this was a big surprise, but I completely lacked the knowledge to understand what actually happened, forcing me to consult the Marvel Wiki for answers. Of course, the long, convoluted histories that most characters have often make that experience more confusing than helpful, which is exactly the experience I had trying to parse the ending of FF 5. Continue reading

FF 4

ff 4

Today, Ethan and Patrick are discussing FF 4, originally released February 27, 2013.

Ethan: Growth is hard. Everyone’s familiar with the usual childhood “growing up” process, with all of its difficult changes, naïve missteps, puppy love, and idealism. Then there’s the second adolescence — of the mind rather than the body — that we deal with as we explore what it means to be an adult. The changes are more situational and relational than hormonal; the missteps become less laughably naïve but often have much larger consequences; idealism fades to pragmatism, and puppy love — well, love doesn’t really change that much. Alongside these more mundane types of development, life occasionally confronts us with something truly awful and growth stops being something we do as a matter of course and starts being something we do just to survive. In the hands of writer Matt Fraction and artist Michael Allred, FF #4 continues to show us a world in which the varieties of growth faced by children, adults, and survivors collide. Continue reading