Tag Archives: Scott Lobdell

Jan 2 2013

Red Hood and the Outlaws 15

Alternating Currents: Red Hood and the Outlaws 15, Drew and ShelbyToday, Drew and Shelby are discussing Red Hood and the Outlaws 15 originally released December 19th, 2012. This issue is part of the Death of the Family crossover event. Click here for complete DotF coverage.

Drew: Back when I first read Red Hood and the Outlaws 0, I was in awe of the backup revealing the Joker’s role in Jason’s life. I wasn’t sure at the time whether or not I truly believed Joker’s story (he’s not the most reliable narrator), but the thought that it could be true was a fascinating idea. One of the things that struck me about that story is that it more or less confirms that Joker knows who Batman (and by extension, the rest of the bat-family) is, a notion that has been at the forefront of the Death of the Family event. I’ve staunchly defended the possibility that the Joker is bluffing, but this issue’s focus on his relationship with Jason makes that outcome seem as remote as ever. Continue reading →

Nov 29 2012

Superman 14

Today, Shelby and Drew are discussing Superman 14, originally released November 28th, 2012. This issue is part of the H’el on Earth crossover event. Click here for complete H’el on Earth coverage.

Shelby: It’s the holidays again, which means we must all learn the lesson: families are hard. As an adult, visiting your family forces you back to the person you used to be when your were a child. Sometimes, that’s a hard thing to reconcile with the person you’ve become. I’m super lucky; my family understands I’ve become my own person, and respects the choices I’ve made. I know there are LOTS of people for whom that isn’t the case. Clark Kent, on the other hand, is super unlucky in this regard. He spent all of his life thinking all his family was dead. Suddenly, he’s got a cousin who hates everything he loves and an adopted brother who not only hates everything he loves, but is also hell-bent on destroying it. Oh, and a clone. That makes for a real awkward Christmas dinner.

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Nov 26 2012

Red Hood and the Outlaws 14

Today, Shelby and Patrick are discussing Red Hood and the Outlaws 14, originally released November 21st, 2012.

Shelby: I’m in an interesting position reviewing Red Hood and the Outlaws. I didn’t start reading this title until the last arc with Kori and her home planet. I missed out on those first few issues that Drew and Patrick raved about. Even without reading those first issues, I can understand what they liked in this book; these are three very unique characters, and together they form a very unique team. But I feel like all the last handful of issues has done is show me what this book could be instead of just living up to its potential.
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Oct 26 2012

Superman 13

Today, Patrick and Scott are discussing Superman 13, originally released October 24th, 2012. This issue is part of the H’el on Earth crossover event. Click here for complete H’el on Earth coverage.

Patrick: Poor Superman just doesn’t belong in the 21st century. As readers and audiences grow more sophisticated, the desire to see an invulnerable man of infinite strength and unquestionable morality has waned. Hell, even the modern James Bond gets his ass kicked from time to time. So when Scott Lobdell starts his first proper issue of Superman with Clark bench pressing the Earth, you’ve got to wonder what he’s aiming for. And it’s in the wondering that Superman 13 gets interesting.

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Oct 23 2012

Red Hood and the Outlaws 13

Alternating Currents: Red Hood 13, Drew and ShelbyToday, Drew and Shelby are discussing Red Hood and the Outlaws 13, originally released October 17th, 2012.

Drew: I hate recommending art. From movies to books to music, I think there’s something really presumptuous about the statement “you’d like this.” Moreover, I hate what recommending that art says about me, especially if the person I recommended it to didn’t like the art in question. This may all stem from a particularly traumatic recommending experience where, while staying overnight at my cousins, I insisted that we all watch the TGIF programming bloc — a mainstay of my Friday nights at home. For whatever reason, this particular Friday aligned with all four shows delivering episodes uncharacteristically romantic in nature. I’m sure it was as tame as a kitten fight, but it struck my young mind as profoundly inappropriate — at least in part because I was acutely aware that my aunt had already banned The Simpsons in her household, which seemed unfathomable to me. As if to intentionally make me feel more devious in my tastes, at the conclusion of the night, she remarked, “well, that’s really not the kind of thing we like to watch around here.” The absurdity of being made to feel TGIF was inappropriate aside, I still get incredibly nervous when someone consumes art on my recommendation. That feeling is only exacerbated in cases of serialized narratives, where the sampled episode/issue may not be indicative of what you actually like about it. That’s more or less the feeling I have introducing Shelby to Red Hood and the Outlaws with issue 13. Continue reading →

Oct 3 2012

Superman 0

Today, Shelby and (guest writer) Pete Peterson are discussing Superman 0, originally released September 27th, 2012. Superman 0 is part of the line-wide Zero Month.

Shelby: What more is there to know about the origin of Superman? Krypton blows up, baby Kal-El is loaded into an escape pod, crashes to Earth as the only survivor of Krypton (except for his cousin Supergirl, but that’s a different story), and becomes Superman because science. I have never stopped to think more about Superman’s story; turns out, there are a lot of details I’ve been glossing over. For example, what exactly caused an entire planet to blow up in the first place? Scott Lobdell gives us a clue to the destruction of Krypton, and decides the best place to start the origin of Superman is with his father.

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Oct 2 2012

Teen Titans 0

Today, Shelby and (guest writer) Zach Kastner are discussing Teen Titans 0, originally released September 27th, 2012. Teen Titans 0 is part of the line-wide Zero Month.

Shelby: We’ve all done dumb things to try to impress someone. Whether it’s a boss, friend, or member of whatever sex you prefer, everyone has at one point thrown common sense out the window and acted like an ass to earn their favor. Usually, though, the average cry for attention doesn’t involve stealing millions of dollars from a mob boss psychopath to simultaneously make your parents proud and to get a masked vigilante to take notice. Tim Drake is obviously far from average.

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Sep 24 2012

Red Hood and the Outlaws 0

Today, Drew and Patrick are discussing Red Hood and the Outlaws 0, originally released September 19, 2012. Red Hood and the Outlaws 0 is part of the line-wide Zero Month.

Drew: Back when we started reading this title, Patrick and I couldn’t believe how much we liked it. We were wary of this title, famous for it’s leering depiction of Starfire, but Scott Lobdell’s charming characters and Kenneth Rocafort’s distinctive art won us over. The title was a blast, and we couldn’t understand all the ire that was directed at Lobdell — he seemed like a great writer to us. Our love affair started to wane a bit as Rocafort left, and branching out into Lobdell’s other titles left us unimpressed, leading us to question Lobdell’s prowess as a writer (perhaps unfairly). Is Lobdell the clever writer we thought, or the hack so many were making him out to be? In Red Hood and the Outlaws 0, Lobdell seems to address that question head-on, counting on our writing him off as pedestrian in order to better shock us with a earth-shifting twist in the epilogue. Continue reading →

Sep 5 2012

Superman Annual 1

Today, Patrick and Drew are discussing Superman Annual 1, originally released August 29th, 2012.

Patrick: DC Comics has a Superman problem. Supes is the quintessential American comic book superhero. Batman, Wolverine and the Hulk have all proven to be more bankable than ol’ Kal-El, but there’s no escaping the simple mythology and iconography of Superman. Remember when they killed Superman? Of course you do — everyone knew about it — it was a news item. When your grandmother knows the name ‘Clark Kent,’ it’s clear that the character — for whatever reason — has immeasurable appeal. But when you try to pick up a comic and read about the adventures of the last son of Krypton, you are never rewarded with that same simplicity. In fact, Superman has his feet in both the superhero-nonsense AND the outer-space-nonsense aspects of the DC Universe. At this point, I’m starting to fancy myself a bit of a comic book nerd and I am still off-put by the sheer volume of aliens, heroes, villains and history (both secret and otherwise).

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Aug 21 2012

Red Hood and the Outlaws 12

Alternating Currents: Red Hood 12, Drew and PeterToday, Drew and Peter are discussing Red Hood and the Outlaws 12, originally released August 15th, 2012.

Drew: We tend to talk a lot about writers here at Retcon Punch. We certainly pay attention to the art, and have often found rewarding things to discuss when doing so, but we always seem to come back to the writer. Writers have so much control, particularly over the kinds of things we like to talk about here — character development, voice, plotting — but forgetting how much influence the artist has over the final product is a mistake. It’s like valuing a film or playwright’s input over that of the director or actors’; sure, it make sense in theory, but you don’t have to see too many community theater productions of Shakespeare to know that even the best scripts can be muddled in the wrong hands.  It’s unfortunate that it often takes examples like the community theater to emphasize the importance of the other collaborators, and it is also unfortunate that this issue is one such example. Continue reading →