Gratuitous Violence and Wasted Potential in Heroes in Crisis 1

by Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

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What is Heroes in Crisis actually about? The answer drastically changes my reading of this issue. See, as a murder mystery it works quite well — it doesn’t alleviate all my criticisms (which we’ll get into in a bit, believe me), but there’s interesting hooks in the form of which of the two prime suspects is the murderer, why they did it, and how the Trinity of Batman, Superman, and Wonder Woman will react. As a murder mystery, Heroes in Crisis 1 is an enjoyable, if flawed, comic. But Heroes in Crisis has primarily been advertised and solicited as a more low-key, nuanced look at how superheroes handle trauma, and when judged by that metric, it’s far less successful. Continue reading

The Complexities of Internet Social Justice in Green Arrow 43

by Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Spencer: The internet can be a powerful tool for justice, often simply because it allows information to get to more people than ever before, faster than ever before. It allows the voices of the oppressed and downtrodden to be heard, and I think the #metoo movement may be the greatest sign of this: great things have been accomplished, impossible targets have been taken down, thanks to the platform for social justice the internet provided.

Like any tool, though, the internet’s platform can also be misused. Let’s look at the recent situation where Guardians of the Galaxy director James Gunn was fired by Disney. I’m not condoning Gunn’s offending tweets, though it should be noted that Gunn acknowledged and apologized for them years ago and never did anything like them again, and Disney was well aware of those tweets when they hired him. What’s significant about this situation is that Gunn’s firing was orchestrated in poor faith, by an alt-right goon who couldn’t have cared less about Gunn’s tweets; he wanted Gunn fired for criticizing the president, and the tweets were the easiest way to do it. He took a platform for social justice and misused it to serve his own agenda, and it’s scary not only that there’s no safeguard against this, but that organizations like Disney can’t see the difference; they simply bow to the “Court of Public Opinion” no matter who’s behind it.

This danger is front-and-center in Green Arrow 43, an issue that finds Oliver and company facing an internet vigilante, an angry public, and a tricky moral dilemma. Continue reading

Compassion vs. Selfishness in Green Arrow Annual 1

by Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Spencer: Early in Green Arrow Annual 1, Oliver says that “on Christmas everything turns out exactly as it should.” It’s a nice sentiment, but that’s exactly what it is — sentiment. The world doesn’t magically change just because it’s a holiday, and holidays can, in fact, be very depressing times for many people. If Christmas is a special time, it’s because people make it that way, and the desire to do so is the clear line that divides Green Arrow and Count Vertigo. Continue reading

Green Arrow 24

Today, Michael and Spencer are discussing Green Arrow 24, originally released June 8th, 2017. As always, this article contains SPOILERS.

Michael: It’s a unique experience to watch a set of creators leave their mark on an established character in real time. Though Benjamin Percy works with a handful of different Rebirth artists, none compares to the chapters that are drawn by Juan E. Ferreyra. Under their direction Green Arrow is returning to the socialist hero of yore in a unique Rebirth fashion. Continue reading

Green Arrow 19

Today, Michael and Spencer are discussing Green Arrow 19, originally released March 15th, 2017. As always, this article contains SPOILERS.

Michael: Putting aside your differences and working together towards a common goal is such a simple idea to grasp, but not always as easy to enact. As human beings, we are complicated and fragile things and easily allow our emotions to stand in the way of progress. Sometimes it helps to have a third party tell us to get our heads out of our asses and just do the work. Continue reading

Red Hood and the Outlaws Annual 1

red hood annual

Today, Mikyzptlk and Patrick are discussing Red Hood and the Outlaws Annual 1, originally released May 29th, 2013. 

Mikyzptlk: Our past is a part of who we are. Often enough, it can be something that defines us if we let it. Now, that can either be a good or a bad thing depending on who you are. The last few issues of Red Hood and the Outlaws have focussed on Jason erasing his own past from his memories in an attempt to start fresh. Things haven’t gone as smoothly for Jason as he had hoped it seems as he is finding it harder to escape his past than he thought. Jason’s teammates are no strangers to a past they’d rather forget too, and this issue finds everyone looking back, when all they really want to do is look forward. The Annual is definitely another step in the right direction, even if I do have a bone or two to pick. Continue reading

Red Hood and the Outlaws 20

Red Hood 20 redux

Today, Spencer and Drew are discussing Red Hood and the Outlaws 20, originally released May 15th, 2013.

Spencer: Our past can be a burden, but it can also be a gift, and while some things are out of our control, most of what determines how we view our past is how we learn from our mistakes, live with our regrets, and learn to forge on. For Red Hood, Arsenal, and Starfire, their past falls into both camps; a shared history of tragedy is what initially drew these three together and cemented their friendship, but their own inability to reconcile their pasts and find a way to deal might just end up driving the Outlaws apart instead.

Continue reading

Red Hood and the Outlaws 19

red hood 19

Today, Patrick and Spencer are discussing Red Hood and the Outlaws 19, originally released April 17th, 2013.

Patrick: Drew and I were pretty big fans of Red Hood and the Outlaws when we marathoned the first 8 issues to prep for the Night of the Owls. We’ve enumerated our reasons for liking it so much in an alarming number of articles since then, always apologizing for the state the series is in currently. It became a slog – that whole arc with Kori’s old spaceship crew and her sister, the Death of the Family – all of it seemingly worked against our good will for the series. We even went so far as to drop it from the Retcon Punch pull. We gave up on Jason Todd. Which makes Roy Harper a much better friend than we are.

Continue reading

Teen Titans 16

teen titans 16 DoF

Today, Shelby and Drew are discussing Teen Titans 16, originally released January 30th, 2013. This issue is part of the Death of the Family crossover event. Click here for complete DotF coverage.

Shelby: What is the point of being a villain? Some do it out of greed, like the Penguin, others for a cause, like Poison Ivy. Then there’s the Joker, who’s just a psychopath. The source of his villainy is insanity; he is chaos incarnate. You’d think that would make it easier for writers to use the Joker in their stories. Just think of the craziest, most out there plan, add some gratuitous murder and cruelty, and you’re done, right? Wrong-o. The Joker is chaos, but he’s directed chaos. He has an end point in mind, there is a “reason for his madness.” Batgirl  plays with the core idea that the Joker’s latest spree is based on love with a twisted wedding. Batman and Robin also ties back to love, either the love of Robin for Batman or the love of a son for his father, depending on whether or not you believe the Joker knows who everybody is. Teen Titans and Red Hood, however, have a tougher time showing us that central theme of love, so that at the end of the issue I’m left wondering, “what was the point?” Continue reading

Red Hood and the Outlaws 16

red hood 16 DoF

Today, Mikyzptlk and guest writer Pivitor are discussing Red Hood and the Outlaws 16, originally released January 23rd, 2013. This issue is part of the Death of the Family crossover event. Click here for complete DotF coverage.

Mikyzptlk: As we all know, there are A LOT of comics out there competing for our dollars. Books like Scott Snyder’s Batman or Brian Azzarello’s Wonder Woman attempt to push the boundaries of reader expectation and deliver tales that are legitimately astonishing to behold. I’ve given two examples from one publisher from barely over one year of publishing, but there are even more possibilities just as astounding from publishers such as Marvel, Image, Vertigo, IDW, Oni Press, Archaia, and more! That said, not every comic is great, and with so much out there to consume, it’s getting harder to convince myself to continue to spend the $2.99 a month on a book that lacks the quality of its competitors.

Continue reading