It’s the 2017 DC Comics New Talent Showcase! To cover it, Retcon Punch has assembled our finest old talent to say something about each of these stories.
Shelby: A couple years ago I saw Melancholia in the theater, I believe with the esteemed Retcon Puncher Taylor. Spoiler alert: it’s probably the most depressing move I’ve ever seen. Beautiful, but calling it a downer would be an understatement. In it, Kirsten Dunst plays an extremely depressed woman; at one point, she is physically incapable of getting out of bed, relying completely on her sister’s aid. For me, it raised the question of how much leeway should we give people suffering from mental illnesses such as depression. While I was watching the movie, I was distracted by how seemingly mean the rest of the characters were to this severely ill woman, but you have to step back and think about the impact her illness has had on their lives. At what point do those closest to someone with this sort of disease finally snap from dealing with it, and can we really blame them for doing so? And finally, what happens when that mental illness manifests itself as super-powered criminal activity? (Okay, that last question is more about the Batgirl annual than Melancholia, but you get the idea.)
Today, Spencer and Shelby are discussing Justice League of America 4, originally released May 29th, 2013.
Spencer: I’ll be honest: from the very start, Justice League of America has seemed more concerned with putting pieces in place for the upcoming “Trinity War” than it has with telling a compelling story. Unfortunately, for a story so focused on getting its players from Point A to Point B, the way writer Geoff Johns does so strains credibility. He makes several attempts to keep this issue engaging, but its biggest failing is simply that the heroes come across as really, really dumb.