All-New X-Men 4

Alternating Currents: All-New X-Men 4, Patrick and Drew

Today, Patrick and Drew are discussing All-New X-Men 4, originally released December 19th, 2012.

Patrick: Time travel narratives end up appealing to our vague understandings of chaos theory and the butterfly effect (thanks Jurassic Park, for introducing those into our media-vocabulary). But usually that assumes a time-lapse: events unfold differently throughout time and our future is changed to match the changing past. All-New X-Men shows these same ripples, but throughout the present, as the emotional impact of Beast’s time-travel project effects everyone in turn. Instead of seeing a cause, and then skipping 25 years later to see the effect, we’re subjected to the slow, real pace of cause and effect. It makes for a much smarter, much more sincere time travel story. Oh and there are X-Men in it too. Continue reading

Thor: God of Thunder 1-3

thor 1-3

Today, Shelby and Patrick are discussing Thor: God of Thunder 1-3, originally released November 14th, November 28th, and December 19th, 2012.

Shelby: We often praise Brian Azzarello’s Wonder Woman for its creative inclusion of the Greek pantheon in the cast of characters. In that universe, the gods are real, tangible beings who walk among the people, but we don’t see them doing much of anything. As far as I can remember, the only god in Wonder Woman we see actually invoked to do his job is Eros; most of the time, the rest of the gods scheme and plot to get what they want. Thor is different; he fights at the side of the Vikings and answers the prayers of those who need his aid. Writer Jason Aaron takes it one step further; for every weird and wacky universe Marvel has got, Aaron gives us a new set of real, tangible gods for it. He then asks the question, “If the gods are real, why can’t they be killed? What would happen to these civilizations if all their gods were dead?” It’s a heady question to be sure, and one that Thor has to face as he confronts the God Butcher at three distinct points in his life.

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Red Hood and the Outlaws 15

Alternating Currents: Red Hood and the Outlaws 15, Drew and ShelbyToday, Drew and Shelby are discussing Red Hood and the Outlaws 15 originally released December 19th, 2012. This issue is part of the Death of the Family crossover event. Click here for complete DotF coverage.

Drew: Back when I first read Red Hood and the Outlaws 0, I was in awe of the backup revealing the Joker’s role in Jason’s life. I wasn’t sure at the time whether or not I truly believed Joker’s story (he’s not the most reliable narrator), but the thought that it could be true was a fascinating idea. One of the things that struck me about that story is that it more or less confirms that Joker knows who Batman (and by extension, the rest of the bat-family) is, a notion that has been at the forefront of the Death of the Family event. I’ve staunchly defended the possibility that the Joker is bluffing, but this issue’s focus on his relationship with Jason makes that outcome seem as remote as ever. Continue reading

Daredevil 21

Alternating Currents: Daredevil 21, Drew and PatrickToday, Drew and Patrick are discussing Daredevil 21, originally released December  19th, 2012.

Drew: We often chide comics for their relatively high cost of entry. It’s easy enough to pick up random issues here and there, but to really dig into a series might require an understanding of decades of stories, and how any of it might matter now. What’s worse is that any given series may have crossed paths with any number of other series over its long history (and might just be crossing paths with any of them again soon). To committed fans, this creates an immersive, almost tactile world, but to folks hoping to ease their way into comics, that dense, interwoven history can be downright impenetrable. We’re generally willing to go along for the ride here at Retcon Punch (which is why we’ve aimed to cover essentially any crossover event DC throws at us), trusting that that dedication will be rewarded. In the final scene of Daredevil 21, Mark Waid turns that expectation on its head, actively rewarding our ignorance (or at least uncertainty) about exactly what’s going on.

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Best of 2012: Best Titles

best titlesWe generally avoid quantifying our enthusiasm around here — we’ll gladly praise or condemn comics as our tastes dictate, but turning that into a grade or a score makes us uncomfortable. As there are in our pull-list, there are holes in this ‘Best of’ list. Mea culpa. We’ve had some great experiences with comics this year, and these are the series that were consistently fun, thoughtful and beautiful. Too subjective for a year-end list? Ignore the rankings. Any way you slice it, these are fantastic series that deserve the scrutiny we heap on everything. Each is a rewarding read and well worth your attention. Our picks for the top 12 series of 2012:

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