Animal Man 24

animal man 24

Today, Patrick and Scott are discussing Animal Man 24, originally released October 16th, 2013. 

Todd, of course, is nominated tonight for Best Actor for his chilling portrayal of a psychic FBI agent who falls in love with a beautiful, deaf dolphin trainer in the amazing film Sea of Echoes.

Animal Man 24

Patrick: DC has since abandoned the following nomenclature, but Animal Man used to fall under the line of “Dark” comics. This distinction generally just meant supernatural: we weren’t dealing with alien supermen or gadgety crime fighters, but Swamp Things and Magicians and Vampires. These stories also veered more into the horror genre, and there are few series that took that “dark” label to heart more literally than Animal Man. Buddy’s enemies are grotesque, his powers distort his body and mind and the bad guys routinely target his family. Hell, agents of the Rot killed his son. Writer Jeff Lemire is always careful to keep his eye on the tone, and keeps the series from becoming a slog. He’s able to lighten the mood here by pointing to his own work, and that of new series artist Rafael Albuquerque, and remind us that it might all be sorta silly. It’s a healthy reminder, and one that makes all the surrounding darkness go down a little smoother. Continue reading

The Private Eye 4

private eye 4Today, Drew and Patrick are discussing The Private Eye 4, originally released October 8th, 2013.

…it’s not who you are underneath, it’s what you do that defines you.

Rachel Dawes, Batman Begins

Drew: As a child of the 90s, assured at every moment that it’s what’s inside that counts, the above sentiment confused me when I first heard it. The obvious difference is that, while after-school specials were focused on appearances and prejudice, Batman Begins is trading in ideologies. That is, the best of intentions don’t amount to a whole lot if you don’t act on them. Feeling guilty for being a jerk doesn’t actually excuse jerky behavior. Unfortunately, the practicalities of life force us into hypocrisy, as we cling to moral ideologies that we can’t actually measure up to. Think about how much you read compared to how much you want to read (or worse yet, how much you think you should), or how often you exercise, or call home, or see your friends. We want to be “better,” more ideological people than we are, and only occasionally do we put on a Batsuit to right those wrongs. Private Eye 4 finds DeGuerre reaching one of those ideological breaking points, only his goals aren’t nearly so noble. Continue reading

Weekly Round-Up: Comics Released 10/9/13

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Look, there are a lot of comics out there. Too many. We can never hope to have in-depth conversations about all of them. But, we sure can round up some of the more noteworthy titles we didn’t get around to from the week. Today, Patrick and Spencer discuss Trinity of Sin: Phantom Stranger 12, Nightwing 24, Li’l Gotham 7, Batgirl 24, Coffin Hill 1, Hinterkind 1 and Green Lantern Corps 24.

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Patrick: Even though Retcon Punch dropped Trinity of Sin: Phantom Stranger a while a go, it was always a hard-to-shake curiosity for me. But the strangest thing happened at the close of the Trinity War: the Stranger was erased from existence. It’s no real surprise, but Philip Stark is back immediately in issue 12. It’s definitely a cheap move – God (still in the body of a tiny scottie dog) simply wills the character back to existence. Continue reading

X-Men 6

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Today, Taylor and Shelby are discussing X-Men 6, originally released October 9th, 2013. This issue is part of the Battle of the Atom event. Click here for our complete coverage of Battle of the Atom.

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Taylor: You guys, we’re all getting older. Most of the time, it’s pretty easy for me to pretend that I’m not and that instead I’m ageless, but occasionally something happens that reminds me I will eventually bow to the forces of Father Time. Like many my age (29), my facebook feed is quickly becoming filled with pictures of weddings — followed a year later by pictures of babies. Just to be clear: this means that people my age are having children. They are completely responsible for the life of another human being. That seems terrifying to me, mostly because I can’t imagine taking on such a huge responsibility in my life. But then I realize that I’m almost 30, a perfectly normal age to have kids, and that despite my best efforts I haven’t escaped our temporal universe. Then I wonder if a time will ever come when I feel ready to have kids. I have to wonder because — to my eyes — having kids seems like a lot more trouble than it’s worth, even though everyone says having them is totally rewarding. Does it make sense that X-Men 6, part of the Battle of the Atom event, could change my opinion?

Continue reading

Forever Evil: Arkham War 1

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Today, Mikyzptlk and Drew are discussing Forever Evil: Arkham War 1 , originally released October 9th, 2013.

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MikyzptlkGiant line-wide crossover events like Forever Evil can be exhausting. Suddenly, a story crops up that seemingly takes over the narrative of the entire “universe,” while sidelining the stories you might rather be following instead. Not only that, these events usually bring with them a slew of additional material in the form of tie-in miniseries. These minis can be very hit or miss, but the best ones tend to expand upon the main event by showing us the effects it’s having on the rest of the word, and characters, around it. This is where Arkham War comes in. The only problem is, I’m not sure who to root for.  Continue reading

Batman 24

batman 24Today, Scott and Spencer are discussing Batman 24, originally released October 9th, 2013.

Scott: It’s not enough just to tell a Batman origin story anymore. We know that story. The Bruce Wayne story. Bruce watches his parents die, he runs away, he trains, he becomes a great warrior, he returns to his city and his fortune, he fights crime, yada yada yada. It’s a great story and it’s fun to read, it’s just that, in this Bat-saturated day-in-age, it’s not enough. It’s not enough to see how Bruce Wayne becomes Batman, we need to see how Batman becomes Batman: The Legend. Finally, Scott Snyder is giving us a look at how the myth of Batman is born, or rather, carefully constructed by Bruce and his trusty aide, Alfred Pennyworth. The ensuing story doesn’t just feel like new. It feels like enough. (And I mean that in a very good way.) Continue reading

Manhattan Projects 15

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Today, Patrick and Drew are discussing Manhattan Projects 15, originally released October 9th, 2013.

Patrick: Manhattan Projects is a series of many conceits. Writer Jonathan Hickman is a master at this sort of thing, distorting history and reality in a way that only he could. Every warped fact and twisted historical personage is filtered through his unique perspective. The very first issue of this series introduced the weirdest of all Manhattan Projects conceits — the devouring of Robert Oppenheimer by his brother Joseph. Any time we deal with that information, such as in the “part one” of the Finite Oppenheimers story back in April, that perspective gets EVEN WEIRDER. The whole of reality is reduced to the consciousness of one psychotic cannibal in the midst of a cognitive civil war. It’s exactly as crazy as it sounds. Continue reading

ComicConPunch: NYCC Day Four

nycc 4Love them or hate them, conventions have become the industry standard for fan-engagement and giant announcements. Of course, very few fans can make it to any one con. Fortunately, Retcon Punch is there when you can’t be with our exclusive con coverage, ComicConPunch.

Drew: Day four saw Patrick off to LA, leaving me to my own devices. First up on the agenda was the Scott Snyder and Greg Capullo signing, which was obviously quite popular. I had a decent enough place in line to get into Artists’ Alley (where the signing was being held), but was too proud to run to the signing booth when they finally opened the doors (but not too proud to walk quickly). Unfortunately, no other fan seemed to share that pride, forcing us all the embarrassment of being filmed and snickered at by the other creators sitting at their booths. Continue reading

Thor: God of Thunder 14

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Today, Ethan and Shelby are discussing Thor: God of Thunder 13, originally released October 9th, 2013.

Ethan: If you’re like most people, when someone asks you what type of music you prefer, you reply “oh, most kinds” or “I’m not picky” or “pretty much anything except [insert genre name].” That said, no matter how coy you are about your favorites, when you find a band that really grabs you, that buzzes to your bones in just the right way – a way that feels a little bit like it must be unique, like it was kinda-sorta written for you specifically – it’s a wonderful thing. So for at least one tour cycle you’re set, maybe you see them live, maybe you wait after the show to get some autographs, and you hear the music in your sleep. But when the interval ends, when the band goes off the grid to put together their next album, there’s room for trepidation. What if their new songs don’t have that special texture that the old ones do? What if they sound EXACTLY the same and there’s no new magic? Well, as far as I’m concerned, Jason Aaron is facing off with a very similar situation in Thor: God of Thunder #14. His first God-Bomb arc knocked it out of the park with great big ideas like faith and deity, and the current question is whether or not he can do it again using dwarves, elves, and goats. Continue reading

Astro City 5

astro city 5Today, Spencer and Greg are discussing Astro City 5, originally released October 9th, 2013.

Spencer: Astro City contains a world of superheroes, supervillains, and their exploits that, if properly explored, could probably fill a line of books as large as DC or Marvel’s. Instead, though, it mainly uses that world as a backdrop to explore the little people, the ordinary citizens whose lives are affected and changed by the actions of Astro City’s super-powered residents. It’s a fascinating and often heartwarming approach that doesn’t really need any justification, but in Issue 5, writer Kurt Busiek provides one anyway through the actions of The Broken Man and his silent war against the Oubor. Turns out the most important character in the world of Astro City may just be the reader—you, me, and everyone else who bought this book. Continue reading