Deadpool 21

deadpool 21Today, Spencer and Scott are discussing Deadpool 21, originally released December 18th, 2013.

Spencer: Is Deadpool simply comic relief—a comic book Daffy Duck—or is he a deep, dark character, using jokes to mask his pain? We’ve had heated debates about this in our comment sections in the past, but the truth is that Deadpool is both, yet Deadpool is also neither; he exists on a spectrum that can slide anywhere between those two points. In their Deadpool run thus far Brian Posehn and Gerry Duggan have explored both extremes, but now—after Wade’s all time low in “The Good, the Bad, and the Ugly”—we find a Deadpool who has become much more tragic, yet still retains much of his typical humor. I’ve taken to calling him “Grumpy Old Man Deadpool.” Continue reading

FF 15

FF 15

Today, Ethan Patrick and Drew are discussing FF 15, originally released December 18th, 2013.

Ethan Patrick: I guess it’s appropriate that I’m stepping up to bat for Ethan for this issue of FF. There are an awful lot of substitutes and avatars in play for the invasion of Latveria. The good guys are all either trying to be something they’re not or asserting something else as themselves. In some cases, the characters are two or three steps removed from the version of themselves that’s actually doing the action. Interestingly, Doom never falls victim to this same delusion — in fact, even though everyone expects him to either a) port his consciousness over to another body or b) merge with another body. We know it can’t last, but Doom wins a victory here by being the only one refusing to be anything but himself. Maybe the kids still have one more thing to learn before the Fantastic Four comes back to town.

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East of West 8

east of west 8

Today, Shelby and Taylor are discussing East of West 8, originally released December18th, 2013.

Shelby: The occasionally tempestuous relationship between the church and the state has a longer relationship than one might realize. In ancient times, being a ruler often came with the title of deity; your word was law because it was divine. Martin Luther was one of the first to begin to call for a separation of the two, and by the time the First Amendment of the United States was drawn up, Thomas Jefferson was speaking of “a wall of separation between the church and state,” in order to guarantee religious freedom. Personally, I believe very strongly in the idea of the separation of the two, namely because there are many religions in the world, and I see no point in a government forcing someone to follow a set of beliefs. That is not genuine worship. In East of West, however, Jonathan Hickman presents a trickier situation; there is no religion, there is no government, there is only The Message, and if the Message demands political leaders keep the populace dumb and under control to prep them for the four horseman of the apocalypse, the politicians hasten to obey.

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Harley Quinn 1

harley quinn 1

Today, Mikyzptlk and Shelby are discussing Harley Quinn 1, originally released December 18th, 2013.

Mikyzptlk: Sometimes, what we need in life is a fresh start. That means cutting ties with what came before, moving on, and moving out. Sometimes, that also means traveling into some unknown territory and taking a leap of faith that things will work out. Harley Quinn has had a…troubled past to say the least, so if anyone in the DCU could use a fresh start it’s her. Harley Quinn 1 gives us the beginning of Harley’s fresh start. Will she make it out alive?  Continue reading

Daredevil 34

Alternating Currents: Daredevil 34, Drew and PatrickToday, Drew and Patrick are discussing Daredevil 34, originally released December 18th, 2013. 

Drew: We tend to associate soapbox speeches with masturbatory lectures important only to the speaker — it’s an annoyance when someone gets on their soapbox — but at one time, soapbox speeches were actually considered a form of entertainment. I’m not entirely sure if the audiences tended to agree with the speeches, or if there was more of a morbid curiosity factor in play (the same type that might keep you up late watching youtube clips of The O’Rielly Factor), but the point is: there was a time when somebody would literally be on a soapbox, and people’s reaction wasn’t to just tell them to get of of their damn soapbox. I was reminded of this as I read Kirsten McDuffie’s soaring call for levelheadedness in Daredevil 34. Continue reading

A + X 15

a+x 15

Today, Ethan and Scott are discussing A + X 15, originally released December 11th, 2013.

Ethan: A + X revels in the chance to turn big name team-ups into superpowered Laurel & Hardy shorts, and A + X 15 follows suit. Along the way, we get a rehash on an age old question of metaphysics, a bio of a famous president, and the alien invasions of our fast-food franchises.

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Thunderbolts 19

thunderbolts 19

Today, Patrick and Shelby are discussing Thunderbolts 19, originally released December 11th, 2013.

So, that’s what life would be like if I invented the Finglonger. A man can dream through… a man can dream…

Dr. Hubert Farnsworth – Futurama, Anthology of Interest

Patrick: What’s the point of a what-if story? We only ever see those kinds of stories once we really know a set of characters. The conceit — such as I understand it — is that our connection to the characters is so strong that it trumps our connection the rest of their reality. We love Bruce Wayne enough that we can see him as a Green Lantern, we love Bart and Lisa enough that we can see them run for their life from cannibalistic lunch ladies. It’s a chance to look at those characters few a different lens. So what does it mean when a character within the story is generating his own ‘what-if’ scenarios?

[This article will contain SPOILERS – even beyond that which I teased in the intro.] Continue reading

Batgirl 26

batgirl 26Today, Spencer and Mikyzptlk are discussing Batgirl 26, originally released December 11th, 2013.

Spencer: “Blood is thicker than water.” This expression is usually used to describe how family has a special connection, how family has an obligation to stick together no matter what. It would be wonderful if that was always the case, wouldn’t it? Unfortunately, families can be dysfunctional or abusive, or just go through hard times, and when this happens it hurts all the more because it comes from family; when the people who are supposed to protect us and love us unconditionally hurt us, it’s a special kind of pain. Batgirl’s been dealing with a lot lately, horrific events that would get anyone down, but they’re even more painful because family is involved. Fortunately, at least some hope is on the horizon. Continue reading

Manifest Destiny 2

manifest destiny 2

Today, Drew and Patrick are discussing Manifest Destiny 2, originally released December 11th, 2013.

Drew: I love a good creature feature. I could actually take or leave the shock cuts, the gore, even the monster — for me, it’s all about what keeps the victims from simply dispersing at the first sign of trouble. Whether it’s a remote village, arctic research station, or a towing ship in deep space, writers have to get inventive with keeping otherwise relatable characters from simply escaping from the monsters trying to kill them. Or, at least, they should get inventive — I think we’ve all seen the fuel line cut a few too many times to give all writers a pass, and horror movies are notorious for characters whose actions are unrelatably stupid, pressing on to the cabin, haunted house, or foreboding castle in spite of the obvious warning signs. After three readings of Manifest Destiny 2, I’m still not sure if the characters are dumb, or actually stuck. Continue reading

Uncanny X-Men 15.INH

uncanny x-men 15 INH

Today, Taylor and Drew are discussing Uncanny X-Men 15.INH, originally released December 11th,  2013.

Taylor: The wonderful thing about monthly comics is that you get to spend a lot of time with the characters you love. When you think about it, these characters become part of your life for months and sometimes even years. The massive amount of space and time allotted to authors to bring these characters to life is full of potential and can pay off in unexpected ways. By not being constricted with set schedules and the need to develop a plot quickly, authors have the chance to tell us stories with characters that are as real as the people we meet in everyday life. In Uncanny X-Men 15.INH Brian Michael Bendis shows us the limitless possibility of character development in comics as well as some of its pitfalls. It’s a fascinating read — and fun to boot.

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