Batman 18

batman 18Today, Mikyzptlk and Scott are discussing Batman 18, originally released March 13th, 2013.

Mikyzptlk: The death of a loved one is something that is incredible hard to face. It’s also got to be something incredibly hard to write about, especially when you have to do so in a superhero comic where action and adventure is normally the name of the game. With the recent death of Robin The Boy Wonder, the Bat-writers have been tasked to deal with his death in their own way. Scott Snyder manages not only to continue the story of his new character Harper Row, but seamlessly and organically ties her story into the death of young Damian Wayne.

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A + X 5

Alternating Currents: A + X 5, Michael and Drew

Today, Michael and Drew are discussing A + X 5, originally released March 6th, 2013.

Michael: Superhero comics tend to take themselves very seriously. They have to. Crime, justice, the duality of man — these are big themes that require sober moments. This might have something to do with the marketability and general popularity of dark graphic novels that differ starkly from older stories that have some ingrained silliness. These short team-ups are a perfect palate cleanser — especially since as of late, I’ve been reading comics that bite off more than they can chew, philosophically. A+X #5 gives us an unabashedly ridiculous story followed by an ostensibly serious story packed with lame jokes. While I enjoyed the first attempt with Iron Fist + Droop, the second with Loki + Mr. Sinister missed the enjoyability boat on both the comedic and dramatic front.

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The Superior Spider-Man 5

superior spider-man 5

Today, Shelby and Patrick are discussing Superior Spider-Man 5, originally released March 6th, 2013.

Shelby: For a super-villain, murder is often the most efficient way to do business. Unless you need hostages or information, civilians are at best in your way, and at worst witnesses to your nefarious deeds. Also, there’s no more efficient way to be feared and considered dangerous than by ganking a few innocent bystanders. It’s why so many heroes have pretty strict “no kill” rules; not only does it make the hero the diametric opposite of the villain, there are also times when not killing is the harder choice. Doing the hard thing (like saving the life of a cold-blooded murderer) because it’s the right thing is a core tenet of hero-ness. When faced with a choice between what’s right and what’s efficient, I think we all know which option Otto will choose.  Continue reading

Before Watchmen – Rorschach 4

rorschach 4 B4W

Today, Patrick and Drew are discussing Rorschach 4, originally released March 6th, 2013. Rorschach is part of DC’s Before Watchmen prequel series. Click here for complete Before Watchmen coverage (including release dates).

Patrick: You can’t understand Rorschach. Sorry, it’s true. The character is designed to defy your analysis and your close reading. So why attempt to explore the character’s past in Before Watchmen? What do we stand to gain from exploring the abyss? Brian Azzarello and Lee Barmejo bring the Rorschach mini-series to a close without answering these questions, leaving us to ponder what we expected of this whole experience.

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Green Arrow 18

green arrow 18

Today, Patrick and Drew are discussing Green Arrow 18, originally released March 6th, 2013.

Patrick: I love a good narrative twist. I think we all get a thrill of adrenaline when the facts, as we knew them, are turned on their heads, and we’re forced to re-examine our characters, our priorities. There’s also that split second where you, as a reader or audience member, need to decide whether you’re on-board with the changes that are presented in the twist — can you accept this new reality? Continue reading

All-New X-Men 8

all new x-men 8

Today, Ethan and Shelby are discussing All-New X-Men 8, originally released March 6th, 2013.

Ethan: ­Time-travel narratives always have the potential to bring up questions of self and identity. Though he wrote in less sci-fi context, Famous Dead White Guy David Hume talked about self not in terms of one, coherent, persistent soul but as a collision of different, constantly changing ideas and perceptions, like a train barreling forward with an ever changing set of passengers. While I may feel like I’m one, same person from one day to the next, I’m occasionally startled when my brain abruptly serves up a memory from the past. I remember the experience, the decisions, the stimuli as if it was me, but the choices and statements made by that past person often seem alien. That person was, in many real ways, NOT the me I am now. Reading All-New X-Men 8, I was happy to see that writer Brian Michael Bendis and artist David Marquez took some time to play around with these ideas.

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Superman 17

Alternating Currents: Superman 17, Drew and Mikyzptlk

Today, Drew and Mikyzptlk are discussing Superman 17, originally released March 6th, 2013. This issue is part of the H’el on Earth crossover event. Click here for complete H’el on Earth coverage.

Drew: Last month, Patrick compared Superman 16 to a joke with an aborted punchline — the entire issue was spent building towards a payoff that simply evaporated when we finally arrived. Superman himself has a very similar experience in Superman 17, when he comes face to face with the Oracle, who shows Superman a confusing series of images, but disappears before giving any explanation. It’s a frustrating experience for Clark, one that very pointedly reflects my reactions to both this issue, and the H’el on Earth event as a whole. Continue reading

Dial H 10

Today, Taylor and Shelby are discussing Dial H 10, originally released March 6th, 2013.

Taylor: Sidekicks are a staple of the superhero myth. Basically every superhero at one time or another has employed a trusty ally to help them battle evil and protect the innocent. The function of the sidekick can essentially be pared down to the idea that they help the titular hero off the comic pull of amazing stuff from week to week. And while it would be easy to think of this simply in terms of how a sidekick affects a storyline, they serve the dual purpose of making a comic more interesting to read. Just look at (SPOILER ALERT (kind of)) the recent death of Robin in Batman, Incorporated. This event came out of nowhere and shocked its readers, instantly making for a riveting issue. It can be argued that Batman, as a superhero, doesn’t really need a sidekick, he’s basically as tough as they get. But throw in the occasional sidekick (two of which who have died) and the story of Batman becomes instantly more interesting due to the wildcard that is a sidekick. However, in a comic entitled Dial H for Hero (my emphasis on hero) is it appropriate to explore the mythology of the sidekick? Dial H 10 answers that question with a resounding “YES. Continue reading

Swamp Thing 18

swamp thing 18 ROT

Today, Shelby and Scott are discussing Swamp Thing 18, originally released March 6th, 2013. This issue is part of the RotWorld crossover event. Click here for complete RotWorld coverage. 

Shelby: I’m going to be honest with you all: I’m at a loss, here. I’m not sure where to begin. Swamp Thing has been one of my favorite titles since I picked it up around issue 6. Scott Snyder’s Alec Holland is a conflicted man, trying to find his place in the world, but ultimately following his heart. Yanick Paquette’s art is horrifyingly beautiful, so beautiful I was inspired to permanently ink it into my skin. Add a couple star-crossed lovers, disgusting zombie creatures, and the destruction of the DC universe, and you’ve got something pretty special on your hands. This issue marks the end of Rotworld, the end of Snyder and Paquette’s work on the title, and the fates of Abby and Alec; it’s no wonder I’m feeling a little bittersweet about this write-up.  Continue reading

Animal Man 18

Alternating Currents: Animal Man 18, Drew and Shelby

Today, Drew and Shelby are discussing Animal Man 18, originally released March 6th, 2013. This issue is part of the RotWorld crossover event. Click here for complete RotWorld coverage. 

Drew: Many fans were dismayed when DC spoiled the end of Batman Incorporated 8, but it really wasn’t just that they had made those spoilers available — it was that they made them unavoidable, popping up when you accessed their website with no way of avoiding the information. Sure, you could argue that the cover to that issue (which had, unfortunately, already been leaked) gave the ending away, but it’s not exactly like comic book covers have to be representing actual events in the issue. Case in point: Batman R.I.P., which — contrary to what the title suggests — [SPOILER] doesn’t feature the death of Batman. In fact, the well-known hyperbolic nature of comic book covers is precisely what made me so skeptical that Animal Man 18 would actually feature “the most TRAGIC DAY in the life of BUDDY BAKER!” (Spoilers after the jump) Continue reading