Today, Shelby and Drew are discussing Animal Man 7, originally released March 7th, 2012.
Shelby: I am pretty new to Animal Man. After listening to Patrick and Drew rave about it, I knew I had to pick it up. I just got caught up over the weekend, and I’m so glad I did. No exaggeration: reading the first 6 issues of this in one sitting gave me nightmares. I am a grown-ass woman, and I can’t sleep because of a comic book? That, my friends, is awesome. Continue reading
Today, Drew and Patrick are discussing Batwing 7, originally released March 7th, 2012.
Drew: At the end of issue 6, I had mixed feelings about this title. I liked the stylized art, particularly Brian Reber’s atmospheric, almost dusty colors, and I appreciated the idea of distilling the idea of Batman down to it’s essence and seeing how it plays in different cultures. At the same time, I wasn’t sure I actually liked the approach writer Judd Winick had applied to the Democratic Republic of the Congo. I complained that the title was exploitative, but it really isn’t guilty of doing anything any frank (or, more importantly, action-focused) depiction of subsaharan Africa wouldn’t do. I’m still not convinced that this title isn’t exploitative, but this month’s issue comes a long way in making me more comfortable with the world David Zavimbe inhabits. Continue reading
When DC re-launched its entire line in September, they allowed individual writers and artists creative control over just how hard they wanted to throw the reset switch. With one exception: DC management decreed that in the “present” of all the books, no superhero had been active for more than five years. This holy edict seems to have served some characters better than others, and it also upsets some fans more than others. The Retcon Punchers weigh in on this universal change. Welcome to the Chat Cave.
Shelby: You know, I really don’t think about this all that much. Honestly, my first reaction to Patrick’s posing the question was, “Wait, what?” I kind of forgot; it just doesn’t enter into my brain while I’m reading. Continue reading
Today, Patrick and Drew are discussing Birds of Prey 1-6, originally released September 21st, October 19th, November 16th, December 21st, 2011, January 18th, and February 15th, 2012.
Patrick: You know how the common perception of Aquaman is that he’s lame and talks to fish and is generally useless in a peer group that includes the likes of Superman and Batman? That is exactly how I’ve always seen the Black Canary. Too frequently in the old continuity she was made to function solely as the Green Arrow’s wife or ex-wife or ex-wife-that-still-fucks-him-from-time-to-time. After being marginalized by a hero as boring as Green Arrow, the very mention of the character’s name signaled petty, tedious bullshit. This largely-domestic history, coupled with a super-sonic scream super-power, paints the image of the ultimate shrew. I never imagined that I’d be reading a book that features the character so prominently. And I certainly never thought I’d be enjoying it this much. Continue reading
Today, Drew and Patrick are discussing Green Lantern: New Guardians, originally released September 28th, 2011, October 26th, 2011, November 23rd, 2011, December 28th 2011, January 25th 2012, and February 22nd, 2012.
Drew: Creatively, the concept of the Green Lantern Corps is a tricky thing for DC to deal with. On the one hand, the density and vastness of literally an entire universe’s worth of mythology and intergalactic police stories is the perfect setting for the kinds of expansive, sprawling stories comics are so well-suited for. On the other hand, that same density and vastness makes the title incredibly impenetrable to newcomers, which lowers their crossover appeal. Characters like Batman and Spider-Man can make the pop-culture leap into movies and television precisely because their mythologies can be so easily summarized. The reasons comics fans like Green Lantern are the same reasons that make a film adaptation so impossible (or at least ill-advised). Continue reading
Comics have always been stigmatized, from the homophobia that led to the comics code to the perennial perception that comics are for kids. Fans have long tolerated these stigmas, but have recently enjoyed more mainstream acceptance. Between the regular presence of graphic novels on bestseller lists and superheros on theater marquis, comics readers need no longer feel embarrassed for their fandom. At least, not totally. This week, the Retcon Punchers discuss what aspects of comic books still embarrass them. Welcome to the Chat Cave.
Drew: This subject is very near and dear to my heart. In fact, one could argue that my first attempt to tackle this subject (posted on my blog devoted to subjects of such social stigmas) set me on the path that led to the formation of this very site. Suffice it to say, I’m maybe a little too sensitive to what people might be thinking about my comic fandom, but those sensitivities aren’t necessarily directly comics related. The thing I’m most embarrassed by is people assuming that I’m the kind of hyper-sarcastic, socially awkward pretentious hermit that has become the stereotype of the modern comic fan, but that has more to do with the culture surrounding comics than anything in the comics themselves. Continue reading
Today, Peter and Drew are discussing All-Star Western 4-6, originally released December 28th, 2011, January 25th, 2012, and February 22nd, 2012.
Peter: As we delve farther into the story of Jonah Hex and the 1880s, it has become apparent that this book is on a mission. What it is exactly, I’m not sure. However, it is clear as day that writers Justin Gray and Jimmy Palmiotti have a clear vision for All-Star Western, and how to make this book play a greater role in the greater DCnU. Continue reading
Today, Patrick and Drew are discussing Batwing 1-6, originally released September 7th, 2011, October 5th, 2011, November 2nd, 2011, December 7th, 2011, January 4th, 2012, and February 1st, 2012.
Patrick: David and Isaac Zavimbe were orphaned when their parents died of AIDS. They were kidnapped from the orphanage by Warlord Keita, who transformed them both into monstrous child-soldiers. As the Zavimbe brothers were impossibly good at killing in the name of the warlord, Keita took them on as his own sons – calling them his Dragonflies. The more atrocities they committed for Keita, the more he trusted them. When Isaac defied and order and refused to murder children, Warlord Keita gutted him with a machete in front of his brother. By way of revenge, David left Keita defenseless in an enemy village and vowed to never kill again. David grows up to become a police officer in the Republic of Congo by day and superhero Batwing by night. This is canvas upon which the Batwing saga is painted.
Today, Drew and Patrick are discussing the Flash 6, originally released February 22nd, 2012.
Drew: Barry Allen has a strange relationship with time. It’s the essence of his character; he moves (and thinks) fast enough for issues of cause and effect to not matter to him in the same way they do for us. The complexity of that relationship increases exponentially when time travel is added to the mix, breaking down the meaning of cause and effect altogether. Francis Manapul and Brian Buccellato have done a great job introducing these elements without giving Barry absolute control over time. The EMP blast from the previous few issues addresses these complications dramatically, but issue 6 is told in a non-linear fashion, allowing Manapul and Buccellato to address the issue of time travel thematically. I’m going to re-shuffle the story into chronological order for the sake of clarity (a la our Batwoman 6 write-up), but understand that the story is arranged in LOST-style flashbacks to reveal the causes of events after the effect has been established. Continue reading
With the Second Wave of the New 52, DC will reintroduce the Multiverse, the mulitple-earthed solution to continuity issues, with titles like Earth 2 and World’s Finest.What do you think about the Multiverse coming back? The Retcon Punchers sound off. Welcome to the Chat Cave
Shelby: Oh, Multiverse, you confuse me so. Trying to keep track of the Multiverse is, to me, akin to herding cats in a straight line: a mildly amusing, but ultimately impossible endeavor. Honestly, I think the Multiverse is just silly; come on, have you ever read the Wikipedia list of Multiverse worlds? Originally, it was meant to enable cross-overs between Golden and Silver Age comics, and has since been compressed, smoothed out, re-shaped, forgotten, remembered, and now apparently relaunched. It is a sink-hole of continuity issues and alternate realities. Continue reading
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