Today, Spencer and Mark are discussing Nightwing 9, originally released November 16th, 2016. As always, this article contains SPOILERS.
Spencer: If you go back and read my reviews of recent Nightwing issues, I’m on record as calling this run “grim” more than once. I’m still a bit puzzled as to why writer Tim Seeley has filled Dick with so much angst, but at least Nightwing 9 is an acknowledgement of this trend, and seemingly an active move away from it. It’s a refreshing look at why Dick Grayson is such a powerful character in the first place. Continue reading →
Today, Spencer and Mark are discussing Superman: Lois & Clark 3, originally released December 30th, 2015.
Spencer: In any comic storyline lasting more than two or three issues, it’s the middle chapters that are usually the weakest. Openings can rely on the excitement of starting a new story, penultimate chapters generally benefit from a big twist, and conclusions, of course, seem to matter the most simply because they’re the end of the story. Those middle chapters, though — third and fourth issues specifically, if it’s a six-issue arc — tend to blend together, existing only to “move the story forward” without really gaining an identity or having a complete, satisfying narrative of their own. Issue 3 of Dan Jurgens and Lee Weeks’ Superman: Lois and Clark fits this description to a “t,” and is a weaker installment because of it. Continue reading →
Today, Michael and Mark are discussing Superman: Lois & Clark 1, originally released October 14th, 2015.
Michael: Many of my early pieces for Retcon Punch consisted of me complaining about The New 52 and comparing it to the old DCU that I knew and loved. I’d often go off on tangents about the way DC does business and neglect the book I was actually covering. I loved and missed the pre-Flashpoint DCU and I still do. Enter a book like Superman: Lois & Clark 1, which allows me to cheat by writing about the old DCU and the book in front of me. Continue reading →
Today, Patrick, Drew, Peter and Shelby are discussing The New 52 1, originally released on Free Comic Book Day, May 5th, 2012.
Patrick: Now that the dust has settled and we’re all able to calm down after a thrilling Free Comic Book Day, it’s time to get down to brass tacks. The issue that DC released was anything but an easy entry-point, packing in more characters and mythology than we’ve seen in any single issue since the relaunch. This book makes a lot of intriguing promises for long-time fans, but I doubt new readers were all that excited to spend 11 pages following a character they’ve never heard of.
With the Second Wave of the New 52, DC will reintroduce the Multiverse, the mulitple-earthed solution to continuity issues, with titles like Earth 2 and World’s Finest.What do you think about the Multiverse coming back? The Retcon Punchers sound off. Welcome to the Chat Cave
Shelby: Oh, Multiverse, you confuse me so. Trying to keep track of the Multiverse is, to me, akin to herding cats in a straight line: a mildly amusing, but ultimately impossible endeavor. Honestly, I think the Multiverse is just silly; come on, have you ever read the Wikipedia list of Multiverse worlds? Originally, it was meant to enable cross-overs between Golden and Silver Age comics, and has since been compressed, smoothed out, re-shaped, forgotten, remembered, and now apparently relaunched. It is a sink-hole of continuity issues and alternate realities.Continue reading →
Today, Shelby and Drew are discussing Wonder Woman 6, originally published February 15th, 2012.
Shelby: Let me explain: I have loved Greek mythology since I was just a young lass. I picked up a copy of Jason and the Argonauts from my middle school library many, many years ago, and I’ve been hooked ever since. I think what is most appealing to me about the Greek gods and goddesses is their human failings. They toe the line between being the source of human characteristics, to just being overly emphasized caricatures. They’re silly, stupid, petty, jealous, vain: they fall for the same tricks and make the same mistakes as all us regular folk. In this way, the gods of Greece are the great lessons for what to do and what not to do; their “nobody’s perfect” depiction makes them relatable. Wonder Woman continues in this vein, much to my delight. Continue reading →