Art or Madness in Beautiful Canvas 1

by Ryan Desaulniers

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

The first words uttered in Beautiful Canvas 1, “You’re overthinking it”, are spoken to the main character, Lon Eisley, but I might be in the same boat. I can’t seem to make heads or tails of this number one. On the surface the story is simple: an assassin, Lon, botches a hit for sadistic billionaire Milla Albuquerque, and we watch how things fall apart for Eisley. However, there are so many elements in this title which seem arbitrary or haphazard. Continue reading

Jean Grey 3: Discussion

By Ryan Desaulniers and Ryan Mogge

This article containers SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Ryan D: When one writes about comic books, due to the popular types of stories being told, the critical eye encounters Joseph Campbell’s template for “the hero’s journey.” This monomyth pervades the pages of superhero titles, and seems even more prevalent in solo runs of characters due to the ease of accessibility inherent to that narrative. In Jean Grey, however, Dennis Hopeless and his creative team use a different kind of literary precedent — that of the Bildungsroman –– to tell the story of the young Jean as she gears up to meet the looming threat of the Phoenix. The Bildungsroman is a novel of formation or education with the psychological and moral development of the protagonist as the crux of the narrative, along the lines of Ponyboy in The Outsiders or Marji in PersopolisJean Grey 3 continues that trend of Jean moving painfully towards development and maturity as she learns a lesson in the company of “Marvel’s First Mutant,” Namor. Continue reading

Wants, Needs, and Given Circumstances in The Wild Storm 5

by Ryan Desaulniers

Wild Storm 5

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

In a world as complicated as this one, replete with conspiracies between corporations, technology theft, aliens living among us puny humans, and a gigantic cast of characters, it helps to find ways to keep things simple. In The Wild Storm 5, writer Warren Ellis and artist Jon Davis-Hunt introduce many new, somewhat confusing elements to the narrative, but underscore these revelations with a firm grounding in characters’ wants and needs. Continue reading

Peter Parker: The Spectacular Spider-Man 1: Discussion

by Ryan Mogge and Ryan Desaulniers

This article containers SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Ryan M.: How much background do you need to enjoy a single issue of an on-going serial? There is an argument that the answer is none. Most of us start out by just diving in, checking things out and then heading to Wikipedia or a very knowledgeable friend to help fill in the cracks. The serialized narrative is a moving train, you catch it when you can, and see what it has to offer. This can be one of the format’s strengths, giving the reader a feeling of discovery by entering a rich established world. You may have questions that aren’t answered or relationship dynamics you can’t understand, but you are seeing into a fictional world that is fully realized. It’s one of the reasons that origin stories can feel plodding. They are explaining why things are rather than showing what they become. In Peter Parker: The Spectacular Spider Man 1, Chip Zdarsky balances out that sense of history by giving the story a day-in-the-life feel with a few big turns that make it clear that a bigger story is evolving. Continue reading

Finding a Balance in The Black Monday Murders 6

by Ryan Desaulniers

Black Monday Murders 6

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

If you know Jonathan Hickman’s past work, you know he can get…complicated. Reading The Black Monday Murders 1-5 to catch up for last month’s full conversation proved a deep dive into an intricate world full of ancient conspiracy theories, old money, the occult, convoluted machinations, epistolary inserts, and shadow-soaked boardroom conversations. This issue returns to show some of the fallout of the recent occurrences and again displays Hickman and artist Tomm Coker’s tightrope walk approach to action, exposition, and reaction. Continue reading

Speed Thrills and Powers Kill in Accell 1

by Ryan Desaulniers

Accell 1

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

If you’ve read a superhero title, than you have almost certainly encountered a speedster on the pages. While their basic premise may be simple (they’re really, really fast), creators have played with the scope and scale of this speed to the point that characters have broken the time barrier and even out-run death itself. With this huge lore of speedsters existing, it must be a daunting task to write a new superpowered character with this skill set. The creative team — almost entirely composed of veterans in the industry such as Joe Casey — tackle this challenge in  Accell 1, delivering a fun romp if one can suspend their sense of disbelief, notable mostly for their choice in lead character. Continue reading

Defenders 1: Discussion

by Taylor Anderson and Ryan Desaulniers

This article containers SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Taylor: When you think of the job comic book writers are tasked with, it’s damn near impossible to not stand in awe at what they accomplish. When writing for monthlies, authors not only have to come up with an engaging story, but something that stands out as unique. This is no easy task. Monthly comics have been around for the better part of a century, and many of the heroes who have titles today have participated in literally hundreds of story arcs. With that in mind, it’s impressive to consider the career of a writer as prolific as Brian Michael Bendis. Arguably the most recognizable name in comic book writing today, Bendis has written countless stories in his career, so at some point it becomes reasonable to question if he’ll ever cease to come up with new, entertaining stories. While it would be hyperbole to say Defenders 1 signals the beginning of the end for Bendis’s creativity, it’s hard to argue the lack of originality and inspiration in this first issue. Continue reading

Marvel Round-Up: Comics Released 6/7/17

We try to stay up on what’s going on at Marvel, but we can’t always dig deep into every issue. The solution? Our weekly round-up of titles coming out of Marvel Comics. Today, we’re discussing All-New Guardians of the Galaxy 3, Black Bolt 2, Daredevil 21, Doctor Strange 20, Hawkeye 7, Rocket 2 and Unstoppable Wasp 6. Also, we will be discussing Nova 7 on Monday and Amazing Spider-Man 28 on Wednesday, so come back for those! As always, this article contains SPOILERS.

slim-banner4 Continue reading

Kill Or Be Killed 9

Alternating Currents: Kill or Be Killed 9, Drew and Ryan D

Today, Drew and Ryan D. are discussing Kill Or Be Killed 9, originally released May 31st, 2017. As always, this article contains SPOILERS.

The best-laid plans of mice and men
Often go awry

Robert Burns, To A Mouse

Drew: I use this epigraph a lot on this site. It’s an appealing quote, both because of its sentiment and its popularity (bastardized “translations” to English aside), but also because plans going wrong is such a ubiquitous source of drama. We’ve all had something fall apart in spite of our best efforts, which makes seeing it in fiction tragically relatable, even if our plans (and how they go wrong) are more banal than we might encounter in fiction. It’s probably a bit too generous to say that Dylan’s plans were ever the “best-laid,” but we still recognize the panic that comes when they go awry. This issue pushes him ever closer to completely losing control, though he manages to just barely hang on. Continue reading

The Wild Storm 4

Alternating Currents: The Wild Storm 4, Ryan and Drew

Today, Ryan D. and Drew are discussing The Wild Storm 4, originally released May 17th, 2017. As always, this article contains SPOILERS.

What a day. What a motherfuckin’ day.

Alonso Harris, Training Day

Ryan D: I recently re-watched Training Day and damn, what a good film. While there are plenty of things which stand out in the film, one of its best features is that all of the events of the movie take place in one day. By the end of the running time, the audience really gets a sense of exhaustion which matches that of the characters because so darn much is crammed into a day. Similarly, in The Wild Storm 4, I realized by the end of the issue that all the events in the series thus far have taken place in the course of one day. After a very action-filled issue 3, I enjoyed the change of pace as the events of the day start to sink in. Continue reading