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Oct 11 2013

Rocket Girl 1

rocket girl 1

Today, Patrick and Shelby are discussing Rocket Girl 1, originally released October 9th, 2013.

Patrick: The first weekend I ever owned an iPhone, my friends I tried to see James Bond: Quantum of Solace at a movie theatre in downtown Chicago. We had driven, which was atypical for us at the time – we were very train-reliant when we lived in Chicago. But on this particular evening we had a car. Much to our dismay, the movie was sold out. That’s when I, armed with my shiny new phone , found another theatre that was playing the flick, bought us tickets and got directions to this new theatre. The night’s revised plans were a rousing success, due in no small part to wicked piece of sorcery in my pocket. I boldly declared then that we were Living In The Future. Of course, this was over five years ago now, and the ability to access that kind of future tech is commonplace — and much of the software and hardware I was using on that night would seems repulsively slow and awkward to me now. But I love this idea that the present is just  our past’s future. Brandon Montclare and Amy Reeder leverage this idea to present us with an insane alternate future… set in 2013. Continue reading →

Oct 8 2013

Lazarus 4

Alternating Currents: Lazarus 4, Drew and Shelby

Today, Drew and Shelby are discussing Lazarus 4, originally released October 2nd, 2013.

Drew: Ah, feudalism. Its simple, incestuous power dynamics make for some fascinating drama. Sure, there can be warring families, but the real dangers are those from within, as family members pit their love for one another against their thirst for power. It completely upends our notions of who we can trust, leaving each member of the ruling class open to betrayal and manipulation. As an effectively immortal killing-machine, Forever Carlyle was always above that kind of base power-grubbing, but Lazarus 4 finds her pulled into the fray with an anonymous tip about her family. Continue reading →

Sep 27 2013

Saga 14

saga 14

Today, Shelby and Drew are discussing Saga 13, originally released September 25th, 2013.

Shelby: One of the big parts of growing up is learning that you can’t always have what you want. As a kid, when your parents tell you that you can’t have something, you pitch a fit in the middle of the Jewel-Osco, but as you grow up you learn to more appropriately deal with disappointment. It’s a process that never stops, because we constantly have things we want taken away from us. Sometimes we have to choose between two things we want, knowing that we’ll always be a little disappointed for the option we didn’t take. Sometimes we have to face the hard truth that we can never again have what was lost, no matter how badly we want it.

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Sep 17 2013

Manhattan Projects 14

Alternating Currents: Manhattan Projects 14, Patrick and Drew

Today, Patrick and Drew are discussing Manhattan Projects 14, originally released September 11th, 2013.

Patrick: Lately, it feels like we’re in the business of reading big dumb crossover events. One of the benefits of these things is that it allows for a smattering of characters from all across the universe (and all throughout the history of said universe) to interact. Say what you will about the various contrivances that jam these characters together — there’s something super compelling about watching them interact. Jonathan Hickman manages the same feat with Manhattan Projects, pulling his cast from the history books. There are similar logical inconsistencies, but if you just accept that he wanted these characters to interact as badly as Geoff Johns wanted John Constantine to match wits with Batman, then it totally works. Issue 14 of Manhattan Projects serves as a real-world Crisis on Infinite 1960s. Continue reading →

Aug 19 2013

Saga 13

saga 13

Today, Patrick and (guest writer) Brandon are discussing Saga 12, originally released August 14th, 2013.

Patrick: At the midnight Saga release party at Meltdown Comics over a year ago, Brian K. Vaughan said that he wanted to tell the story of a normal family stuck in the middle of an interstellar war that they wanted nothing to do with. The series itself bears this idea directly – Marko and Alana are combatants from opposite sides of an endless war that find each other through their shared belief in peace. From a storyteller’s perspective, War is much easier to write than Peace. In war (metaphorical or otherwise), there is an objective: no matter how messy and dark it gets, conditions for victory are clear. Saga 13 finds our characters searching blindly for what they’re ‘supposed’ to do next. It’s a meditation on the hope buried in hopelessness and the origin and influence of values. That’s right – welcome back to motherfucking Saga.

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Aug 14 2013

Manhattan Projects 13

Alternating Currents: Manhattan Projects 13, Drew and PatrickToday, Drew and Patrick are discussing Manhattan Projects 13, originally released August 7th, 2013.

Drew: We often joke about “historical fiction” being an oxymoron, but that mostly stems from a misperception of just how fictionalized history is. Indeed, if history were simply a compilation of irrefutable facts, we could probably stop writing books about the life of Abraham Lincoln or whatever. Instead, we have a messy timeline made up of conflicting accounts and countless ways of explaining all of it. To me, the biggest difference between history and historical fiction is that history needs to back up its conclusions with more facts — it’s basically the narrative between to factual points — whereas historical fiction treats the facts more as a starting point, but doesn’t need to tie back to any facts. In that way, Manhattan Projects has become a kind of meta-historical fiction, taking a fictionalized conclusion as its starting point, and building to ever more spectacular fictions. It’s never been anything other than divorced from reality, but as the narrative continues, it somehow manages to become even less related to history. Continue reading →

Jun 18 2013

Manhattan Projects 12

Alternating Currents: Manhattan Projects 12, Drew and Patrick

Today, Drew and Patrick are discussing Manhattan Projects 12, originally released June 12th, 2013.

Oh my God. Oh my God! Oh my God! The whole time? The whole time, you were – THE WHOLE TIME?!

-Sally Field as Miranda Hillard
Mrs. Doubtfire

Drew: I love a good twist. Nothing is better than being surprised by a narrative — especially with something that fundamentally shifts the paradigm of the story. Of course, it’s possible to go too big with a twist — if you change the foundation too much, you run the risk of invalidating the emotional connections based on that foundation. Obviously, it’s difficult to bring up examples without spoiling some big twists, which hopefully explains the epigraph — by the climax of Mrs. Doubtfire Sally Field’s character is basically the only person that doesn’t know Robin Williams is her nanny, but that doesn’t negate her growing sense of betrayal as she realizes that this was the case THE WHOLE TIME. I had a similar reaction as Manhattan Projects 12 reveals that Fermi isn’t the character we think he is. When Harry reveals that he knows Fermi is an alien at the end of Manhattan Projects 11, Patrick and I were touched — we saw their friendship as the sweet story of two outsiders who found each other. In issue 12, Jonathan Hickman rips that still-beating heart out through our eye-holes, and lets us know that it was all a lie, anyway. Continue reading →

May 28 2013

SEX 1-3

sex 1-3

Today, Shelby and Drew are discussing the Sex 1-3, originally released March 6th, April 10th, and May 22nd 2013.

Shelby: I’m going to come clean with you all: I have a lot of problems with this title. Let’s just leave it at that, and dive on in. Continue reading →

Apr 29 2013

Manhattan Projects 11

manhattan projects 11

Today, Patrick and Drew are discussing Manhattan Projects 11, originally released April 24th, 2013.

Patrick: We take the term of “science fiction” for granted. It’s a genre and an aesthetic that has become ironically formulaic over the years. Just as “fantasy” increasing means a cookie-cutter world of elves and goblins and dragons, “science fiction” means spaceships and lasers and aliens (or robots, so say we all). Jonathan Hickman’s Manhattan Projects returns to the source of the phrase and delivers a series both surprisingly scientific and excitingly fictional. I’m still tinkering with the punctuation, but I think “science/fiction” is the most appropriate. Continue reading →

Apr 12 2013

Saga 12

saga 12

Today, Patrick and Shelby are discussing Saga 12, originally released April 10th, 2013.

Patrick: Robots and aliens and monsters and ghosts and magic spells — Saga has never had a difficult time of establishing itself as a piece of science fiction / fantasy literature. The well-defined characters at the heart of the story — the young family of Marko, Alana and Hazel — go a long way toward grounding the series. In recent issues, that same humanity has been extended to peripheral characters, like The Will. This issue leaves all of those comfortable characters behind, and fills in the gaps in the surprisingly nuanced character of Prince Robot IV. When we finally meet D. Oswald Heist, it’s no surprise that he’s a fully formed person with hopes, fears and secrets. Despite itself, I’m beginning to believe that every corner of this world is fully realized.

Continue reading →