Category Marvel

Dec 31 2012

Hawkeye 6

 

Today, Jack and Shelby are discussing Hawkeye 6, originally released December 19th, 2012.

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Jack: Do you remember the moment you realized that Kill Bill: Volume 2 had only one fight scene? I think I watched it at least three times before I realized that it was about 80% less violent than its famously gory predecessor, because somehow the two films were so beautifully of a set. In some way like that, Hawkeye 6 features almost no action at all, yet it is decidedly cut from the same cloth as every issue in which Clint crashes out of a tenth-story window. The difference, though, is that in this case, the order is flipped.  It is the mundane, domestic story of Clint trying to learn how to take a few days off and enjoy the holidays which more nakedly exposes the question that all of the smash-smash-punch episodes have been driving at, ie, “What if this super-hero really were just a pretty cool person?” Continue reading →

Dec 12 2012

All-New X-Men 1-3

Alternating Currents: All-New X-Men 1-3, Drew and ShelbyToday, Drew and Shelby are discussing All-New X-Men 1-3, originally released November 7th, 21st, and December 5th 2012, respectively.

Drew: Regret is a funny thing. We’ve all felt it, even if for something as simple as wishing we had ordered that other thing that looked good on the menu. It comes in many flavors, from shame to wistfulness, but all require us to be removed in time from the event we regret. As an observation, that’s almost too obvious to mention — except when time stops working like we expect it to. We’re used to looking back, but how does regret work if you can look forward, as well? At the end of its first three issues, All-New X-Men seems poised to address this very notion, as we rapidly take the perspectives of people looking to their pasts, as their pasts gaze into their future. It’s a crazy idea, but just like the plan that brought it about, it might be just crazy enough to work. Continue reading →

Dec 10 2012

Hawkeye 5

Today, Jack and Shelby are discussing Hawkeye 5, originally released December 5th, 2012.

Jack:  Not for the first time, we begin an issue of Hawkeye with Clint Barton falling headlong out of a freshly smashed umpteenth-story window, privately conceding that this situation is, perhaps, suboptimal.

hawkeye 5 this looks bad

 

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Dec 10 2012

Deadpool 1-3

deadpool 1-3

Today, Mikyzptlk and Drew are discussing Deadpool 1-3, originally released November 7th, 21st, and December 5th 2012, respectively.

Mikyzptlk: Hello fellow Retcon-Punchers! I’m writing about multiple issues for the first time so I’m really hoping this doesn’t turn into a train-wreck. But do you know what isn’t a train-wreck? The first three issues of Deadpool! (Oh no, what a horrible transition…it has begun). Anyway, I’d like to start by giving you all a quick rundown of my history with Wade Wilson AKA Deadpool. I haven’t read too much Deadpool I’m sorry to say. Mainly a few trades here and there from time to time. The only consistent thing about my Deadpool adventures is that they’ve all been scripted by Daniel Way. I’ve enjoyed Way’s version of Deadpool (especially the use of multiple voices). Way’s Deadpool was always good for a laugh and newcomer Brian Posehn (I love this guy!) certainly doesn’t disappoint in that arena. Best of all, Posehn is delivering one of the few Marvel NOW! books that I’ve read that truly feels like a jumping on point for new readers. Continue reading →

Dec 4 2012

A + X 2

a+x2

Today, Shelby and (guest writer) James D’Amato are discussing A + X 2, originally released November 28th, 2012.

Shelby: I like fluff. Sure, it’s fun to read something that is very intelligently written and cleverly drawn, and analyze the holy hell out of it. Turns out, that’s kind of our bread and butter here at Retcon Punch. But for every Fight Club, there’s a Zoolander: a vacuous, fluffy bit of nothing that is just dumb fun. A+X is just that fluffy bit of nothing; it pairs up Avengers with X-Men, with no regards to continuity, logic, etc. The whole point of the title is to watch a couple of superheroes kick the crap out of some bad guys, and I don’t have any problems with that at all. The two stories in this issue are a great demonstration of the fact that just because I’m looking for some dumb fun doesn’t mean I want to have my intelligence insulted; there is, after all, such a thing as too dumb.

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Nov 28 2012

Hawkeye 4

Today, Drew and Jack are discussing Hawkeye 4, originally released November 21st, 2012.

Drew: Back in issue 2, Clint assured us that “work’s work.” The very notion of considering the Avengers a day job says a lot about his character, but the notion that he could separate his personal life from his professional one is laughable. Hell, my mom can’t even do that, and her job doesn’t involve killing people, saving the world, or supervillains bent on exacting revenge (at least, I don’t think her job involves those things). The first three issues of Hawkeye have brilliantly explored what a guy like Clint might get up to when he has nothing better to do — fighting local crime and righting small wrongs just for the hell of it — but issue 4 brings reality back to Clint’s doorstep. It just so happens that, for Clint, reality comes in the form of a  floating aircraft-carrier filled with superheroes. Continue reading →

Nov 27 2012

Daredevil 20

Today, Patrick and (guest writer) Ray Bari are discussing Daredevil 20, originally released November  21st, 2012.

Patrick: Let’s talk about dramatic reveals. No, no — no spoilers before the jump (but boy-howdy: spoilers after the jump). There’s nothing worse than a botched reveal — the sense that the storytellers just don’t understand the value of their own story is discouraging as hell. But a well-deployed revelation — one that alters the fundamental nature of a character or conflict — should turn your stomach just from sheer excitement. Daredevil 20 drops two such revelations, and with an uncharacteristically graphic imagery, ratchets that stomach turning up to 11.

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Nov 6 2012

Daredevil 18-19

Alternating Currents: Daredevil 18-19, Drew and PatrickToday, Drew and Patrick are discussing Daredevil 18-19, originally released September 19th, and October 17th, 2012.

Drew: You know that feeling where, for the life of you, you can’t remember where you put something you just had? When I was a kid, it was always my shoes; nine times out of ten they were right by the door, but every once in a while, they weren’t, prompting a lot of frustrated running around as we were rushing out the door to school. If it wasn’t your shoes, maybe it was your keys or your glasses — the point is, it’s a universal sensation, prompting the equally universal (though usually facetious) response of “Am I going crazy?” This is essentially the problem Matt Murdoch finds himself in as of Daredevil 18-19, only instead of the TV remote, he’s misplaced his father’s remains, his estranged wife, and his own body. Understandably, this has him — and those around him — considering his own insanity a bit more seriously.

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Nov 5 2012

A + X 1

Today, Patrick and Mikyzptlk are discussing A + X 1, originally released October 31st, 2012.

Patrick: We here at Retcon Punch haven’t made any decisions about Marvel NOW. The concept is so different from DC’s line-wide relaunch with the New 52, but the spirit is the same: “it’s okay, new readers, we’ll tell you where to start.” So it’d be downright hypocritical of us not to give some of these titles a fair shake. We appealed to our readers for suggestions on which series to cover (haven’t cast your vote? like voting twice? here’s a link to the poll!). Whatever ends up happening, we’d like to wait until there are a few issues in the bank before launching into the close readings – but then I picked up A + X. The format of A + X is simple: two unrelated stores, each featuring one X-men and one Avenger. Combining of both Avengers and X-men summons all kinds of insane continuity concerns, not least of which being the A vs. X series that ran this summer. But the Q&A section jammed into the title page works to alleviate those fears:

Q: So, where do these stories take place in each character’s continuity?
A: STOP THINKING SO MUCH! It fits in where it fits in! It’s enough to know that these stories ROCK! Now, GET READING.

A little bossier than I prefer my comics, but okay – let’s put that to the test. Without context, and with no deep knowledge of these character’s continuity, do these stories ROCK?

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Oct 29 2012

Hawkeye 1-3

Today, Patrick and Shelby are discussing Hawkeye 1-3, originally released August 1st, September 5th, and October 17th, 2012.

Patrick: My Improv 101 teacher, used to stop our scenes all the time to give the following note: “Today’s the day.” What he meant was that today was the day these characters confronted the thing that was already weird about their relationship: everything comes out into the open, and friendship may not survive the encounter. It’s fantastic advice for making a short narrative infinitely more compelling – we all have routines and we all inherently understand the drama that unfolds when one of our routines is broken. As superhero comics have grown in such cultural importance, the need to express the routine of a superhero has gone the way of Blockbuster Video. There’s so much implied crime fighting between the issues we actually read, that they tend to focus on gigantic, world-shifting EVENTS. And those events are grim. Somewhere between the Rotworlds and Deaths-of-Families, among the Third Armies and H’els on Earth, I forgot that comics can speak the language of fun. Hawkeye not only speaks that language, it’s a master dialectician, artfully deploying the most elegant fun you’re going to see printed on the page.

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