Category Marvel

Jan 16 2013

Thor: God of Thunder 4

 

Today, Jack and Patrick are discussing Thor: God of Thunder 4, originally released January 9, 2013.

Jack: I’d like to start by saying that I knew a guy named Thor once. He was (and probably continues to be) a gentle, mild-mannered Army logistician of short stature, broad shoulders, and profoundly Scandinavian heritage. Most of his behaviors were marked by a kind of good-natured exhaustion and an uncomplicated gratitude for peace and merry-making. It was from him that I first learned the Ben Franklinism, “Beer is proof that God loves us and wants us to be happy.” I mention this not because it has any particular relevance to this issue of Thor, but because I am a creature of anthropocentric narratives; I require a certain amount of character development before I can engage a story, and it has become clear to me that in this case I will only get that character development if I bring it to the table myself, because Jason Aaron isn’t going to do it for me.  I don’t really have a good grasp on who or what any of these characters are, both literally (I was never good on Norse mythology) and philosophically (what is a god?). I don’t much understand why any of them do the things they do, or what that has to do with the nature of the consciousnesses that I’m likely to encounter. That’s a particular and personal fixation of mine on storytelling, and I recognize it’s not everybody’s. In other regards, the craftsmanship is more than adequate. Continue reading →

Jan 15 2013

Fantastic Four 1-3

fantastic four 1-3

Today, Shelby and Drew are discussing Fantastic Four 1-3, originally released November 14th, 2012, December 12th, 2012, and January 9th, 2013.

Shelby: Family stuff is hard. There’s something about the family dynamic, this group of people you’re stuck with, for better or for worse, for the rest of your life, that makes everything a thousand times more difficult than it would be otherwise. The Fantastic Four has the perfect storm (no pun intended) of layered family dynamics: husband and wife, children, an actual uncle, and the family friend you can call uncle, all going on a little trip. On top of all that, you’ve got the fact that all the adults are super-powered saviors of the universe, and the little trip involves traveling the very folds of time and space. Will Matt Fraction be able to balance the mundane family dynamic with the crazy space adventures? More importantly, is Reed Richards always such a dick?

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Jan 14 2013

The Superior Spider-Man 1

Alternating Currents: The Superior Spider-Man, Drew and Patrick

Today, Drew and Patrick are discussing The Superior Spider-Man 1, originally released January 9th 2013.

Drew: What does it mean to be good? Is it about thought or action? That is, does a good person have only good thoughts, or are they simply keeping their bad thoughts from influencing their actions. The popular notion of a conscience as a little angel on your shoulder (or well-dressed cricket, depending on who you ask) suggests that we expect even the best people to consider less-than-savory options, even if they don’t ultimately act on them, but it’s ultimately one that we don’t see dramatized very often. Peter may want to stick around for his date with Mary Jane while a bank heist goes on up the street, but there’s never really any doubt that he’ll be jumping out the window in the next page or so. Otto Octavius doesn’t have that sense of duty, so when he battles with his conscience in Superior Spider-Man, we’re not exactly sure who is going to win. Continue reading →

Jan 9 2013

A + X 3

Alternating Currents: A + X 3, Drew and Shelby

Today, Drew and Shelby are discussing A + X 3, originally released December 19th, 2012.

Drew: Size can dictate a lot about a narrative, to the type of tone it can sustain to the very form it’s hung on. We currently seem to be in an era fetishizing ever longer dramatic narratives, hailing television shows with season-long arcs (or longer), and pouring out in droves to see stories broken into multiple epic-length films (coughTheHobbitcough). At the same time, Adult Swim has found success with very short-form comedies, and youtube clips of cats saying “no” have racked up millions of hits. It seems we’ve decided that very short stories are better at supporting comedy, while very long ones are better for drama. A + X, as a kind of clearing house for extremely short-form stories, has largely borne-out this notion, mining a series of absurd scenarios for their comedic potential. A + X 3 carries on this trend in its latter half, but opens with on much more serious (but still fun) note.

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Jan 8 2013

All-New X-Men 5

all new x-men 5

Today, Patrick and guest writer Ethan Andyshack are discussing All-New X-Men 5, originally released January 2nd, 2013.

Patrick: I had to do a group English project in the first quarter of my Sophomore year in high school. We were on the Junior High / High School system, so this was actually my first year at the school, and sort of my first experience really having to work with new people. There were four of us, and because it was high school, we got together the night before the project was due to essentially do the whole project. I won’t bore you with the details of the project (gigantic literary baseball cards), but there came a point in the night where all three of my other group members thought we were done… but then I noticed that we had woefully neglected the assignment requirements and we actually had another night’s work ahead of us. This was around midnight, so we tabled the project for a second and had to decide which was worse: the unpleasant task of staying up all night or failure? We chose the former and still ended up just getting Bs.

This all relates to All-New X-Men, I promise.
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Jan 2 2013

All-New X-Men 4

Alternating Currents: All-New X-Men 4, Patrick and Drew

Today, Patrick and Drew are discussing All-New X-Men 4, originally released December 19th, 2012.

Patrick: Time travel narratives end up appealing to our vague understandings of chaos theory and the butterfly effect (thanks Jurassic Park, for introducing those into our media-vocabulary). But usually that assumes a time-lapse: events unfold differently throughout time and our future is changed to match the changing past. All-New X-Men shows these same ripples, but throughout the present, as the emotional impact of Beast’s time-travel project effects everyone in turn. Instead of seeing a cause, and then skipping 25 years later to see the effect, we’re subjected to the slow, real pace of cause and effect. It makes for a much smarter, much more sincere time travel story. Oh and there are X-Men in it too. Continue reading →

Jan 2 2013

Thor: God of Thunder 1-3

thor 1-3

Today, Shelby and Patrick are discussing Thor: God of Thunder 1-3, originally released November 14th, November 28th, and December 19th, 2012.

Shelby: We often praise Brian Azzarello’s Wonder Woman for its creative inclusion of the Greek pantheon in the cast of characters. In that universe, the gods are real, tangible beings who walk among the people, but we don’t see them doing much of anything. As far as I can remember, the only god in Wonder Woman we see actually invoked to do his job is Eros; most of the time, the rest of the gods scheme and plot to get what they want. Thor is different; he fights at the side of the Vikings and answers the prayers of those who need his aid. Writer Jason Aaron takes it one step further; for every weird and wacky universe Marvel has got, Aaron gives us a new set of real, tangible gods for it. He then asks the question, “If the gods are real, why can’t they be killed? What would happen to these civilizations if all their gods were dead?” It’s a heady question to be sure, and one that Thor has to face as he confronts the God Butcher at three distinct points in his life.

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Jan 1 2013

Daredevil 21

Alternating Currents: Daredevil 21, Drew and PatrickToday, Drew and Patrick are discussing Daredevil 21, originally released December  19th, 2012.

Drew: We often chide comics for their relatively high cost of entry. It’s easy enough to pick up random issues here and there, but to really dig into a series might require an understanding of decades of stories, and how any of it might matter now. What’s worse is that any given series may have crossed paths with any number of other series over its long history (and might just be crossing paths with any of them again soon). To committed fans, this creates an immersive, almost tactile world, but to folks hoping to ease their way into comics, that dense, interwoven history can be downright impenetrable. We’re generally willing to go along for the ride here at Retcon Punch (which is why we’ve aimed to cover essentially any crossover event DC throws at us), trusting that that dedication will be rewarded. In the final scene of Daredevil 21, Mark Waid turns that expectation on its head, actively rewarding our ignorance (or at least uncertainty) about exactly what’s going on.

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Jan 1 2013

Best of 2012: Best Titles

best titlesWe generally avoid quantifying our enthusiasm around here — we’ll gladly praise or condemn comics as our tastes dictate, but turning that into a grade or a score makes us uncomfortable. As there are in our pull-list, there are holes in this ‘Best of’ list. Mea culpa. We’ve had some great experiences with comics this year, and these are the series that were consistently fun, thoughtful and beautiful. Too subjective for a year-end list? Ignore the rankings. Any way you slice it, these are fantastic series that deserve the scrutiny we heap on everything. Each is a rewarding read and well worth your attention. Our picks for the top 12 series of 2012:

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Dec 31 2012

The Amazing Spider-Man 700

Alternating Currents: Amazing Spider-Man 700, Mikyzpltk and Drew

Today, Mikyzptlk and Drew are discussing The Amazing Spider-Man 700, originally released December 26th 2012.

Mikyzptlk: I’ve always heard that, for writers, endings are the hardest part of a story to write. Most of the time, comic book writers who are helming flagship characters like Wonder Woman or Spider-Man don’t have to worry too much about coming up with an actual ending for their characters. Sure, they definitely have to come up with an ending to their story arcs, but that’s a far different thing than coming up with an ending for the characters themselves. This week, Dan Slott finds himself in the unique position of writing the ending (yeah right) of not only The Amazing Spider-Man but of Peter Parker himself. Continue reading →