Bebop and Rocksteady Destroy Everything: Anatomy of Destruction with Damian Couceiro

anatomy of destruction couceiro

Bebop and Rocksteady Destroy Everything has a premise that’s just too innately appealing to ignore. There’s something elemental about this pair of boneheads wrecking up the universe, and the pedigree of comics from IDW’s Teenage Mutant Ninja Turtle team suggests that this is going to be some marvelous wreckage indeed. We’re sitting down with five artists that helped contribute to the mayhem to discuss their approach to action.

This week, Spencer is talking to artist Damian Couceiro about low angles, keeping his characters straight in a chaotic issue, and designing mutants.  Continue reading

Klaus 6

klaus 6

Today, Patrick and Michael are discussing Klaus 6, originally released June 15, 2016.

Patrick: My mother used to teach first grade, and just about every Christmas, there’d be some little shit in her class that insisted on telling all the other kids that there was no such thing as Santa Claus. Since she was their teacher – their trusted source of ALL INFORMATION – the question would eventually make it up to her. And never in private: kids would interrupt a math lesson to ask “is Santa real?” Now, if you don’t already know my mother, you should know that she’s got a kind of Midwestern / German stoicism that’s practically blinding and she’s got almost 40 years of experience avoiding difficult conversations with children. So she’d turn the question back on them: “some people believe Santa Claus is real and some do not – what do you believe?” And, naturally, the kids that are the most hurt by the notion that Santa could be made up chose to believe. My mother hasn’t crushed any little hopes, but she also hasn’t been dishonest either. She allows the power of the myth to be it’s own magic, just like Grant Morrison and Dan Mora do in Klaus 6.

Though, that’s probably where the similarities between Morrison and my mother end… Continue reading

Teenage Mutant Ninja Turtles 59

Alternating Currents: Teenage Mutant Ninja Turtles 59, Drew and Patrick

Today, Drew and Patrick are discussing Teenage Mutant Ninja Turtles 59, originally released June 16th, 2016.

Gatsby believed in the green light, the orgastic future that year by year recedes before us. It eluded us then, but that’s no matter — tomorrow we will run faster, stretch out our arms farther. . . . And then one fine morning — So we beat on, boats against the current, borne back ceaselessly into the past.

F. Scott Fitzgerald, The Great Gatsby

Drew: Symbolism can be a potent tool for any artist, but its easy for a symbol to feel contrived, forcing the audience out of the work. We seek out and create meaning everywhere we look, so there’s no need for a writer to make those symbols too obvious. Curiously, Gatsby’s green light — perhaps the most famous symbol in all of American literature — is explained openly within the text. The reason we don’t reject this explanation as too on-the-nose is that it is Gatsby’s interpretation; that is, he recognizes and interprets the symbolic nature of the green light within his own life. In this way, Fitzgerald isn’t ignoring our ability to create meaning, but celebrating it by giving us a compatriot on the page. We’re looking for meaning, but so is Gatsby. Teenage Mutant Ninja Turtles 59 offers an almost opposite approach to its symbols, emphasizing intention over interpretation, distancing the audience from the text in less-than-flattering ways. Continue reading

Wonder Woman: Rebirth 1

wonder woman rebirth 1

Today, Mark and Taylor are discussing Wonder Woman: Rebirth 1, originally released June 8th, 2016.

Mark: Who is Wonder Woman? What defines her?

Of DC’s key Trinity, Wonder Woman is the character most in need of a Rebirth. The New 52 Batman was able to essentially cruise along same as he ever was (which, of course he did – he’s Batman), and while some of us yearned for New 52 Superman to be more like his pre-Flashpoint counterpart there’s no argument either icon suffered as hard or as long at the hands of ineffectual creative decisions as Wonder Woman. This isn’t dismissing Brian Azzarello and Cliff Chiang’s run on the book, but Meredith and David Finch’s Wonder Woman was, frankly, awful – almost immediately and so poisoned the water that DC needed to dig a whole new well. Like so many New 52 books, Wonder Woman went out of this world with a sad, wet fart. Continue reading

The Flash Rebirth 1

flash rebirth 1

Today, Spencer and Michael are discussing The Flash Rebirth 1, originally released June 8th, 2015.

Spencer: What, exactly, is the purpose of these “Rebirth” one-shot issues? The most successful installments have managed to successfully introduce new status quos while also launching head-first into the series’ first stories, but other one-shots have been a bit too preoccupied with untangling complicated knots of continuity to do much else. Interestingly enough, The Flash Rebirth 1 falls squarely into the middle of that spectrum. While the issue does give us a good look at Joshua Williamson and Carmine Di Giandomenico’s take on Barry Allen, it also spends a lot of time dealing with other stories that may or may not be related to upcoming issues of The Flash. Continue reading

Wolf 8

wolf 8

Today, Drew and Patrick are discussing Wolf 8, originally released June 8th, 2016.

Man is a symbol-making and -using animal. Language itself is a symbolic form of communication. The great writers all used symbols as a means of controlling the form of their fiction. Some place it there subconsciously, discovered it and then developed it. Others started out consciously aware and in some instances shaped the fiction to the symbols.

Ralph Ellison

Drew: I distinctly remember asking my high-school English teacher if she really thought writers consciously employ symbolism. In 1963, Bruce MacAllister had a similar question, but rather than pose it to his teacher, he sent a survey to 150 of the most famous living writers asking them about their use of symbolism. I’m less enamored with the emphasis on authorial intent, but I’m absolutely in love with the audaciousness of that move. Or, rather, I’m in love with the fact that so many writers responded — including Ralph Ellison, whose own use of symbolism so frustrated me when I was in high school. Ellison’s comments stood out to me particularly for the allowance he makes for the symbols to take primacy over other elements, turning a literary device into the very point of the work in question. In short, turning prose into poetry. Ales Kot often attains a similar poetic quality, weaving symbols deep into the fabric of his comics. Wolf 8 finds both new and old symbols once again taking the center stage. Continue reading

Weekly Round-Up: Comics Released 6/8/16

roundup14

Look, there are a lot of comics out there. Too many. We can never hope to have in-depth conversations about all of them. But, we sure can round up some of the more noteworthy titles we didn’t get around to from the week. Today, we discuss Star Wars: Poe Dameron 3, Black Canary 12, 4001 A.D. Bloodshot 1, The Fix 3, House of Penance 3, Lumberjanes/Gotham Academy 1, Merry Men 1, Teenage Mutant Ninja Turtles: Bebop and Rocksteady Destroy Everything 2, Weavers 2, and The Wicked + The Divine 20. Continue reading

Bebop and Rocksteady Destroy Everything: Anatomy of Destruction with Sophie Campbell

anatomy of destruction campbell

Bebop and Rocksteady Destroy Everything has a premise that’s just too innately appealing to ignore. There’s something elemental about this pair of boneheads wrecking up the universe, and the pedigree of comics from IDW’s Teenage Mutant Ninja Turtle team suggests that this is going to be some marvelous wreckage indeed. We’re sitting down with five artists that helped contribute to the mayhem to discuss their approach to action.

This week, Drew is talking to artist Sophie Campbell about dinosaur designs, Turtles minutiae, and making demands of her collaborators.  Continue reading

Vision 8

Today, Ryan and Drew are discussing Vision 8, originally released June 8, 2016.

Ryan: An extended family member, someone who knows and loves you but doesn’t see you everyday, is in a unique position offer insight and help. Growing up, my Uncles’ advice and counsel always seemed better than my parents. It was probably because my parents were there all the time with a bunch of rules and expectations and time with my Uncles was more like a vacation. In Vision 8, Uncle Victor spends one-on-one time with each of the Vision family and is able to support them and connect to them in a way that their immediate family cannot. Continue reading