The Amazing Spider-Man 12

Alternating Currents: Amazing Spider-Man 12, Drew and Patrick

Today, Drew and Patrick are discussing The Amazing Spider-Man 12, originally released January 7th, 2015.

Drew: Last week, Patrick and I spent a good ten minutes laughing about The Comic Archive’s “Marvel Movie Omnibus” — that is, all of the Marvel Studios films leading up to and through the end of The Avengers compiled into one mega-movie. Never mind that the thing weighs in at an ungainly 12-hour play-time, what really amused us was the steamrolling of narrative cohesion in favor of what the video description calls “correct story order.” I’ve always been a bit peeved when fans are more concerned with how stories fit together than whether they’re emotionally satisfying, and this struck me as the ultimate manifestation of those priorities. Indeed, flashbacks from Thor: The Dark World and Guardians of the Galaxy are included, even though Malekith and Peter Quill don’t otherwise appear in the movie (remember, this only carries through the end of The Avengers), passing over Chekhov’s gun in favor of boneheaded reportage. The result is a work that is so focused on its whole (however unwatchably long it may be) that it fails to offer satisfying servings, such that any movie-sized chunk of it wouldn’t be a satisfying chapter so much as an arbitrary slice of an indivisible monolith. Unfortunately, that’s exactly how I feel about Amazing Spider-Man 12, a slice of “Spider-Verse” that ends up being mostly connective tissue. Continue reading

Best of 2014: Best Series Part 2

Best of 2014: Best TitleWe all love a good one-off or anthology, but it’s the thrill of a series that keeps us coming back to our comic shop week-in, week-out. Whether it’s a decades-spanning ongoing or a short-run miniseries, serialized storytelling allows for bigger casts, bigger worlds, and bigger adventures. Indeed, we’re so enamored of serialization that we decided to split our favorite series list into two installments. Here’s part 2 our top 14 series of 2014 (click here for part 1).
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Star Trek/Planet of the Apes 1

Alternating Currents: Star Trek/Planet of the Apes 1, Drew and SpencerToday, Drew are Spencer are discussing Star Trek/Planet of the Apes 1, originally released December 31st, 2014.

When are they going to get to the fireworks factory?

Millhouse, The Simpsons “The Itchy & Scratchy & Poochie Show”

Drew: One of the hardest things to ignore when evaluating a work of art is your own expectations. Whether they’re unreasonably high (guaranteeing disappointment) or unreasonably low (setting the experience up for failure), our expectations only get in the way of what the art actually is. At the same time, genre fiction — and especially established franchises — run on our expectations. Where would James Bond be without his peculiar martini order or idiosyncratic way of introducing himself? These may ultimately be trivial elements of the story (though larger structural elements are not immune to these rigid expectations), but for whatever reason, they’re strangely satisfying to fans. A story that hopes to do something new with established franchises — as Boom! Studios and IDW’s new Star Trek/Planet of the Apes sets out to — has an awkward tightrope to walk, then, beholden to fan expectations that only partially apply. That tension leaves the first issue overburdened with exposition, robbing it of much of the fun promised on the cover. Continue reading

Best of 2014: Best Series Part 1

Best of 2014: Best TitleWe all love a good one-off or anthology, but it’s the thrill of a series that keeps us coming back to our comic shop week-in, week-out. Whether it’s a decades-spanning ongoing or a short-run miniseries, serialized storytelling allows for bigger casts, bigger worlds, and bigger adventures. Indeed, we’re so enamored of serialization that we decided to split our favorite series list into two installments. Here’s part 1 our top 14 series of 2014 (check back here for part 2 tomorrow).
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East of West 16

east of west 16Today, Patrick and Drew are discussing East of West 16, originally released December 31st, 2014.

It only ends once. Everything else that happens is just progress.

Jacob, LOST “The Incident”

Patrick: What’s so appealing about the concept of the End of the World? There have been a couple of studies and polls conducted that collect this information, but around 45% of American adults believe that we are living in the end times. There’s something comforting about that idea — if the world ends, then we end together, and existence need never be without me. The much more likely truth is that the world is not ending and humanity will persevere for countless centuries. This has always been at the heart of East of West, apocalypse be damned. Issue 16 launches “The Apocalypse: Year Two,” and any ending seems achingly far away. That’s where the real horror sets in: the realization that this nightmarescape isn’t the end of the world, it’s just progress. Continue reading

Best of 2014: Best Writer

Best of 2014: Best WriterIn such a collaborative medium as comics, it can be difficult to say where a writer’s influence on the story ends, but there’s no question on where it begins: words on the page. Whether they thrill, elate, chill, or deflate, the best writers create characters, settings, and situations we want to return to, again and again. These are our top 14 writers of 2014. Continue reading

S.H.I.E.L.D. 1

shield 1Today, Spencer and Patrick are discussing S.H.I.E.L.D. 1, originally released December 31st, 2014. 
Spencer: Since his premiere in the first Iron Man film, Agent Coulson has been a fan-favorite character, but it was the reveal that he was a dedicated fan of Captain America in The Avengers that truly sent his popularity skyrocketing. Believe me, I was on Tumblr to watch it happen. All of us reading comic books are obviously fans just like Coulson, so there’s just something appealing about a character who shares our enthusiasm and interests. Mark Waid and Carlos Pacheco’s S.H.I.E.L.D. 1 puts this aspect of Phil Coulson front-and-center, showing how Phil’s skills make him an ideal leader but also how those same skills benefit Waid as a writer. Continue reading

Best of 2014: Best Artist

Best of 2014: Best ArtistWithout artists, all of your favorite characters, scenes, costumes, and locations would just be words on a page. In short, they’re the ones that make comics comics. That’s a lot of responsibility, yet the best artists manage to juggle all of those tasks and inject some meaningful art and style into the proceedings. Whether its a subtle expression or a jaw-dropping action sequence, our favorite artists add the requisite magic to make their worlds and characters real. These are our top 14 artists of 2014.
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Best of 2014: Best Issue

Best of 2014: Best IssueEpisodic storytelling is the name of the game in monthly comics. Month- or even multi-year-long arcs are fine, but a series lives and dies by its individual chapters. From self-contained one-offs to issues that recontextualize their respective series, this year had a ton of great issues. Whittling down those issues to a list was no easy task (and we look forward to hearing how your lists differ in the comments), but we would gladly recommend any (and all) of these issues without hesitation. These are our top 14 issues of 2014.
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Weekly Round-Up: Comics Released 12/24/14

round upLook, there are a lot of comics out there. Too many. We can never hope to have in-depth conversations about all of them. But, we sure can round up some of the more noteworthy titles we didn’t get around to from the week. Today, Spencer and Drew discuss Batman Annual 3, Batman Eternal 38, Grayson Annual 1, Catwoman Annual 2, Uncanny X-Men 29, Secret Avengers 11, New Avengers 28, Nova 25, Loki: Agent of Asgard 9, and Deadpool 39.
slim-banner4Spencer: While we’ve seen relatively few Joker stories in the New 52, each one has been a giant affair. James Tynion IV and Roge Antionio’s Batman Annual 3 is the antidote to the massive Joker “event” stories, showing that even when pursuing a single target, Joker can be just as out-and-out terrifying as when he’s threatening to murder the entire city. The story revolves around reporter Thomas Blackcrow, whose attempts to deconstruct the Joker’s psyche for a story leads to the horrifying outcome of the Joker deciding that Tommy is his new best friend; from there Tommy descends into madness as the Joker proceeds to make the next five years a living hell. It’s a story full of black humor and legitimate horror beats, and it even ties cleverly into Batman‘s current “Endgame” storyline, but again, I think what I like the most about this issue is that it’s a small, self-contained story that’s still just as powerful as some of Joker’s more infamous capers. It’s a shame we already have our year-end lists compiled here at Retcon Punch, cause I definitely would have nominated this issue. Continue reading