Jun 11 2013

Avengers 13

Alternating Currents: Avengers 13, Drew and SpencerToday, Drew and Spencer are discussing Avengers 13, originally released June 5th, 2013. 

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In this house, we obey the laws of thermodynamics!

— Homer Simpson

Drew: Conservation of both matter and energy are such fundamental concepts, we sometimes take them for granted. Or misunderstand them completely. Folks may choose to ignore the water cycle or how they keep gaining weight, but we’re generally pretty keen to the notion that systems have inputs and outputs. Of course, fiction allows us to break these rules, leading to notions of perpetual motion and unlimited energy — but what if we took those for granted, too? What if the boundless energy of an alien race of children distracted us from the fact that they don’t eat? What do you do when your kids start violating the laws of thermodynamics? In Avengers 13, Jonathan Hickman and Nick Spencer explore this idea, throwing in a bad guy for good measure. Continue reading →

Jun 10 2013

Iron Man 11

iron man 11

Today, Shelby and guest writer Pete Pfarr are discussing Iron Man 11, originally released June 5th, 2013.

Shelby: What makes us the people we are? Is it our environment, our peers, our experiences that shape us, or is our “personness” innate, something coded into our very genes? It’s pretty safe to say that who we are is influenced by both internal and external factors; we’re such complicated creatures that there’s no way to point to one factor, internally or externally, and claim that’s what made us. Unless you’re Tony Stark of course: unsurprisingly, he has a robot to thank/blame for everything that makes him the man he is.
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Jun 10 2013

Dial H 13

dial h 13

Today, Patrick and Taylor are discussing Dial H 13, originally released June 5th, 2013.

Patrick: The Retcon Punchers tend to get flowery in our language when we describe Dial H – we’ve called it “aggressively weird” and ” gleefully surreal.” When the pages are stuffed with goofy characters like Captain Lachrymose and Bumpler Carla, it’s hard to escape the fact that the weirdness of the title is kind of the point. In issue 13, China Mieville digs into the background of Open-Window Man — a character we had previously only known as a compatriot of Boy Chimney’s — and discovers a moving truth about superheroes, comic books and the value of repetitive storytelling. Continue reading →

Jun 7 2013

The Movement 2

movement 2

Today, Spencer and Shelby are discussing The Movement 2, originally released June 5th, 2013.

Spencer: When The Movement (and its sister book, The Green Team) was first announced, I was a little leery of it. I feared that it would be a gimmick, that it’d be nothing but political preaching or a backwards attempt to be relevant. Fortunately, Gail Simone’s involvement convinced me to give it a chance, and I’m sure glad I did. Not only does The Movement use its political elements to create a fascinatingly complex morality for itself, but it also stands out as a particularly well-crafted team book in its own right.

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Jun 7 2013

All-New X-Men 12

all new x-men 12

Today,  Shelby and Mikyzptlk are discussing All-New X-Men 12, originally released June 5th, 2013.

Shelby: Making a mistake is a simple matter. Whether it’s your fault or not, when you make a mistake you acknowledge the error, fix it as best you can, and apologize. Provided you’re not a total asshole, of course. Nothing is ever so simple in ComicBookWorldLand, though; when you can be suddenly possessed by some sort of malevolent cosmic entity, that adds a lot of layers to the idea of mistakes and culpability. Things can get really complicated really quickly, and if there’s anyone who isn’t going to understand a nuanced situation, it’s going to be a bunch of teenagers.

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Jun 7 2013

Swamp Thing 21

swamp thing 21

Today, Scott and Drew are discussing Swamp Thing 21, originally released June 5th, 2013.

Scott: Most Superheroes are afforded the luxury, and often the burden, of maintaining a semblance of normal human life — an alter ego. Swamp Thing is not. Alec Holland is Swamp Thing all the time — he doesn’t have a day job. In that sense, Swamp Thing isn’t about a man keeping his two identities distinct, but a man forced to allow his two identities to merge. Because of this, his character is constantly evolving, transitioning from something familiar to something unknown. He has spent his entire life as Alec Holland, but there’s an entire history of the Green that he knows very little about. In Swamp Thing 21, Charles Soule makes it clear that he is more interested in exploring the unknown. Continue reading →

Jun 6 2013

Green Lantern 21

Alternating Currents: Green Lantern 21, Drew and PatrickToday, Drew and Patrick are discussing Green Lantern 21, originally released June 5th, 2013.

Drew: When M*A*S*H ended its 11-season run in 1983, it was one of the most beloved series on television. Its series finale, “Goodbye, Farewell, and Amen,” a movie-length victory lap, was more widely watched than that year’s Super Bowl — or any Super Bowl before or for twenty-seven years afterwards. Like I said, beloved. We don’t yet have sales numbers on Green Lantern 20, and while I doubt it will post Super Bowl-beating numbers (even by comic book standards), the similarities are striking: it was an extra-large conclusion to a beloved, nearly decade-long run. Point is, it was going to be a tough act to follow, yet Robert Venditti (who readers might recognize from his work on Valiant’s X-O Manowar) handles the transition with surprising grace, staying true to the spirit of Green Lantern while adding something unexpected to the mix: the spirit of the New 52. Continue reading →

Jun 6 2013

Age of Ultron 9

age of ultron 9 AU

Today, Taylor are Patrick are discussing Age of Ultron 9, originally released June 5th, 2013. This issue is part of the Age of Ultron crossover event. Click here for complete AU coverage.

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Taylor: What is time? This is perhaps one of the most fundamental questions to human existence, and as such, it has been discussed by mankind since time immemorial.  While philosophers and physicists debate about what exactly time is (it’s a question that still rages today), science fiction and pop culture have popularized the question by using it in a countless number of plots and stories. So none of us should be surprised that a comic book entitled the Age of Ultron (my emphasis) would come to center its plot on time travel and its consequences. Indeed, with time travel we have seen a proliferation of ages in this event increase exponentially, the consequence of which has been the raising of an eyebrow both for better and for worse. Yet while the plot of Ultron isn’t always all that original, issue nine raises the question of what exactly time is and what the consequences of traveling through it could be.

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Jun 5 2013

Aquaman 20

aquaman 20

Today, Shelby and Mikyzptlk are discussing Aquaman 20, originally released May 29th, 2013.

Shelby: An interlude is a mini bit of music, inserted in the middle of a larger musical composition. Like an intermission, except you don’t get to go to the lobby to stretch your legs and stand in the bathroom line for 15 minutes. If we’re talking a theatrical interlude, it’s a little play squished between acts of a bigger play; why we wouldn’t just keep watching the regular play, I couldn’t tell you. I may not see the necessity of an interlude as a member of the audience, but sometimes the entertainers just need a 15 minute breather, and I guess providing some sort of filler entertainment is considerate. But if you’re going to stop the action for something completely different that isn’t especially good, don’t be surprised if I walk out before the second act.
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Jun 5 2013

Captain America 7

captain america 7

Today, Patrick and Shelby are discussing Captain America 7, originally released May 29th, 2013.

Patrick: This whole arc in Captain America  has been centered on one very bizarre story: Steve Rogers, trapped in Dimension Z, tries to make a life for himself with his adopted son, Ian. This is a comic book, so we didn’t spend much time watching Rogers change diapers or deciding what religion to raise his child or anything like that – most of those development moments were waved away with an issue-opening title card that read “Eleven Years Later,” way back in issue 4.We’re left to imagine that emotional groundwork, and hopefully our imaginations are pretty good, because Steve Rogers’ long odds (which grow longer by the issue) will net a pretty poor payoff if we can’t find a reason to care about Cap’s relationship with this kid. Continue reading →