Batman 14

Alternating Currents: Batman 14, Drew and Michael DFToday, Drew and Michael are discussing Batman 14 originally released November 14th, 2012. This issue is part of the Death of the Family crossover event. Click here for complete DotF coverage.

Drew: Batman and the Joker are timeless. That is, they shift and adjust to the times. It gives them longevity, but it also makes pinning down the true nature of their conflict difficult. The Joker has been everything from a harmless prankster to a genociding psychopath, and Batman can range from avenging creature of the night to kid-friendly crime-stopper, so the fundamental nature of their relationship must lie deeper than superficial proclamations about color scheme, or even “seriousness.” The Dark Knight tilted at the deeper levels, but left them as overtones to the physical conflict. In Batman 14, Scott Snyder takes that subtext and makes it the text, delivering a surprising rumination on the nature of both detective stories and humor in general. Continue reading

Detective Comics 13

Today, Scott and Patrick are discussing Detective Comics 13, originally released October 3rd, 2012.

Scott: My former boss created a “Law and Order” cheat-sheet, a minute by minute breakdown of every plot point, twist and reveal that occurs over the course of an episode. Each episode follows this same format, almost down to the second. Even more impressive though, is that the show still manages to captivate, and even surprise the audience. Even though the format is totally predictable, they withhold just enough information that we still feel like we’re solving the crime along with the detectives, and revelations that we might have known were coming are completely satisfying. Withholding that information is key, and it’s also where Detective Comics 13 falters; what could have been an interesting mystery ultimately lacks intrigue because it gives away too much at the start.
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Nightwing 0

Alternating Currents: Nightwing 0, Drew and ShelbyToday, Drew and Shelby are discussing Nightwing 0, originally released September 19, 2012. Nightwing 0 is part of the line-wide Zero Month.

Drew: The past is complicated. Or rather, our relationship with the past is complicated. Time has a way of changing our opinions of events, placing even our emotional attachment to our own memories in flux. That shifting relationship to the past is made exponentially more complicated in the comics world, where the actual events of the past are open to revisions, reboots, and retellings every few years or so. While those changes are often jarring for the characters, they’re particularly difficult for the audience, who may be attached to previous iterations of the story (not to mention the fact that they may be particularly anal about continuity). Like I said; shit’s complicated. It’s impressive, then, that Nightwing 0 isn’t just a successful retelling of Dick’s origin, but a compelling essay on the value of such retellings. Continue reading

Batman 0

Alternating Currents: Batman 0, Drew and ShelbyToday, Drew and Shelby are discussing Batman 0, originally released September 12, 2012. Batman 0 is part of the line-wide Zero Month.

Drew: If I may, I’d like to offer a bit of my own zero issue: One year ago, I had never purchased a monthly comic. Comics culture struck me as insular and impenetrable, and I saw fans as hyper-vigilant of petty continuity issues. Today, I’m a regular Wednesday warrior, and — more surprisingly — have become a nascent continuity-phile. That tendency has reared its head most fiercely in our coverage of the Before Watchmen prequel series, where I’ve argued that strict observance of continuity is an important means to observe the source material. It’s an opinion that has lead to a few clashes with Shelby, who would much rather enjoy a comic than obsess over details — an opinion I can totally respect, and am striving towards. What better test, then, when another creative team I respect immensely revisits beloved, seminal works?

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Detective Comics 0

Alternating Currents: Detective Comics 0, Drew and ScottToday, Drew and (special guest writer) Scott Baumgartner are discussing Detective Comics 0, originally released September 5, 2012. Detective Comics 0 is part of the line-wide Zero Month.

Drew: I have kind of a strange relationship to Detective Comics. As the original home of Batman, and the namesake of DC Comics, I have nothing but respect for the history of the title — I want to like it. Unfortunately, since the relaunch, the title has been marred by embarrassingly clunky writing, leading it to be the perennialRetcon Punching Bag” until we unceremoniously dropped it after issue 9. Most of that blame falls on the shoulders of writer/artist Tony Daniel, whose overly grim tone and unnecessarily convoluted plotting made the title a real slog. Well then, the fact that Daniel is off of writing duties as of this issue should be a good thing, right? Continue reading

Legends of the Dark Knight I: The Butler Did It

Legends of the Dark KnightToday, Patrick and Drew are discussing Legends of the Dark Knight I: The Butler Did It, originally released digitally on April 7th, 2012.

Patrick: We blather on about the traditional forms and functions of comic books on this website like we know what we’re talking about. We do it all the time – even though most of our editors have been actively reading monthlies for less than a year. You could call that precocious if we weren’t also grown-ass men and women with educations and jobs. In the DC Universe specifically, but also in comics generally, we are always playing catch-up, assuming that our keen powers of perception and articulation can help us bullshit our way through an article on a subject we actually know very little about. Superhero comics have become so much a part of my life now that the only way to properly express it is to use the phrase “down the rabbit hole.” I suppose “through the looking glass” would also be appropriate – but that’s my point: my experience exploring comics has been like that of Alice exploring Wonderland. Every time I think I know what to expect, a new issue or series or event comes along to dissolve that illusion. Legends of the Dark Knight, the digital-only adventures of a young Batman, has done just that by defying my very base expectations of a modern comic book.  Continue reading

The Vault – Gotham Evening Post prints

The Retcon Punchers spend an awful lot of time looking for ways to celebrate our nerdy obsessions. This means a lot of time sunk into scouring Etsy, Deviant Art, Think Geek or whatever. Sometimes we see things so great we just have to share them… and then clutch them fiercely to our collective chest. Throw it in The Vault.

Website: The Art of Mark Dos Santos

Who Would Love This: Batman fans, Norman Rockwell fans, fans of irony and Americana

Price: $10.00

This edition of the Vault is special, because NOT ONLY did I get the distinct pleasure of meeting Mr. Dos Santos at C2E2, I actually purchased this fine print, along with two others. This is one of those sorts of prints that I call “secret nerd art.” These are probably more obvious than, say, my Firefly vintage travel posters, but they still count. I love things that, at a glance, are not nerdy at all. It’s only if you look closer and are a nerd that you see just how big of a geek I am. I am going to frame all three of these lovely signed prints and hang them proudly in my living room. Plus, Mr. Dos Santos informed me that is going to be starting a Kickstarter to make a coffee table style art book of his prints, so keep your eyes open for that.

Batwing 7

Today, Drew and Patrick are discussing Batwing 7, originally released March 7th, 2012.

Drew: At the end of issue 6, I had mixed feelings about this title. I liked the stylized art, particularly Brian Reber’s atmospheric, almost dusty colors, and I appreciated the idea of distilling the idea of Batman down to it’s essence and seeing how it plays in different cultures. At the same time, I wasn’t sure I actually liked the approach writer Judd Winick had applied to the Democratic Republic of the Congo. I complained that the title was exploitative, but it really isn’t guilty of doing anything any frank (or, more importantly, action-focused) depiction of subsaharan Africa wouldn’t do. I’m still not convinced that this title isn’t exploitative, but this month’s issue comes a long way in making me more comfortable with the world David Zavimbe inhabits. Continue reading