Green Arrow 19

Today, Michael and Spencer are discussing Green Arrow 19, originally released March 15th, 2017. As always, this article contains SPOILERS.

Michael: Putting aside your differences and working together towards a common goal is such a simple idea to grasp, but not always as easy to enact. As human beings, we are complicated and fragile things and easily allow our emotions to stand in the way of progress. Sometimes it helps to have a third party tell us to get our heads out of our asses and just do the work. Continue reading

Justice League of America 1

jla-1

Today, Michael and Patrick are discussing Justice League of America 1, originally released February 22nd, 2017. As always, this article contains SPOILERS.

Michael: Sometimes I’m a tough customer to please. When it comes to storytelling, I like to get my bearings on the landscape and characters, but I don’t want to be spoon-fed all of the important details. With regards to Justice League of America 1 it nails some subtle world-building but is less successful when handling the stars of the book. Continue reading

Gotham Academy 17

Today, Ryan M. and Spencer are discussing Gotham Academy 17, originally released April 13th, 2016.

Ryan M.: I’m a bit embarrassed to admit this. It’s a black mark on whatever music-listening cred I have, but this is a safe forum, right? Here is my dark secret: I really like “best of” albums. It’s a single place to hear the breadth of a band’s sound. My first Violent Femmes album is Add it Up and the only full Talking Heads album I own is a two-disc compilation. Greatest hits or Best Of compilations function like those Best American anthologies that flood Barnes and Noble every Christmas. While I don’t like the idea of having someone else curate my experience, it is great to know that you are going to get the best of what a band has to offer. It’s like a one-band mix-tape (another thing I love, though I am a few degrees less-embarrassed to admit it). Gotham Academy’s “Yearbook” storyline on has used an anthology format to offer a taste of the varied elements that make the series so great. Continue reading

Batgirl 50

batgirl 50

Today, Mark and Spencer are discussing Batgirl 50, originally released April 6th, 2016.

Mark: Batgirl 50 is the culmination of the Fugue storyline, and Brenden Fletcher and Cameron Stewart successfully check the box on every superhero trope a reader could want. Mind control? Check. A bank robbery? Check. Previously unmentioned deus ex machina device? A big, fat pneumatic tube-shaped check! The Fugue has released all of Batgirl’s previous foes and is using them to set up mind control devices to lure Burnside’s citizens to Burnside Bridge. Then he’s going to blow up the bridge, killing the citizens, and then convince the rest of Gotham that Batgirl is responsible. This is not a good plan! Continue reading

Batgirl 49

batgirl 49

Today, Michael and Drew are discussing Batgirl 49, originally released March 2nd, 2016.

Michael: DC Comics has (sort of) clarified what its upcoming “Rebirth” is, and it has been changing my reading of every comic I’ve read from them in the meantime. It’s still anyone’s guess as to what kinds of changes “Rebirth” brings to the DC line, but we are definitely at the climax/resolution threshold of each title’s story. Case in point: the semi-continuity-resolving, Inception-ish issue that is Batgirl 49. Continue reading

Black Canary 8

black canary 8

Today, Mark and Spencer are discussing Black Canary 8, originally released February 10th, 2016.

Mark: One of the privileges of adulthood is the opportunity to choose your family. Even if you love your immediate family, the family that raised you, as you grow older and move away you build another sort of family — a family comprised of friends, romantic partners, mentors, work colleagues, and so forth. This new family is your social circle, the ones your rely on on a day-to-day basis as an adult. No matter your childhood, this chosen family is an essential part of being an adult, of being independent.

The great gift and the great tragedy of life is that people can flit in and out of our lives seemingly at a whim. I moved to LA with no job and no friends, but have lucked into the most wonderful circle of human beings imaginable. Still, some friends with whom I was once super close have become more like acquaintances, and through no fault of either party. What can you do? Life moves you in one direction, and your friend in another. So even in adulthood, as much as we choose our family, life still finds a way to intervene. Continue reading

Black Canary 4

black canary 4

Today, Spencer and Mark are discussing Black Canary 4, originally released September 16th, 2015.

Marge: “You liked ‘Rashomon.'”
Homer: “That’s not how I remember it.”

The Simpsons — “Thirty Minutes Over Tokyo”

Spencer: By now, anybody with even the tiniest bit of pop culture-savvy is familiar with the concept of an unreliable narrator. Much like the various storytellers in “Rashomon,” an unreliable narrator believes their own personal version of the truth, even if it doesn’t necessarily jive with the experiences of everyone else present. Comics are a particularly fun medium through which to explore unreliable narrators, because the juxtaposition of words and images means that the creative team can explore two different versions of the truth at the same time. This seems to be Brenden Fletcher and Pia Guerra’s intention with Black Canary 4 as they recount Bo Maeve’s backstory, but unfortunately, the differences between Maeve’s version of the truth and reality are never quite clear enough to be effective. Continue reading

Black Canary 1

black canary 1

Today, Mark and Drew are discussing Black Canary 1, originally released June 17th, 2015.

Mark: It’s well-worn wisdom that you can’t run away from your past. Humans are an accumulation of their past experiences, no matter how much we wish it weren’t so. And if that’s true for real-life humans, you know it’s doubly true for fictional characters. Any character setting out to start a new life will invariably have their past catch up with them.

Now using the alias D.D., Dinah Lance is on the road with the fortuitously named band Black Canary as their lead singer. But whether it’s the sins of the past coming back to haunt her, or if trouble just has a way of finding her, Black Canary can’t seem to make it through a show without D.D. taking out some baddies. Continue reading

Batman Eternal 52

batman eternal 52Today, Spencer and Michael are discussing Batman Eternal 52, originally released April 1, 2015.

People need dramatic examples to shake them out of apathy and I can’t do that as Bruce Wayne. As a man, I’m flesh and blood, I can be ignored, I can be destroyed; but as a symbol… as a symbol I can be incorruptible, I can be everlasting.

Bruce Wayne, Batman Begins

Spencer: Throughout all of the many different storylines in Batman Eternal, one theme has steadily built under the title’s surface: the idea of Batman’s legacy. While it was never something addressed all that directly (at least until R’as al Ghul flat out asked “Is Batman eternal?” a few weeks ago), the creative bullpen has steadily been building up Batman’s team of allies and investigating just what effect Batman’s presence has had on Gotham City. With this massive weekly series finally coming to an end, Batman Eternal 52 aims to show exactly the power of that symbol on Batman’s chest, and it does so in spectacular fashion, pulling together nearly all the threads that have been cast throughout the last 52 issues into one show-stopping finale. Continue reading

Batgirl 40

batgirl 40

Today, Mark and Michael are discussing Batgirl 40, originally released March 18th, 2015.

Mark: One of the seminal Batman stories, Alan Moore’s Batman: The Killing Joke, was released in March 1988, almost exactly 27 years ago. In that story, Barbara Gordon is shot by the Joker, paralyzing her and confining her to a wheelchair. The controversy spun out from Moore’s decision to use Barbara as a plot device has been defining her, for better and for worse, for almost three decades now.

I have sympathy for comic book writers. It has to be hard to balance respect for canon with the need to constantly create new stories. Too much disregard for history and you’ll alienate your audience, too much reverence and you risk stifling creativity. DC tried pretty valiantly with The New 52 to split the difference between honoring the old and building towards the new, but their solutions were usually messy at best. When it comes to reinventing a well-regarded character, there’s no way to please everyone. But with Batgirl 40, writers Brenden Fletcher and Cameron Stewart come pretty close. Continue reading