Tag Archives: Jim Gordon

Feb 14 2013

Batgirl 17

batgirl 17

Today, Patrick and Shelby are discussing Batgirl 17, originally released February 13th, 2013.

Patrick: Like 20 minutes into the movie Fight Club, Ed Norton’s character meets Brad Pitt’s character for the first time. [I’m about to spoil Fight Club – heads up.] Prior to this point, there’s almost non-stop voice over from Norton’s character, prattling on about life, work, commercialism, phonies, etc. But the second Pitt’s Tyler Durden is introduced, the voice over goes away and the two men have a conversation — the irony, of course, being that they’re the same person, so he’s kinda still talking to himself. But the effect of losing that trusty, comfortable narration is jarring, setting up this scene as a Scene That Matters. Batgirl 17 robs us of a similar comfort as it delves deeper into the broken Gordon family. Continue reading →

Feb 6 2013

Batman and Robin Annual 1

Alternating Currents: Batman and Robin Annual 1, Drew and Shelby

Today, Drew and Shelby are discussing Batman and Robin Annual 1, originally released January 30th 2013.

Drew: At its best, Batman and Robin is a very straightforward father and son story. Sure, the father is Batman, and the son has homicidal tendencies, but the sense of love and obligation is universal. The strictures of crossover events often force writer Peter Tomasi to contort the story in odd ways to stay true to this theme (which miraculously happens more often than not), but when those distractions fall away, this series can be a moving study of Bruce and Damian’s relationship. Tomasi smartly seizes upon the annual to return Batman and Robin to it’s resting position, delivering a clever, subtly moving story about both Bruce and Damian. Continue reading →

Jan 17 2013

Batman 16

Alternating Currents: Batman 16, Drew and ShelbyToday, Drew and Shelby are discussing Batman 16 originally released January 16th, 2013. This issue is part of the Death of the Family crossover event. Click here for complete DotF coverage.

Drew: One of the most thrilling things about Christopher Nolan’s The Dark Knight was the surprisingly strong case it made for Joker’s way of thinking. Obviously, we aren’t meant to agree with his murderous methods, but any time he’s given a chance to explain his worldview, he actually makes a pretty compelling argument. The effect was a surprisingly nuanced take on the nature of freedom, drawing our attention to just how untenable Batman’s outlook is, as well. Scott Snyder manages a similar trick in Batman 16, making Joker’s argument alluring, even as his methods are utterly horrifying. Continue reading →

Dec 13 2012

Batman 15

Alternating Currents: Batman 15, Drew and PatrickToday, Drew and Patrick are discussing Batman 15 originally released December 12th, 2012. This issue is part of the Death of the Family crossover event. Click here for complete DotF coverage.

Drew: Scott Snyder has stated that his first three pitches for Batman (The Court of Owls, Death of the Family, and the next arc) form a kind of triptych examining different aspects of Batman. The Court of Owls put Bruce’s relationship with Gotham under the microscope, revealing a great deal about both. Joker’s relationship with Batman is equally indelible (and worthy of scrutiny), but Snyder has dug much deeper with Death of the Family, taking on a much more fundamental — but often unexamined — characteristic of Batman: his leadership. Continue reading →

Nov 16 2012

Batman 14

Alternating Currents: Batman 14, Drew and Michael DFToday, Drew and Michael are discussing Batman 14 originally released November 14th, 2012. This issue is part of the Death of the Family crossover event. Click here for complete DotF coverage.

Drew: Batman and the Joker are timeless. That is, they shift and adjust to the times. It gives them longevity, but it also makes pinning down the true nature of their conflict difficult. The Joker has been everything from a harmless prankster to a genociding psychopath, and Batman can range from avenging creature of the night to kid-friendly crime-stopper, so the fundamental nature of their relationship must lie deeper than superficial proclamations about color scheme, or even “seriousness.” The Dark Knight tilted at the deeper levels, but left them as overtones to the physical conflict. In Batman 14, Scott Snyder takes that subtext and makes it the text, delivering a surprising rumination on the nature of both detective stories and humor in general. Continue reading →

Oct 15 2012

Batman and Robin 13

Today, Drew and Shelby are discussing Batman and Robin 12, originally released October 10th 2012.

Drew: Peter Tomasi has a pretty thankless job. Titles like Batman and Robin and Green Lantern Corps often take a back seat to their flagship counterparts — both in popularity, and narrative. Those kind of supporting titles are often bound to crossover events, requiring their writers to absorb, implement, and embrace plot developments they didn’t come up with themselves, and which may be disruptive to their own plans. In the collaborative, editor-driven world of comics, following such dicta is par for the course, but Tomasi has found himself particularly bound by crossovers, as Death of the Family kicks off the third he’s been involved in since the relaunch. It’s a testament to Tomasi’s skill, then, that he’s able to incorporate details of Death of the Family so elegantly into this issue, while still finding the emotional through-line that has made is work on Batman and Robin so enjoyable. Continue reading →

Oct 10 2012

Batman 13

Today, Drew and Patrick are discussing Batman 13 originally released October 10th, 2012. This issue is part of the Death of the Family crossover event. Click here for complete DotF coverage.

Drew: Bruce Wayne knows those closest to him can be taken away. It’s an idea that was violently embedded in his mind as a child, and has driven every waking moment of his life since. A person driven to such lengths obviously values the closeness of others, yet it’s one of the bitterest ironies of Batman that his goal of stopping violence actually puts the people around him in greater danger. Bruce has been reminded of this all too often, as Jason was killed and Barbara paralyzed, but he can’t help but rely on others; as Batman Incorporated  recently pointed out, Alfred was there from the start. That reliance is often one of Bruce’s greatest assets — he could not have defeated the Court of Owls without them — but it’s also one of his greatest liabilities. Fortunately, very few criminals have the express goal of harming Batman emotionally, but of course, the Joker isn’t just any criminal. Continue reading →

Sep 18 2012

Batgirl 0

Alternating Currents: Batgirl 0, Drew and HesperToday, Drew and (special guest writer) Hesper Juhnke are discussing Batgirl 0, originally released September 12, 2012. Batgirl 0 is part of the line-wide Zero Month.

Drew: Batgirl is pretty unique among the New 52. Where most titles opted to return to an earlier time the the characters’ history or just plow ahead like the reboot never happened, Batgirl 1 found Babs in a very different position than when we last saw her, throwing a big question mark over her past in the DCnU. It quickly became clear that at least some of what we know is true, but writer Gail Simone cleverly left just enough out to make her past a tantalizing mystery she could tease out as the series progressed. The thought of a zero issue was bittersweet, then, as my desire to know more about Barbara’s past came into direct conflict with my desire to see these answers slowly revealed in the series proper. Simone cleverly side-steps this issue by avoiding those question marks altogether, effectively broadening the mystery by introducing new unknowns.

Continue reading →

Sep 13 2012

Batman 0

Alternating Currents: Batman 0, Drew and ShelbyToday, Drew and Shelby are discussing Batman 0, originally released September 12, 2012. Batman 0 is part of the line-wide Zero Month.

Drew: If I may, I’d like to offer a bit of my own zero issue: One year ago, I had never purchased a monthly comic. Comics culture struck me as insular and impenetrable, and I saw fans as hyper-vigilant of petty continuity issues. Today, I’m a regular Wednesday warrior, and — more surprisingly — have become a nascent continuity-phile. That tendency has reared its head most fiercely in our coverage of the Before Watchmen prequel series, where I’ve argued that strict observance of continuity is an important means to observe the source material. It’s an opinion that has lead to a few clashes with Shelby, who would much rather enjoy a comic than obsess over details — an opinion I can totally respect, and am striving towards. What better test, then, when another creative team I respect immensely revisits beloved, seminal works?

Continue reading →

Aug 14 2012

Batman and Robin 12

Today, Peter and Shelby are discussing Batman and Robin 12, originally released August 8th 2012.

Peter: Batman and Robin started off great. It had elements of mystery novels, sprinkled with a little bit of full-tilt action. This book pushed the envelope from its inception, dealing with depressive, repressed childhoods, political boundaries, and killing people with two fingers. This lead to a fantastic story arc, with interesting villains and character analysis. Recently, the ideas that are being explored are very interesting, and would have served this book well, if only they had been better executed.
Continue reading →