Batman and Robin 37

batman and robin 37Today, Patrick and Spencer are discussing Batman and Robin 37, originally released December 17th, 2014.

…for us and for our salvation, He came down from heaven: by the power of the Holy Spirit, He was born of the Virgin Mary and became man. For our sake, He was crucified under Pontius Pilate; He suffered, died and was buried. On the third day He rose again, in fulfillment of the scriptures; He ascended into heaven and is seated at the right hand of the Father.

-The Nicene Creed

Patrick: Growing up in the Catholic church, I always had a little bit of a problem with this part of the Nicene Creed. On the one hand, it’s very clear: Jesus sacrificed everything — including his life — in order to save the whole world from sin. But on the other hand, death didn’t share any of the long-lasting consequences it does for anyone else. Jesus died, but then he returned, three days later. What’s more is that he transcends his human flesh and embraces his fully divine nature by hanging out with God in heaven. While the drama of death and resurrection is enough to stir a body to faith, it betrays a fundamental truth about death. What’s hard about death isn’t that someone dies, it’s that they stay dead. And yet, this narrative — of death and rebirth — is so powerful it’s one of the stops on Joseph Campbell’s hero’s journey. Batman and Robin has allowed Bruce Wayne to deal with Damian’s death in grounded, real ways for almost two years, but now that “resurrection” is in play, subtlety goes right out the window. This is Damian, the bat-Christ-figure to beat the band, and he only marches back on the field to fireworks. Continue reading

Batman and Robin 35

batman and robin 35Today, Spencer and Shane are discussing Batman and Robin 35, originally released October 15th, 2014.

Spencer: We here at Retcon Punch haven’t been subtle about our love of Batman’s new Hellbat armor. The suit is awesome, and what’s better is that it isn’t just some gimmick meant to push toys; writer Peter Tomasi has created “realistic” (in comic book terms, at least) reasons for the Hellbat’s great power and for why Batman needs to use it in this particular situation. Still, he and penciller Patrick Gleason, inker Mick Gray, and colorist John Kalisz understand just how cool the Hellbat is, and much of Batman and Robin 35’s success comes from how the creative team chooses to portray the suit — which, in some cases, means not showing it at all. The issue is visually dazzling, and the artists know which types of imagery to use to best convey the stories both on Apokolips and on Earth. Continue reading

Batman and Robin 34

batman and robin 34

Today, Patrick and (guest writer) Mark are discussing Batman and Robin 34, originally released August 20th, 2014.

Patrick: When The Death of the Family was heading into its final issue, Scott Snyder appeared in a ton of interviews claiming that this conclusion was going to have a lasting effect on Batman and the Batfamily. But after that story line wrapped up, Snyder took his own series into Batman’s past, conveniently avoiding working through much of this fallout. Similarly, Grant Morrison killed Damian in Batman Incorporated, but wrapped up his series only a few issues later. The emotional heavy lifting as fallen to Peter Tomasi and Patrick Gleason, who have dutifully presented the most erratic, emotional and frustrating Batman possible. Everything that Batman is — the selfless knight of justice, the patriarch of the Batfamily, the infallible detective — has been undermined in the wake of these twin tragedies. Understandably, that pushes Batman away from his readers, and his alienation from the world started to reflect the audiences’ alienation from the character. In issue 34, Tomasi and Gleason have Bruce offer a naked apology to his protégés, but they’re also inviting us to trust Batman again. Fuck yes: I’m ready to forgive. Continue reading

Batman and Ra’s al Ghul 32

batman ras al ghul 32

Today, Patrick and Spencer are discussing Batman and Ra’s al Ghul 32, originally released June 18th, 2014.

Patrick: No one’s got a deeper bench than Batman. A lot has been made of the integrity of his relationships lately — it’s almost the most important piece of Batman’s mythology in the New 52. Check it out: Batman Eternal is all about Batman struggling with his relationship with the city, and even pulls Gordon out of rotation. This comes on the heels of The Death of the Family and the Leviathan killing Damian, which all just compounds the stress put upon those relationships. Nightwing, Batgirl, Red Robin, Red Hood, they all have reason to distrust the man who’s a superhero first, and a human being second. But Batman’s not just the biggest superhero in Gotham, he’s the biggest superhero in the DC Universe, so there’s no end to the relationships we can explore to learn something just a little bit more about Bruce Wayne. Continue reading

Superman Unchained 5

superman unchained 5

Today, Mikyzptlk and Spencer are discussing Superman Unchained 5, originally released January 1st, 2014.

Mikyzptlk: Since the beginning, Kal El has been a man caught between two lives: Clark Kent and Superman. Sometimes, these two lives are shown in conflict, while other times they are shown in harmony with one another. No matter what though, these lives are a part of the Man of Steel. In Superman Unchained 5, the other superman, known as Wraith, attempts to use Kal El’s dichotomy to get Superman to see things his way. Continue reading

Batman and Robin 4-6

Today, Peter and Drew are discussing Batman and Robin 4-6, originally released December 14th, 2011,  January 11th, and February 8th, 2012.

Peter: Prior to the reboot, for me, Batman was in a little bit of a limbo. I enjoyed post-Final Crisis arcs enough, but I wasn’t completely drawn in by them. They just did not feel exciting to me. The Return of Bruce Wayne felt forced. I actually dropped all Batman books from my personal pull except for Batman, Inc. when it was released. With the advent of the New 52, Batman and Robin has quickly risen to become one of my favorite books.  Peter Tomasi’s writing, and Patrick Gleason’s art, have revitalized these characters, and most importantly, the ever evolving relationship between them. Continue reading