Justice League: No Justice 4: Discussion

by Drew Baumgartner and Spencer Irwin

Justice League No Justice 4

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Everything changes here!

Comics solicit, traditional

Drew: Okay, that epigraph is maybe too cute by half, but seriously, what does it mean for “everything” to change? The closest parallel I can draw to real life is the conventional wisdom that “a baby changes everything,” but even then, we understand “everything” to be decidedly limited in its scope. Certain events might be life-changing, but only for those with some connection to said events. And yet: comics. Big crossover events are promoted with the promise that the events with change “everything,” and while we might understand “everything” to be limited to the folks involved (in the same way that it is for a birth), there’s also tons of details we might assume exempt from “everything,” from the laws of physics to the peculiarities of english grammar — some things never change. Even so: some comics events are bigger than others, so there’s a range of just what “everything” means. Maybe it’s interpersonal dynamics of the superheroes involved, maybe it’s the principles of the universe as we know it. In its finale, Justice League: No Justice reveals that it falls almost entirely into that latter category, sending the DC Universe into decidedly uncharted territory. Continue reading

Finding Balance in Justice League: No Justice 3

by Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

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We here at Retcon Punch, sadly, haven’t had much of a chance to discuss Justice League: No Justice until now, but I’ve been enjoying it immensely from the start. It has many of the same strengths as its predecessor, Dark Nights: Metal, but since No Justice is working with only four issues, avoids most of its excesses. No Justice is focused and easy to follow, yet still has a grand scope and a firm grasp on the characters and history of the DC Universe. It’s well-balanced, which plays right into the themes of the series and the goals of its various League factions. Continue reading

Trust Saves the Day in Super Sons 16

by Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

This month’s issue 16 marks the end of Super Sons (for now — a continuation is already solicited), so it only makes sense that writer Peter Tomasi, along with artists Carlo Barberi and Brent Peeples, would want to close on a milestone victory for Superboy and Robin. More important than the actual victory, though, is how they achieve it — partially by channeling their parents, but mostly by trusting in each other. Continue reading

Justice League of America 1

jla 1

Today, Michael and Spencer are discussing Justice League of America 1, originally released June 17th, 2015.

Michael: I’m having a difficult time managing my expectations with this new direction that DC is putting out. Curiously, I’m being overly optimistic that these new books will be excellent and do away with the New 52ishness of recent memory. Basically, I’m falling for DC’s sales pitch hook, line, and sinker. While Bryan Hitch’s Justice League of America 1 has some trappings of the New 52, I think he’s trying to blaze his own trail with DC’s trademark team. Continue reading

Convergence: The New Teen Titans 1

teen titans 1 conv

Today, Spencer and Shane are discussing Convergence: The New Teen Titans 1, originally released April 22th, 2015. This issue is part of Convergence. For our conversations about the rest of Convergence last week, click here.

convergence div

Spencer: I think most of us take on certain comfortable roles when we’re among our friends. Sometimes, though, things change, and those roles no longer suit us, but they’re so firmly entrenched among the group dynamic that they can be impossible to escape. Marv Wolfman and Nicola Scott’s Convergence: The New Teen Titans finds this happening to the Teen Titans. After a year spent under the dome, the Titans are attempting to take their relationships to new places, but find themselves caught up in the same old roles and conflicts that have always defined them. Continue reading

Batman and Robin 40

batman and robin 40

Today, Drew and Spencer are discussing Batman and Robin 40, originally released March 25th, 2015.

Drew: Bruce Wayne’s back was broken. Otto Octavius took over Peter Parker’s body. Superman had a mullet. Steve Rogers was dead. We often talk derisively of these kinds of easily-reversed changes in superhero comics because they seem gimmicky and cheap — what better way to boost sales than to trumpet the death of Superman? — but I’d actually argue that these stories offer a clever way of exploring what makes these heroes great. Moreover, they remind us not to take what we like about these characters for granted. Fewer characters have been put through quite so many changes recently as Damian Wayne, who has both died and gained superpowers, so while Batman and Robin 40 ends with him back in his non-dead, non-superpowered state, it’s actually kind of refreshing. Continue reading

Robin Rises Alpha 1

robin rises 1Today, Patrick and Spencer are discussing Robin Rises Alpha 1, originally released December 24, 2014.

Patrick: One of my least favorite criticisms of serialized fiction is that a story “didn’t go anywhere.” We have an expectation that the journey we’re on with the characters is somehow part of an investment that pays off in a meaningful way as events progress. We literally use that term “pay off,” as though the entertainment itself in a cost-benefit proposition. I resent the idea that we can’t enjoy a single issue on its own merits, and instead comfort ourselves with the idea that one volume seeded something that will feel significant later. Robin Rises Alpha 1 closes out the Damian’s Resurrection story by finally giving readers a glimpse of what it means to have a superpowered Wayne behind Robin’s mask. It’s an issue frustratingly short on content, repeating themes, scenes and pages from elsewhere in Batman and Robin, all but guaranteeing that the pay-off here is a retread of the past, rather than boldly striking out into the future of the character. Continue reading

Batman and Robin 37

batman and robin 37Today, Patrick and Spencer are discussing Batman and Robin 37, originally released December 17th, 2014.

…for us and for our salvation, He came down from heaven: by the power of the Holy Spirit, He was born of the Virgin Mary and became man. For our sake, He was crucified under Pontius Pilate; He suffered, died and was buried. On the third day He rose again, in fulfillment of the scriptures; He ascended into heaven and is seated at the right hand of the Father.

-The Nicene Creed

Patrick: Growing up in the Catholic church, I always had a little bit of a problem with this part of the Nicene Creed. On the one hand, it’s very clear: Jesus sacrificed everything — including his life — in order to save the whole world from sin. But on the other hand, death didn’t share any of the long-lasting consequences it does for anyone else. Jesus died, but then he returned, three days later. What’s more is that he transcends his human flesh and embraces his fully divine nature by hanging out with God in heaven. While the drama of death and resurrection is enough to stir a body to faith, it betrays a fundamental truth about death. What’s hard about death isn’t that someone dies, it’s that they stay dead. And yet, this narrative — of death and rebirth — is so powerful it’s one of the stops on Joseph Campbell’s hero’s journey. Batman and Robin has allowed Bruce Wayne to deal with Damian’s death in grounded, real ways for almost two years, but now that “resurrection” is in play, subtlety goes right out the window. This is Damian, the bat-Christ-figure to beat the band, and he only marches back on the field to fireworks. Continue reading

Justice League 35

Justice League 35Today, Spencer and Drew are discussing Justice League 35, originally released October 15, 2014. 

Spencer: Lex Luthor has basically been the main character of Justice League ever since Forever Evil ended, and to be honest, I’m not quite sure how I feel about that. It’s inevitable that Lex will go back to being a full-time villain at some point (unless writer Geoff Johns manages to pull off the biggest reformation in DC history and make it stick), but I’m not sure how much that should influence my reading of Luthor’s intentions. There are two things I do know for certain, though: 1. Luthor’s presence has finally made the rest of the Justice League the competent, inspirational team we’ve been hoping they’d become since the New 52 began, and 2. even if Luthor’s reformation is somehow 100% legit, he still has plenty of misdeeds in his past to face up to. Continue reading

Batman and Robin 35

batman and robin 35Today, Spencer and Shane are discussing Batman and Robin 35, originally released October 15th, 2014.

Spencer: We here at Retcon Punch haven’t been subtle about our love of Batman’s new Hellbat armor. The suit is awesome, and what’s better is that it isn’t just some gimmick meant to push toys; writer Peter Tomasi has created “realistic” (in comic book terms, at least) reasons for the Hellbat’s great power and for why Batman needs to use it in this particular situation. Still, he and penciller Patrick Gleason, inker Mick Gray, and colorist John Kalisz understand just how cool the Hellbat is, and much of Batman and Robin 35’s success comes from how the creative team chooses to portray the suit — which, in some cases, means not showing it at all. The issue is visually dazzling, and the artists know which types of imagery to use to best convey the stories both on Apokolips and on Earth. Continue reading