by Drew Baumgartner and Patrick Ehlers
This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
Drew: Critics of postmodern fiction often suggest that its self-reflexiveness is flashy, but devoid of meaning. According to the argument, postmodernism is a bit like racing stripes on a car — it might be superficially appealing, but doesn’t actually change what’s under the hood. I would argue that those critics are forgetting (or perhaps taking for granted) one of the most basic roles fiction plays in our lives, as an analogy for reality, augmented and enhanced to reveal something to us about the world we live in. In that way, postmodern self-reflexivity is simply part of that analogy — particularly apt for addressing our own existential crises. There’s no clearer exemplar of this argument than Mister Miracle 12, which twists all of the miniseries’ questions about Scott Free’s reality into a moving commentary on life with depression. Continue reading