An Overdue Spotlight Turns on Laney Lan in New Super-Man 19

by Mark Mitchell

This article contains SPOILERS. If you haven’t read the issue yet, read on at your own risk!

When New Super-Man premiered, Laney Lan, the book’s Lois Lane equivalent (whose name my iPad always wants to autocorrect like she’s a local area network), was primed to play a prominent role in the series — Kenan Kong had goo-goo eyes for her, and her plucky reporting skills promised to help Kenan unravel the mysteries of his family. But somewhere along the way, series creator Gene Luen Yang seemingly lost interest in repeating the ideas of Superman beat for beat, or perhaps just couldn’t find room for Laney as the book began to sprawl. But as Yang prepares to relaunch New Super-Man as New Super-Man and the Justice League of China, Mariko Tamaki and Richard Friend’s one-off New Super-Man 19 circles back to turn a spotlight on Laney — maybe as a taste of a larger role in the story going forward, or maybe as a last hurrah for a character who never quite had a place.

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A Satisfying “Ending” in New Super-Man 18

by Mark Mitchell

This article contains SPOILERS. If you haven’t read the issue yet, read on at your own risk!

New Super-Man has always been a messy book, and so it’s fitting that its “conclusion” should be messy as well. Clearly intended at one point to be the final issue of the series, New Super-Man 18 is Gene Luen Yang’s usual mix of strange pacing salvaged by strong character moments.

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Joy and Frustration in New Super-Man 17

by Mark Mitchell

This article contains SPOILERS. If you haven’t read the issue yet, read on at your own risk!

There’s a lot of joy in the opening pages of Gene Luen Yang and Joe Lalich’s New Super-Man 17 as Kenan Kong and his Justice League of China friends get to meet their older, more experienced OG idols. Super-Man and Superman already met a few issues back, and Avery and the Flash are already buds, but this is the first time Bat-Man gets to meet Batman, and Wonder-Woman gets to meet Wonder Woman, and it doesn’t disappoint.

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New Super-Man 16 Drags Historic Racism into the Present

by Mark Mitchell

This article contains SPOILERS. If you haven’t read the issue yet, read on at your own risk!

Recently on my morning commute, I’ve been catching up on the Washington Post‘s new(ish) podcast, Constitutional. The podcast’s third episode, “Nationality,” traces the story of Wong Kim Ark, a man born in San Francisco to Chinese parents whose Supreme Court case determined that being born in America made you an American citizen. And while that brief summary makes it sound like his story is a victory for the foundational ideals of America, the details paint a much less satisfying picture. It’s no secret that America is historically a deeply racist country, and that efforts to make forward progress are continually contested making victories hard-won. New Super-Man 16 reminds us how casually pervasive racism used to be, but also provides a measure for some of the progress that has been made. Continue reading

The Art Fails the Cast of New Super-Man 15

by Mark Mitchell

This article contains SPOILERS. If you haven’t read the issue yet, read on at your own risk!

Gene Luen Yang hasn’t shown much interest in subtlety throughout the run of New Super-Man, but even by those standards New Super-Man 15 is remarkably direct. Multiple times during the action, characters directly address the differences between the West and China. These differences — language, cultural, and especially political — come into literal conflict when the Justice League of China brawls with the Suicide Squad. It’s not subtle, but it is exciting. All of the action, plus the Kong family’s domestic drama continuing to build, makes for the most thrilling issue of New Super-Man to date. Continue reading

Forever Evil 6

forever evil 6Today, Spencer and Patrick are discussing Forever Evil 6, originally released March 5th, 2014. 

villain div

Spencer: One of the biggest issues I’ve had with Forever Evil has been trying to figure out just how, exactly, its interpretation of Earth-3 works. Before the reboot Earth-3 was a world of opposites, where all evil characters were good guys and all the good guys were villains, and villains always won, but ever since the Crime Syndicate forced their way onto our world at the end of “Trinity War” writer Geoff Johns has largely shown Earth-3 as a world where everybody is evil, which I haven’t quite been able to wrap my head around up to this point. Johns and David Finch’s Forever Evil 6 has finally helped put things in perspective for me, though, by unmasking the Syndicate’s prisoner and showing us exactly what a hero looks like on Earth-3. Continue reading

Justice League of America 3

JLA 3

Today, Mikyzptlk and Patrick are discussing Justice League of America 3, originally released May 8th, 2013.

Mikyzptlk: Justice League of America is a series starring the “world’s most dangerous” superheroes. However, since the start of this title, these dangerous heroes have mostly been sitting around, talking to one another. Some, like myself, didn’t mind this all too much, while others didn’t exactly feel the same way. Regardless, the last issue promised us some good old fashioned fisticuffs. This issue delivers on that promise, but it spends the rest of the issue in a virtual standstill as far as the overall plot goes. There have been some developments as far as the team itself is concerned, but is that enough to excuse the lack of significant plot progression? Continue reading

Justice League 13

Alternating Currents: Justice League 13, Drew and PatrickToday, Drew and Patrick are discussing Justice League 12, originally released October 17th, 2012.

Drew: We’ve talked a lot about the five year rule here at Retcon Punch, and while we certainly have our gripes with how it affects continuity, I think we all understand why they did it. Giving every character some past allows them to maintain certain aspects of their pre-relaunch history, but does so without committing to anything specific. This gives writers a great deal of flexibility, without shutting the door for any future writes. Having a mysterious past also allows writers to pull out unknown details to add emotional weight to the proceedings. Doing this runs the risk of coming off as clumsy or cheap, but in Justice League 13, Geoff Johns provides an excellent case study in how to pull it off. Continue reading