Guardians of the Galaxy: Galaxy’s Most Wanted 1 / Legendary Star-Lord 1

galaxy's most wanted 1Today, Patrick and Drew are discussing Guardians of the Galaxy: Galaxy’s Most Wanted 1 and Legendary Star-Lord 1, originally released July 2nd, 2014.

Last week, we noted that the great Marvel Hype Machine has kicked into full gear where the Guardians of the Galaxy are concerned. Let’s be honest: while there’s a lot of non-specific good will built up towards Marvel Studio Movies, this is a completely untested property. That means fans of the comics are going to have to be amazing ambassadors, and to move these five characters up to the forefront of our minds, Marvel has kicked off three new series: one of which was Rocket Raccoon  — a high-profile release by a rock-star creator and featuring the prescribed breakout character from the movie. What about the other two?

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Rocket Raccoon 1

rocket raccoon 1

Today, Scott and Patrick are discussing Rocket Raccoon 1, originally released July 2nd, 2014.

Scott: I have something of a sidekick complex. As the youngest of three brothers, I typically wound up as the Robin to someone else’s Batman (often literally). As a kid, my favorite athlete was Scottie Pippen, perhaps the most famous ‘sidekick’ in sports history. (I liked his name.) There was one other Scott in my high school class, and he was the prom king, so for the most part I was the other Scott (which probably makes me more of a second-fiddle than a sidekick, but hey, I needed a third example to solidify my argument, so play along). Of course, we’re each the main character of our own life, so being the overly sentimental kid I was, I often wondered how it made the various sidekicks feel to be relegated to a secondary role in everyone else’s eyes. Chewbacca, Mr. Smithers, Gromit — these are great characters, and they deserve their share of the spotlight. The Guardians of the Galaxy are a team, so Rocket Raccoon might not be a sidekick in a strict sense, but he’s never had a strong story of his own to carry in Brian Michael Bendis’ title. Honestly, this story by Skottie Young (I like his name!) probably could have been chopped in to smaller pieces and told as a B-story in Guardians, but I’m all for the little guy getting his shot at the big time. Continue reading

Original Sin 5

original sin 5

Today, Drew and Spencer are discussing Original Sin 5, originally released July 2nd, 2014.

The Butler did it!

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Drew: As far as board game adaptations go, Clue actually does a pretty fantastic job of mimicking the experience of playing the game (it’s certainly closer than Battleship, and don’t even get me started on Twister). By the end of the movie, it really could be anyone, and the multiple endings play with that idea brilliantly. Of course, what’s truly clever is the way that those endings play with our expectations of parlor murder mysteries in general. Of course it could be anyone — that’s the whole point. Ultimately, the who, where, and what of the murder doesn’t matter so much as the why and how, which tend to be pulled out at the very last minute, anyway. Original Sin 5 subverts those explanations by showing us why Nick Fury killed all of those monsters and planets, but stopping just short of telling us who killed the Watcher. But hey, maybe it doesn’t matter! Continue reading

Guardians of the Galaxy 16

guardians of the galaxy 16

Today, Patrick and Shelby are discussing Guardians of the Galaxy 16, originally released June 25th, 2014.

Patrick: I very vividly remember being first introduced to Star Wars: Knights of the Old Republic – it was late in the summer of 2003, and I was visiting my buddy Scott at his parents’ house between our Freshman and Sophomore years of college. Scottie had been playing the game on a borrowed console and the whole thing felt like a kind of wish fulfillment: suddenly there was a whole galaxy of Star Wars characters, stories and locations to explore, and all without leaving the confines of a single video game. There’s a promise inherent in KotOR’s premise – the depths of your imagination are already on display here, you only need look hard enough. This immediately becomes overwhelming. Even when alien races and spaceship designs look the way you remember them, you realize that any emotional connection you make with the material must be generated in-game. Without my core band of plucky rebels to get my automatic-love, I was left without a rudder, and instead of sailing the high seas of Star Wars adventures, I was mired in meaningless ephemera. This is often how I feel about the cosmic corner of the Marvel Universe. I may be able to recognize Broods and Spartax and Skrulls and Grand Inquisitors, but without someone to actually care about at the heart of it? Not a lot to hang a story on. Brian Michael Bendis addresses this issue head-on by spreading the Guardians of the Galaxy out among the cosmos. Suddenly, even the muddiest mythology has emotional resonance.

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Original Sin 4

original sin 4

Today, Spencer and Patrick are discussing Original Sin 4, originally released June 18th, 2014.

Spencer: Original Sin is the funniest murder mystery I’ve ever experienced.

Okay, that might be a slight exaggeration (Clue certainly gives it a run for its money), but the fact remains that, in a genre not exactly known for being a laugh riot, Original Sin stands out as something strange and unique (and hilarious). Despite the deadly secrets, overwhelming paranoia, and occasional gore, Jason Aaron and Mike Deodato somehow manage to give us an issue with a laugh on pretty much every page, an issue that treats its subject matter with the utmost seriousness but that also has no problem embracing the sheer ridiculousness inherent to the medium. It’s a difficult balance to achieve, but Aaron and Deodato walk that tightrope masterfully. Continue reading

Guardians of the Galaxy 15

 

guardians of the galaxy 15

Today, Scott and Taylor are discussing Guardians of the Galaxy 15, originally released May 28th, 2014.

Tell my father that I’m in. I’ll be Star-Lord. If he lets the rest of the Guardians go free. I’ll be what he needs me to be. In return I promise the Guardians will disappear. They won’t give Spartax any more trouble. You have my word.

Peter Quill

Scott: Not everyone is cut out for improvising. Believe me, as a twenty-something living in LA, I’ve been to enough improv shows to tell you it isn’t for everyone. Most people are better off sticking to a plan. I know I am. I have a writer’s mentality; my strength lies in my ability to think through a problem and come up with a creative solution. Put me on the spot in a room full of people, however, and I’m a bumbling mess. I’ll say just about anything to get through those awkward moments, whether I believe what I’m saying or not. When Quill says the passage above, it doesn’t ring true for a second. It’s one of those “say whatever you have to” moments, and no one within earshot is buying it. Quill can hardly make it through those words before moving onto an even more poorly though-out idea. In fact, all of the Guardians are operating without much of a plan in this issue, and they don’t seem to be cut out for improv.

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Captain Marvel 3

captain marvel 3Today, Drew and Patrick are discussing Captain Marvel 3, originally released May 14th, 2014.

Yes, but what does it mean?

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Drew: We tend to talk a lot about the meaning of a given comic around here, but we’re rarely explicit in what we think “meaning” means. Or, more specifically, whose meaning we think we’re describing. Many folks are interested in authorial intent — who, after all would be better to speak to the meaning of a work of art than its creator? — but I’m personally more interested in the idea that meaning is created by the audience upon consuming a work of art. There may be objective truths about an art, but there are only subjective reactions. Of course, that doesn’t make me immune to the allure of monolithic readings of certain artworks — Virginia Woolf’s work is somehow inherently feminist, or Ernest Hemmingway’s work is somehow inherently macho. We like these readings both because they’re logical (they certainly reflect the character of the author), but more importantly, because they yield meaningful insights. But what about readings that buck those stereotypes? What about interpretations that strain against those meta-narrative to reveal something more meaningful? I suppose notions of “more meaningful” illustrate my point about subjectivity, but I firmly believe that Captain Marvel 3 gains a great deal by being very unlike what we’ve come to expect of this series.

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Guardians of the Galaxy 14

guardians of the galaxy 14

Today, Drew and Shelby are discussing Guardians of the Galaxy 14, originally released April 23rd, 2014.

Drew: Anniversaries tend to be opportunities to look back. In comics, they seem to be opportunities to deconstruct. Detective Comics and Daredevil both had big anniversary issues this year, and both seized on the opportunity to ask what really defines these characters. The answers those issues posited were buoyed by the strength of their characters, but what about a team series — especially a team with a relatively smaller history? Guardians of the Galaxy 14 sets out to answer this question in the most unexpected ways, separating the characters (or even eliminating them altogether) to examine what makes the Guardians work as an abstract concept.

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Captain Marvel 2

captain marvel 2Today, Shelby and Scott are discussing Captain Marvel 2, originally released April 9th, 2014.

Shelby: Mistaken identities and their resulting confusion have got to be one of the more commonly used plot devices out there. I think just about every play I did in high school drama involved people being mistaken for someone else and a lot of hiding in closets/multiple door antics. It’s commonly used because it’s one small moment that can quickly telescope into an entire story; each person’s unexpected reaction based on the mistake triggers another unexpected reaction, and so on and so forth. It’s so easy when we’re outside observers to see that if everyone would just calm down and think for a second, everything would make sense. As Carol Danvers is about to learn, however, sometimes mistakes happen so fast, you don’t even have a second to spare to think about it. Continue reading

Guardians of the Galaxy 13

guardians of the galaxy 13 JG

Today, Scott and Taylor are discussing Guardians of the Galaxy 13, originally released March 26th, 2014.

jean gray divI’m not sure this was worth it.

Gamora

Scott: It always amuses me when a character voices my same feelings towards an in-story event. It can be so tragically ironic. In this case, Gamora wondering if the Guardians’ involvement in rescuing Jean Grey is worth the heat it’s going to draw from the Shi-ar echoed the feelings I’ve had towards their role in ‘The Trial of Jean Grey’. The finale to this six-part event hits some emotional beats, but like the previous installments, the personal moments tend to revolve around the X-Men, leaving this series’ protagonists feeling left out. Ultimately, it’s an awkward goodbye to a crossover that never quite gelled and, frankly, probably wasn’t worth three issues the Guardians’ time. Oh, and Groot gets weird with some trees.

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