Drew: Determining a level of focus is perhaps the most important step in evaluating a work of art. These foci are specific to the style at hand — harmonic analysis is likely going to tell you very little about a rap song, just as an examination of brush strokes wouldn’t add much to a discussion of da Vinci. Intriguingly, these styles often begin to resemble each other as you zoom in and out — abstract paintings may share concepts of form, color, or composition with those of the Rennaisance masters, for example — further increasing the importance focus in an analysis. Geoff Johns has always written “big” — he’s been at the helm (or at least sharing the helm) of some of DC’s most important events over the past decade — and his writing has often chafed at the analyses of his critics. Justice League of America 7 actually avoids many of the pitfalls Johns is often cited for (a lot of stuff actually happens here), but it still has me wondering if we’re simply using the wrong tool for the job of evaluating a giant, Geoff Johns-penned event. Continue reading →
Today, Patrick and Mikyzptlk are discussing Justice League of America 1, originally released February 20, 2012.
Patrick: Are you fucking ready? No, seriously: ARE YOU READY FOR THIS SHIT? Justice League of America has been hyped to high-heaven – apparently our appetite for books called “Justice League” and written by mega-creator Geoff Johns know no bounds (remember how he also wrote the Justice League International annual? You better remember that one; it’s referenced here.) So, okay, we’ve all done our homework as prompted by DC, right? We’ve looked at the line-up and been all like “whoa, Martian Manhunter’s going to make this group really strong” and “Catwoman’s really more of a bad guy” and ‘WTF is Vibe? LOL!” Issue one serves to put your questions into the mouths of Steve Trevor and Amanda Waller – almost perfectly emulating the experience of waiting for this series to come out.