Drew: Determining a level of focus is perhaps the most important step in evaluating a work of art. These foci are specific to the style at hand — harmonic analysis is likely going to tell you very little about a rap song, just as an examination of brush strokes wouldn’t add much to a discussion of da Vinci. Intriguingly, these styles often begin to resemble each other as you zoom in and out — abstract paintings may share concepts of form, color, or composition with those of the Rennaisance masters, for example — further increasing the importance focus in an analysis. Geoff Johns has always written “big” — he’s been at the helm (or at least sharing the helm) of some of DC’s most important events over the past decade — and his writing has often chafed at the analyses of his critics. Justice League of America 7 actually avoids many of the pitfalls Johns is often cited for (a lot of stuff actually happens here), but it still has me wondering if we’re simply using the wrong tool for the job of evaluating a giant, Geoff Johns-penned event. Continue reading →
Scott: What is the greatest threat to the Justice League? For a group with the power to make neutralizing powerful villains and preventing catastrophic events seem routine, maybe they should be looking at one another as possible threats. It’s hard for the Justice Leaguers to believe that one of their friends could let power get to his or her head or, worse yet, actively be working against them, but that’s a reality they must face. Justice League 20 explores different types of threats to the Justice League, those present, pending, and merely theoretical. Continue reading →
Scott: Much like nations at political odds, the relationships between superheroes can be delicate. Nowhere is this more apparent than in Justice League 19, which finds our heroes causing a ruckus in the Middle East while also tending to some interpersonal matters. Writer Geoff Johns packs a surprising amount of story into this issue, which continues prior plotlines involving new Justice League inductees and the relationship between Superman and Wonder Woman while introducing an intriguing new mystery. It skirts close to melodrama at one point, but the result is a satisfying mix of new questions and answers, a creatively packaged, fast-paced thriller. Continue reading →
Today, Shelby and guest writer Mogo are discussing Justice League 17, originally released February 20th, 2013, This issue is part of the Throne of Atlantis crossover event. Click here for complete ToA coverage.
Shelby: When I was in drama club in high school, we put on a lot of older comedies with the entire plot revolving around one basic misunderstanding. That one misunderstanding would compound exponentially (as misunderstandings are wont to do), and before you know it, you’d have a wacky, 2-hour situation involving mistaken identities and hiding in closets. At the end of the show, everyone would reveal themselves, and, with a good chuckle, the guy would get the girl, the plucky sidekick friends would hook up, and everyone lived happily ever after. In ComicBookLand, where two superheroes can’t bump into each other on the sidewalk without getting into a fight and destroying a city block, misunderstandings are never so innocently comedic. Justice League 17, the finale of the Throne of Atlantis, is no exception. Continue reading →
Today, Patrick and Drew are discussing Earth-2 4, originally released August 1st, 2012.
Patrick: Self-awareness is all the rage these days. You can get away with telling any story – no matter how cliche or inane – by simply having the characters acknowledge the various well-worn tropes they’re engaged in. It’s a safe way for writers and film-makers to assure their audience that they’re in on the joke – yes, we all know how crazy this looks. Joss Whedon is the king of this sort of thing (y’all saw Avengers, right?), but you see it everywhere. There are a couple of draw-backs to this approach, but the biggest danger is that of white-washing your characters’ personalities. If everyone is savvy enough to comment on their genre-adventures, then no one’s really an individual. Another big draw-back is that it makes everyone extremely — and interchangeably — chatty. While Earth-2 manages some neat concepts and fun characters, the cut-and-paste nature of the dialogue is holding it back in a serious way. Continue reading →
Today, Peter and Patrick are discussing Earth-2 3, originally released July 4th, 2012.
Peter: Alan Scott’s sexual orientation has been quite the hot topic lately. But Alan’s transformation into the Green Lantern of Earth-2 brings with it many more interesting and surprising developments than just the one hot-button issue. As Earth-2 slowly repopulates with costume heroes, he will certainly be playing large role. The character has been pretty much completely redone with the New 52, which means we have a total reinvention of the Green Lantern side of his character. But there is no way I am going to spoil that on the home page. Continue reading →
The Retcon Punchers spend an awful lot of time looking for ways to celebrate our nerdy obsessions. This means a lot of time sunk into scouring Etsy, Deviant Art, Think Geek or whatever. Sometimes we see things so great we just have to share them… and then clutch them fiercely to our collective chest. Throw it in The Vault.
Who Would Love This: Blackest Night fans, deputy enthusiasts, people who thought The Flash wasn’t already over-powered
There are actually a bunch of products with this image on it. I chose this one specifically, because if you own an iPad and you’re on this website, you’re probably reading comics on that thing from time to time. ADMIT IT! This iPad cover depicts the single coolest moment of Blackest Night – the moment the rings seek out deputies on Earth to aid in the fight against Neckron and the Black Lanterns. It’s not likely that we’ll ever see these characters like this again – one of the few downsides of the relaunch… Immortalize this once-in-the-multiverse moment by using the entire emotional spectrum to protect your $600 tablet.