This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
Taylor: The future is going to be weird, man. How do I know? Every day I stand before 25 middle schoolers and attempt to teach them important stuff about books. Frequently, I’ll make analogies that are too out of date for them to get or, more embarrassingly, I’ll pull a “back in my day” story out of the playbook. Thinking about the difference from when I was in middle school to the kids I teach today is a lesson in how fast things change. These kids (see, I’m already so old I can’t help it!) have never known a world without cell phones, the internet, and Justin Bieber. Generations: Iron Man and Ironheart 1 understands that change happens quickly, just as I do, but the world that the issue imagines is beyond anything I thought imaginable. Continue reading →
Today, Patrick and Drew are discussing Secret Wars , originally released January 13th, 2016.
“Great societies are crumbling around us. And the old men who run them are out of ideas. So all eyes turn to you — our children — to build us something better […] We must do more, go farther… to somewhere no human has ever been. Your prize, Makers… are the stars themselves.”
T’Challa, Secret Wars 9
Patrick: The entirety of Jonathan Hickman’s incursion epic has hinged on this concept of master morality — that the decisions of the powerful necessarily cannot make sense to those less powerful. Individuals’ lives and rights are trampled for a concept as nebulous as “the greater” good, and it’s not really up to the subservient class to judge that trampling. With Secret Wars, the class of person making such impossible decisions is God — a literal, physically present, hands-on creator God — in the form of Doctor Doom. His decisions are immeasurably complicated, but they are also the decisions made by Hickman himself, and the conclusion to this mini-series, this event, and Hickman’s entire run at Marvel comics, links Godliness with creativity, and ultimately places the decisions and the morality behind those decisions in the hands of the storytellers.
Today, Spencer and Drew are discussing Secret Wars 8, originally released December 9th, 2015.
Spencer: I recently got into a bit of a debate with the AV Club’s Oliver Sava on Twitter about whether Doctor Doom is the hero or the villain of Secret Wars. Sava argued that he’s the hero because he saved the universe — I argued that he’s the villain because he then proceeded to rule his salvaged universe as a brutal tyrant and dictator. In a way, we’re probably both right, and writer Jonathan Hickman seems less interested in laying blame at any of his character’s feet than he is in exploring their motives and varying levels of morality. Secret Wars 8 is a full-on action issue, but each confrontation changes the rules a bit in terms of who’s right and who’s wrong, who wins and who loses. Continue reading →
Patrick: There’s one question that keeps rolling through my head in reading FCBD issues: who is this for? For retailers, the purpose of the event is self-evident. Stores get throw fun little parties and get some extra bodies in through those doors. And comic fans get to have their own little celebrations as well. But when I’m back in my apartment and it’s just me and books, I can’t help but wonder about everyone’s experience with their new free comics. Did the twelve year-old with Batman on his shirt get a kick of Divergence 1 because it was the “robo-Batman one?” (Those are the comic store employee’s words, not the kid’s). Were any new life-time fans born today? Or were some potential fans alienated? And what about those of us with extensive pulls? Did we get something out of this? Who are these comics for? Continue reading →
Today, Ethan and Drew are discussing FF 16, originally released January 22nd, 2013.
Ethan: With the arrival of FF 16 Scott Lang’s campaign to end Doom is itself at an end. Even though Doom was the cause of the crusade, it’s always been more about Scott — this finale is no different. As Scott confronts the mortal enemy of the Fantastic Four and the man who killed his daughter, there’s never going to be a better time to prove who or what the latest incarnation of Ant-Man has become. Unsurprisingly, Matt Fraction and Lee Allred do not disappoint.
Today, Drew and Patrick are discussing Fantastic Four 8, originally released May 22nd, 2013.
Drew: I love mysteries. Not just detective stories — I love even the smallest mysteries that happen in a narrative. Who is that? What is their relationship to the other characters? I find it satisfying when those little mysteries resolve. My girlfriend, on the other hand, has what could be fairly described as anxiety over those little mysteries — she’s always convinced she’s somehow missed the explanation for what’s going on. I think, when you get down to it, the difference is a matter of faith in the storytelling — it’s unclear because it’s supposed to be unclear. That faith flies out the window when you’re jumping into the middle of a decades-long serialized universe, where I very legitimately might have missed the explanation for what’s going on, giving me the very same anxiety I usually tease my girlfriend over. Usually, conscientious editors keep the memories of those titles fairly myopic, providing notes for anything that took place over a few issues ago, but Fantastic Four has been so historically minded as to shake my faith in Matt Fraction to explain everything to me. Continue reading →
Today, Shelby and Patrick are discussing Fantastic Four 7, originally released April 24th, 2013.
Shelby: When I read comics (or watch movies), I throw myself into it completely; I get so wrapped up in the world these types of media create, strongly written characters can affect me very deeply. This happens with characters I love (you all know of my gigantic crush on Clint Barton), and it happens with characters I hate. Sometimes, I just can’t extricate myself from a fictional universe to remember that it is, in fact, fictional, and I probably don’t need to get angry at a character for being a total ass. Continue reading →
Today, Drew and Patrick are discussing Fantastic Four 6, originally released April 10th, 2013.
Drew: “Take only pictures, leave only footprints” has long been the rule of thumb for eco-tourists — or really anybody visiting nature. The point is simple: don’t change things (and indeed, many ecologists now advocate for “leave no trace” practices, which argue that even footprints are too disruptive). This idea is quite common in sci-fi as well — the Star Trek had the prime directive, and Ray Bradbury’s time traveler had the butterfly effect — which exaggerates the danger of changing things to potentially harming history itself. You’d think, then, that a group as smart as the Fantastic Four would be especially careful when encountering alien cultures while time traveling, but issue 6 proves yet again that they can’t really be bothered with such concerns, willing to alter things at the very dawn of time itself. Continue reading →
Today, Shelby and Courtney are discussing Fantastic Four 4, originally released February 13th, 2013.
Shelby: With Valentine’s Day still fresh on my mind, I’ve been pondering the question, “How do you show someone you love them?” Personally, I’m a sucker for the small moments: the little inside jokes, the quietly personal reminders from one person to another that they are, in fact, loved. Don’t get me wrong, the big, grand gesture of LOVE definitely has its place as well. Sometimes, it isn’t enough to just let the person you love know it; you want the world, nay, the universe to know it as well. For some, that means touching and surprisingly well choreographed video proposals. For Reed Richards, it means travelling back through time and affecting the development of an entire race to leave himself a reminder to tell his wife what she means to him. Try beating that, viral flash mob proposals.