Middle-Chapter Blues in Amazing Spider-Man 792

by Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

The middle chapters of multi-issue storylines sometimes suffer a bit. They’re not a beginning, they’re not an ending — sometimes all they can do is move a few plot points forward, hopefully in the most entertaining manner possible. The Amazing Spider-Man 792, the second installment of Dan Slott, Mike Costa, and Ryan Stegman’s “Venom Inc” crossover, is decidedly one of those middle chapters, but even in comparison to other middle chapters it suffers a bit. Continue reading

Everybody Wants to be Venom in the Amazing Spider-Man & Venom: Venom Inc. Alpha

by Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Legacy heroes (and villains!) always present a bit of a conundrum. The inheritors of the mantles tend to bring much needed diversity and fresh perspectives to their stories and quickly amass fanbases, but of course the original characters have lifelong fans who aren’t happy to see their beloved heroes pushed aside, even temporarily. To me, the obvious solution has always been to have multiple characters share names and roles: why not have two Captains America or two Hawkeyes, four Flashes or a million Green Lanterns?

Both this conflict and this solution seem to be the core of Dan Slott, Mike Costa, and Ryan Stegman’s new crossover event, Venom Inc. It’s a story that finds the various men who have been Venom fighting over their right to symbiote, and which, at least for the moment, seems to be finding great joy in including as many Venoms as possible. Continue reading

The Amazing Spider-Man: Renew Your Vows 1

ASM Renew Yor Vows 1 header

Today, Spencer and Patrick are discussing The Amazing Spider-Man: Renew Your Vows 1, originally released June 3rd, 2015. This issue is a Secret Wars tie-in. For more Secret Wars coverage from the week, check back tomorrow for our Secret Wars Round-Up!

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Spencer: Becoming a parent requires a serious reshuffling of priorities. Unlike what a lot of movies will try to convince you, it doesn’t mean that a new parent has to drop every activity they ever loved, but it does mean that those activities — and literally everything else in the world — takes a back seat to the duty they have to raise and protect their new child. It’s a staggering responsibility, even to someone like Peter Parker, who, as Spider-Man, has devoted most of his life to shouldering great responsibility. What happens when Peter puts his family before his duties as Spider-Man? That’s the question at the heart of The Amazing Spider-Man: Renew Your Vows 1, and the answer is rather startling. Continue reading

Spider-Verse 1

Alternating Currents: Spider-Verse 1, Drew and SpencerToday, Drew and Spencer are discussing Spider-Verse 1, originally released November 12th, 2014.

Drew: I tend to jump to conclusions about media before I’ve ever consumed it. I know that seems problematic for someone who reviews media, but with so many movies, shows, and comic books out there, it’s impossible to try them all, so I tend to gravitate towards the ones I think I’ll like. Of course, it’s an imperfect system, meaning I sometimes bet on a dud, or miss something truly great, but without any other way to pre-filter content, I continue to defer to my gut. After weeks and weeks of buildup to Spider-Verse, which seemed to pimp the event as a high-stakes affirmation of Spider-Man’s necessity in not just our universe, but ALL universes, my gut was telling me that this event was not for me, but I decided to give it a fair shot. Fortunately, my gut turned out to be wrong, with Spider-Verse 1 serving not as a herald of doom and gloom, but as a celebration of what makes the idea of Spider-Man so fun in the first place. Continue reading

Guardians of the Galaxy 16

guardians of the galaxy 16

Today, Patrick and Shelby are discussing Guardians of the Galaxy 16, originally released June 25th, 2014.

Patrick: I very vividly remember being first introduced to Star Wars: Knights of the Old Republic – it was late in the summer of 2003, and I was visiting my buddy Scott at his parents’ house between our Freshman and Sophomore years of college. Scottie had been playing the game on a borrowed console and the whole thing felt like a kind of wish fulfillment: suddenly there was a whole galaxy of Star Wars characters, stories and locations to explore, and all without leaving the confines of a single video game. There’s a promise inherent in KotOR’s premise – the depths of your imagination are already on display here, you only need look hard enough. This immediately becomes overwhelming. Even when alien races and spaceship designs look the way you remember them, you realize that any emotional connection you make with the material must be generated in-game. Without my core band of plucky rebels to get my automatic-love, I was left without a rudder, and instead of sailing the high seas of Star Wars adventures, I was mired in meaningless ephemera. This is often how I feel about the cosmic corner of the Marvel Universe. I may be able to recognize Broods and Spartax and Skrulls and Grand Inquisitors, but without someone to actually care about at the heart of it? Not a lot to hang a story on. Brian Michael Bendis addresses this issue head-on by spreading the Guardians of the Galaxy out among the cosmos. Suddenly, even the muddiest mythology has emotional resonance.

Continue reading

Thunderbolts 21

Alternating Currents: Thunderbolts 21, Drew and Shelby

Today, Drew and Shelby are discussing Thunderbolts 21, originally released January 29th, 2014.

Drew: Life is complicated. It’s an axiom that we’re all familiar with, but in a vacuum, our own lives are pretty simple: we have basic needs that must be met, and additional wants that we try to meet. It’s only when people, with their own conflicting needs and desires, start interacting that things get messy. That’s the stuff narratives are made of — a hero encounters some opposition to what he wants or needs — but what if the team itself is a source of opposition? What if your heroes can’t even decide what their wants and needs are? That’s when thing start to really resemble the complexities of life, and is exactly the kind of situation the team finds themselves in in Thunderbolts 21. Continue reading

Thunderbolts 20

thunderbolts 20

Today, Patrick and Ethan are discussing Thunderbolts 20, originally released January 15th, 2014.

Patrick: With issue 20, Thunderbolts enters All-New Marvel NOW! territory. Functionally, this means that this issue should serve as a good jumping-on point for new readers, and the cover broadcasts that in a variety of ways: note that the issue’s number is technically 20.NOW; there’s a second issue number in the upper right corner, declaring this “No Mercy #1”; the All-New Marvel Now logo is emblazoned along the bottom; and finally, the cover prominently features a character that’s not normally on the team. The contents of the issue follow suit, giving us another start to a delightfully self-contained adventure. With it’s one-job-for-you-one-job-for-me structure, Thunderbolts might be the series most perfectly suited for this periodic refreshing of the Marvel line. Continue reading

The Superior Spider-Man 25

superior spider-man 25Today, Spencer and Drew are discussing The Superior Spider-Man 25, originally released January 15th, 2014.

Spencer: SPOILER ALERT: Peter Parker’s coming back.

Of course, anybody who has been keeping up with comic news in even the slightest already knows this. With news of Peter’s upcoming return in mind, it’s hard to look at The Superior Spider-Man 25 without focusing on just how exactly his return will play out and what it will mean for Otto. Fortunately, writer Dan Slott (assisted on this issue by Christos Gage) is ramping up the intrigue as this book nears its end. I have no idea how this series will resolve itself, but I do know one of the things I’m going to miss most about it: the expansive world and cast of supporting characters Slott has built up around Otto. Continue reading

Thunderbolts 19

thunderbolts 19

Today, Patrick and Shelby are discussing Thunderbolts 19, originally released December 11th, 2013.

So, that’s what life would be like if I invented the Finglonger. A man can dream through… a man can dream…

Dr. Hubert Farnsworth – Futurama, Anthology of Interest

Patrick: What’s the point of a what-if story? We only ever see those kinds of stories once we really know a set of characters. The conceit — such as I understand it — is that our connection to the characters is so strong that it trumps our connection the rest of their reality. We love Bruce Wayne enough that we can see him as a Green Lantern, we love Bart and Lisa enough that we can see them run for their life from cannibalistic lunch ladies. It’s a chance to look at those characters few a different lens. So what does it mean when a character within the story is generating his own ‘what-if’ scenarios?

[This article will contain SPOILERS – even beyond that which I teased in the intro.] Continue reading

Thunderbolts 17

thunderbolts 17 infinity

Today, Patrick and Shelby are discussing Thunderbolts 17, originally released October 23rd, 2013. This issue is part of the Infinity crossover event. Click here for complete Infinity coverage.

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Communism was just a red herring.

Wadsworth, Clue

Patrick: We’re used to seeing clues pop up in detective stories. Even when those stories are as farcical as Clue, we always try to sort through the bits the matter and those that don’t. Any piece of information that doesn’t pay off can be referred to as a “red herring” – a literary device so well-known, the characters within the story will be able to point them out. It’s superfluous information, dressed up as the key to understanding the mystery. Charles Soule has accomplished something quite the opposite with his Thunderbolts Infinity crossover: we’re told repeatedly that the alien invasion and the resultant war between the Avengers and Thanos’ army are of little concern to our trusty Thunderbolts – particularly Punisher, Venom and Elektra. But just as it seems like Punisher’s myopic obsession with taking out the Paguro family is about to payoff, Infinity intrudes on his plans in a way he just can’t ignore. Turns out that red herring was worth paying attention to in the first place.

Continue reading