All-New X-Men 10

Alternating Currents: All-New X-Men 10, Drew and Shelby

Today, Drew and Shelby. are discussing All-New X-Men 10, originally released April 3rd, 2013.

Drew: They say that history is written by the victors. Generally, we mean that in a societal sense: the winners of wars paint their cause in a favorable light, which is why successful overthrows of the government are called “revolutions,” while failures are called “civil wars.” But what if we applied the phrase personally? Our lives are made up of decisions and compromises, which we tell ourselves were the right ones. This is easy enough to do, since we can always paint the opposing choice as naiveté or ignorance — sure, being a fireman seemed like a cool idea when I was six, but I realized it really wasn’t what I was interested in as I grew older — but does that mean it’s always right? This is hard to know because of the one-sided relationship we have with the past — we may know the mindsets of our past selves, but those past selves can’t know the circumstances that lead to where we are now. All-New X-Men has reveled in the idea of a dialogue with the past, forcing its characters to defend their actions in ways that they never would otherwise. Issue 10 brings this dialogue to a head, as Old, Evil Scott (as we’ve taken to calling him here) provides a measured response to Young Scott’s impassioned “how could you?”

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Age of Ultron 4

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Today, Patrick and Ethan are discussing Age of Ultron 4, originally released April 3rd, 2013. This issue is part of the Age of Ultron crossover event. Click here for complete AU coverage.

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Patrick: One of the things I’ve absolutely loved about picking up monthly comics is that I’ve had the opportunity to get know the work of a ton of great writers and artists. It pains me a little to think of how few people will ever read a funny exchange written by Jeff Lemire, and how few people will never see Adam Hughes masterful acting simply because they don’t read comics. Drew, Shelby and myself have been at this for over a year — I like to think we’re in the club now — and I have this brand new skill of identifying someone by their work. Brian Michael Bendis, the writer behind Age of Ultron is notorious for his massively decompressed stories, and between this series, Guardians of the Galaxy, and his X-Men books, I feel like I can spot his handiwork a mile away. But Age of Ultron is a special case, and its glacial pace allows almost every issue to be a Bryan Hitch vanity project. This makes it kind of tough to discuss in the same way we discuss other comics, but it’s clear now that this is the series’ identity – the problematic obsessions with character development and plot and theme are mine and not Ultron’s. Retcon Punch needs a new way to talk about comics. Alright, let’s see what we got. Continue reading

Superior Spider-Man 6AU

superior spider-man 6AU AU

Today, Ethan and Patrick are discussing Superior Spider-Man 6AU, originally released March 27th, 2013. This issue is part of the Age of Ultron crossover event. Click here for complete AU coverage.

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Ethan: Familiarity is a funny thing. The exposure we have to a thing or activity, the more hard-wiring space our brains devote to it. That’s great when you need to do something quickly — like recognize and react to a baseball flying at your head — or when you do something the same way over and over — like driving a route to work every day. That hard-wiring can save you from injury, or save on processing power that could be put to other use. Automatic responses aren’t always helpful though; sometimes your conditioning assigns a label and to situation too quickly and funnels you into a course of action that almost always works, but not this time. In the Age of Ultron crossover Superior Spider-Man #6, writer Christos Gage and artist Dexter Soy demonstrate the folly of this kind of snap judgement as Otto Octavius (in the body of Spider-Man Peter Parker) faces off against the malicious artificial intelligence. Continue reading

Age of Ultron 3

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Today, Mikyzptlk and Drew are discussing Age of Ultron 3, originally released March 27th, 2013. This issue is part of the Age of Ultron crossover event. Click here for complete AU coverage.

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Mikyzptlk: In any post-apocalyptic scenario, you can either give in to the destruction that surrounds you or you can find that one last sliver of hope to hang on to. The first two issues of this event have mostly centered on a group of defeated heroes who are on the verge of giving up hope. The resistance, if you could even call it that, was rudderless and quickly losing its steam. It was all quite depressing, if not in a fascinating kind of way. The latest issue of Age of Ultron reveals that perhaps not all hope is lost and, armed with a shiny new plan, our heroes start on a path that can hopefully lead them to victory.

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All-New X-Men 9

all new x-men 9

Today, Patrick and (guest writer) Michael D. are discussing All-New X-Men 9, originally released March 20th, 2013.

Patrick: ­”What are we doing here?” It’s a practical question, but it’s also often a petulant one. The question is so charged, packed with implications about the many other ways the asker would rather be spending their time. In my experience, the next thought after “what are we doing here?” is usually “I’m leaving.” When you’re young and unattached, it’s a dangerous question because it can lead you to take almost any course of action. So when a time-displaced mutant that feels alienated from his only friends asks “What are we doing here?” it’s cause for alarm.

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Age of Ultron 2

age of ultron 2

Today, Ethan and Drew are discussing Age of Ultron 2, originally released March 13th, 2013. This issue is part of the Age of Ultron crossover event. Click here for complete AU coverage.

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Ethan: In recent years, after the financial markets fell screaming into their perennial nosedive, the city of Detroit hasn’t done so well. Workers who had spent their lives with a company were laid off, branches were closed, businesses died, buildings were abandoned. Over time, the violence of the changes and departures faded as the temperatures, wind, and microorganisms went to work. Materials that we associate with longevity — brick, stone, even plastics — took on a distinctly alien appearance of decay. The effect even got a name — “ruin porn” — and photographers from across the country flocked to capture the scenes. Reading through the second issue of Age of Ultron evokes the same mix of wonder and horror, albeit the decay is in much fresher stage, and the characters are fictional. Bryan Hitch continues to deliver impressive vistas of metropolis in its death throes, and writer Brian Michael Bendis fills these images with sparks of life as the heroes try to find their place in the new world.

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All-New X-Men 8

all new x-men 8

Today, Ethan and Shelby are discussing All-New X-Men 8, originally released March 6th, 2013.

Ethan: ­Time-travel narratives always have the potential to bring up questions of self and identity. Though he wrote in less sci-fi context, Famous Dead White Guy David Hume talked about self not in terms of one, coherent, persistent soul but as a collision of different, constantly changing ideas and perceptions, like a train barreling forward with an ever changing set of passengers. While I may feel like I’m one, same person from one day to the next, I’m occasionally startled when my brain abruptly serves up a memory from the past. I remember the experience, the decisions, the stimuli as if it was me, but the choices and statements made by that past person often seem alien. That person was, in many real ways, NOT the me I am now. Reading All-New X-Men 8, I was happy to see that writer Brian Michael Bendis and artist David Marquez took some time to play around with these ideas.

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Age of Ultron 1

age of ultron 1AU

Today, Patrick and Drew are discussing Age of Ultron 1, originally released March 6th, 2013. This issue is part of the Age of Ultron crossover event. Click here for complete AU coverage.

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Patrick: Y’all remember Battlestar Galactica? Until the show’s premise became too complicated to be expressed in a few simple sentence fragments, each episode would begin with the following titles projected across the screen:

The Cylons were created by man. They evolved. They rebelled. There are many copies. And they have a plan.

It’s exactly enough information to tease the world of the series. Yeah, there’s a lot more to it than that — this description makes no mention of the last scraps of humanity drifting through space in outdated battleships, or God or gods or Starbuck or Frak. It doesn’t have to: the purity of the threat represented by Cylons is so elemental and to render the rest beautiful, beautiful set-dressing to this central conflict. Battlestar would go on to tell a hundred compelling stories based of that clean slug-line, replete with rich themes and psychologically complex characters. Brian Michael Bendis’ Age of Ultron looks like it will have a great deal in common with BSG, the first such indication is a straightforward and agonizingly clean premise: “Hank Pym of the Avengers created an artificial intelligence known as Ultron. It hates humanity… and it has returned.” Game on.

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All-New X-Men 7

all new x-men 7

Today, Shelby and Patrick are discussing All-New X-Men 7, originally released February 6th, 2013.

Shelby: Sometimes, when you’re having a rough go of it, all you need to do is talk it out. Find a friendly ear, let go of your issues, and hopefully get some unbiased, third-party advice. It doesn’t have to be someone you know, it just has to be someone who’s there for you when you need them: the kindness of a well-timed stranger who can help you stay the course. Since this is a comic book, however, that stranger is actually a conniving villain out to manipulate you so no one can foil the master plan.
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Hawkeye 7

 

Today, Patrick and Jack are discussing Hawkeye 7, originally released January 30th, 2012.

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Patrick: Last time we were hanging out in fuzzy pants as discussing Hawkeye, we were reflecting on the Christmas issue (complete with Clint in a Santa hat). This month, we’ve got in our hands another Very Special Issue of Hawkeye, one that should feel a little less celebratory. Yes, it’s the end of October 2012 on the eastern seaboard, and the subject of our latest Hawkeye adventure is Super Storm Sandy. Never one to rest on a gimmick, Matt Fraction builds two tales for two Hawkeyes, one fun and the other touching, while staying emotionally and factually true to the event that inspired him. Clint and Katie are always easy to identify with, and their reactions to the storm echo our own in a dazzling display of artistic empathy.

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