House of Penance 1

 

house of penance 1

Today, Michael and Ryan D are discussing House of Penance 1, originally released April 13, 2016.

Michael: Do you remember when you didn’t know how to read? It’s  odd and interesting to remark on how we train ourselves to recognize the different combination of intersecting lines as letters and words etc. Likewise, we as comic book readers have been conditioned to read the language of comic books: panels, bubbles, captions and the like. One thing in particular that struck me about House of Penance 1 was its knowing subversion of a widely recognized comic book exclamation: BLAM! Continue reading

Karnak 3

Alternating Currents: Karnak 3, Drew and Spencer

Today, Drew and Spencer are discussing Karnak 3, originally released April 20th, 2016.

Drew: When we talk about superhero weaknesses, we tend to focus on the physiological ones — the ones that exist within the narrative. That’s because we’ve all agreed to ignore the more obvious logical weaknesses any superhero story has. Punching will never be the best solution to systemic corruption in Gotham (especially when you can personally finance political campaigns of local, state, and federal officials), and “heat vision and a mirror” doesn’t actually explain how Superman shaves his indestructible beard. These are the weaknesses we choose to ignore to maintain our suspension of disbelief — that is, until some smartass chooses not to ignore them, usually by assuming they’re just smarter than everyone else. I call them “weaknesses,” not because they can be exploited by readers who are as simple and obvious as the weaknesses themselves, but because such exploitation is generally off-limits for the characters themselves. How Superman shaves is a question that can’t be satisfactorily answered, so it’s best to avoid the subject altogether. With Karnak 3, Warren Ellis aims to do the opposite, charging headlong into the very weaknesses Karnak would have identified from the start. Continue reading

Gotham Academy 17

Today, Ryan M. and Spencer are discussing Gotham Academy 17, originally released April 13th, 2016.

Ryan M.: I’m a bit embarrassed to admit this. It’s a black mark on whatever music-listening cred I have, but this is a safe forum, right? Here is my dark secret: I really like “best of” albums. It’s a single place to hear the breadth of a band’s sound. My first Violent Femmes album is Add it Up and the only full Talking Heads album I own is a two-disc compilation. Greatest hits or Best Of compilations function like those Best American anthologies that flood Barnes and Noble every Christmas. While I don’t like the idea of having someone else curate my experience, it is great to know that you are going to get the best of what a band has to offer. It’s like a one-band mix-tape (another thing I love, though I am a few degrees less-embarrassed to admit it). Gotham Academy’s “Yearbook” storyline on has used an anthology format to offer a taste of the varied elements that make the series so great. Continue reading

Marvel Round-Up: Comics Released 4/13/16

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We try to stay up on what’s going on at Marvel, but we can’t always dig deep into every issue. The solution? Our weekly round-up of titles coming out of Marvel Comics. Today, we’re discussing A-Force 4, Amazing Spider-Man 8, Gwenpool 1, Mockingbird 2, Rocket Raccoon and Groot 4, Spider-Gwen 7, and Weirdworld 5.

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Jackpot 1

jackpot 1Today, Spencer and Mark are discussing Jackpot 1, originally released April 13th, 2016.

Spencer: Making a good first impression is vital; this goes doubly so for new comic series, which often have just one issue to hook a curious reader on their story. That puts a lot of pressure on first issues — they’ve got to introduce readers to the series’ premise, to a new cast of characters, perhaps even an entirely new world altogether, and if they want the reader to come back next month, they’ve got to do so in a manner that’s both coherent and entertaining. It takes a lot of finesse to find just the right approach to a first issue, and while Ray Fawkes and Marco Failla make some smart choices throughout Jackpot 1, their approach may nonetheless be flawed on a fundamental level.
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Weekly Round-Up: Comics Released 4/13/16

roundup6Look, there are a lot of comics out there. Too many. We can never hope to have in-depth conversations about all of them. But, we sure can round up some of the more noteworthy titles we didn’t get around to from the week. Today, we discuss Autumnlands: Tooth and Claw 10, Citizen Jack 5, Jupiter’s Circle Volume 2 5, Limbo 6, Star Wars Special: C-3P0 1, and Xena: Warrior Princess 1.
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Silver Surfer 3

silver surfer 3

Today, Patrick and Shelby are discussing Silver Surfer 3, originally released April 13, 2016.

Patrick: Silver Surfer has a puzzling relationship with the concept of “history.” I suppose we should expect no less from a character that can get caught in infinite time loops and regularly has a role in actively remaking reality. But he’s also just a strange character to consider from a meta-fictional standpoint: a villain-turned-hero whose whole shtick reads like a crummy Beach Boys B-side. There’s a weird mix of highfalutin science fiction mumbo-jumbo and campy comic book irreverence built into the character’s DNA. Was he the herald of planet-devouring mega-monster? Sure, but his last name is also Radd. Dan Slott and Michael Allred use the occasion of Silver Surfer’s 50th anniversary to celebrate the character’s duality and challenge the comic book industry’s penchant for rebooting their worlds and characters.
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Batman/Superman 31

Alternating Currents: Batman Superman 31, Drew and Spencer

Today, Drew and Spencer are discussing Batman/Superman 31, originally released April 13th, 2016.

Drew: What is a comic book series? That sounds like a simple question, but it’s one of those definitions that falls apart under close scrutiny. Peter Tomasi understands how strange our notion of a series can get, as he piloted Batman and Robin through the better part of a year without Robin. In that case, it wasn’t the cast, but the creative team that allowed us to group those issues as part of Batman and Robin. But if we take that definition of a “series” as something to do with a serialized narrative told by the same person (or team of people), what do we make of “Super Legion,” Tomasi’s new eight-part crossover that cycles through four different titles? Does it function like its own miniseries, or do its constituent issues maintain enough of their series’ identity to keep them distinct? The answer lies somewhere in between, which makes Batman/Superman 31 one of the most fascinating, if troubled, individual issues I’ve read in quite some time. Continue reading

Darth Vader 19

darth vader 19

Today, Taylor and Patrick are describing Darth Vader 19, originally released April 13th, 2016.

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Taylor: Clarity is something that is important to all narratives. One of the things that made the Star Wars prequels a shadow of the films that spawned them is that they lacked clarity. In Episode I, the script is muddled with confusing and distracting talk of trade negotiations and droid armies. In Episodes II and III it’s unclear whether we should be rooting for or against Anakin. The point is, it’s important to be clear when telling a story. Darth Vader 19, is ostensibly clear, but there is enough confusion in some key scenes to make me just wonder, hey, wha happened?

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