by Michael DeLaney
This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
When Pete Tomasi began pairing Jon Kent with Damian Wayne back in the pages of Superman, their dynamic was immediately successful. The pair emulated their fathers in a way that previous Superboy/Robin duos never could, with Damian having Batman’s brooding and Jon having Superman’s pluck. But what happens with you throw another Jon Kent into the mix? Continue reading
by Spencer Irwin
This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
This month’s issue 16 marks the end of Super Sons (for now — a continuation is already solicited), so it only makes sense that writer Peter Tomasi, along with artists Carlo Barberi and Brent Peeples, would want to close on a milestone victory for Superboy and Robin. More important than the actual victory, though, is how they achieve it — partially by channeling their parents, but mostly by trusting in each other. Continue reading
by Spencer Irwin
This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
Even though they’re child heroes, writer Peter Tomasi has never hesitated to put his young protagonists, Robin and Superboy, into dangerous, even life-threatening situations. Still, even when facing down killer androids, navigating alternate dimensions, or racing to save the life of Jon’s mother, Tomasi has always managed to keep Super Sons’ tone light and playful. That’s not the case in issue 15, an adventure that feels that much more weighty and dangerous for the sudden change in tone. Continue reading
by Spencer Irwin
This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
The battle between Damian Wayne and his mother, Talia al Ghul, is the centerpiece of Super Sons 14, but it’s a showdown I feel like I’ve seen before. I don’t mean the actual physical fight, which is well choreographed and which artist Carlo Barberi fills with hits that look like they really hurt; it’s their argument, the words and ideas they toss back and forth, which feels lifted from every other Damian/Talia story I’ve ever read. Thankfully, writer Peter Tomasi brings it all to an interesting conclusion; the idea that Damian is upset that, no matter what he does, he’ll never be able to please both of his parents is an affecting one, and is probably familiar to many children of divorce (at least the more contentious ones). It’s a great place to end the issue, even if it doesn’t do much to lift up the rest of the fighting that came before.
Thankfully, Jon Kent’s half of the issue shines where Damian’s doesn’t. Continue reading
by Spencer Irwin
This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
Growing up, we tend to think of our families as “normal.” Even if we think our family and their routines are weird or embarrassing, a lack of reference and experience often leave us assuming that this is just what every family is like — it isn’t until we get older and start spending time with friends and meeting new people that we realize how varied the human experience actually is. As always, Super Sons continues to use its two leads’ wildly different life experiences as learning aids for both, expanding their understanding of what “normal” is. Continue reading
by Spencer Irwin
This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
I’ve been reading Peter Tomasi and Patrick Gleason’s collaborations for the better part of a decade now, and there’s one thing I’ve learned — even when I’m not fully taken by one of their plots, the emotions behind their stories always ring true. That’s what makes Super Sons 12 by far the best chapter of the “Super Sons of Tomorrow” storyline: it’s far more concerned with the emotions of all the characters involved than it is the time-traveling, hypertime-shattering plot. Continue reading
By Michael DeLaney
This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
With DC’s recent announcement that The Man of Steel will be regaining his red trunks, it looks like they’re embracing the the classic Superman of yore. Another example is Superman 39, which centers around Superman spending the day with young cancer patients. If that’s not golden age wholesome, then I don’t know what is. Continue reading
by Mark Mitchell
This article contains SPOILERS! If you haven’t read the issue, proceed at your own risk.
I consider a Peter J. Tomasi and Patrick Gleason credit on a comic book to be a mark of quality, almost a guarantee that the book I’m picking up will deliver a good time. Such a strong track record makes an issue like Superman 38, an issue that pretty much misses every mark across the board, a bit mystifying. How to account for such a discrepancy?
Continue reading
by Michael DeLaney
This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
The Terminator definitely wasn’t the first “travel back in time to prevent Armageddon” story, but it is one of the most popular ones, and it has been homaged countless of times in the comic book medium. The “Super Sons of Tomorrow” crossover is the latest such arc. Batman-Tim Drake from an alternate future has traveled in time to kill Jon Kent, who causes the destruction of Metropolis. Continue reading
by Spencer Irwin
This article contains SPOILERS! If you haven’t read the issue, proceed at your own risk.
Fans and creators alike often complain that it’s hard to find a proper challenge for Superman when the character is so unfathomably powerful. But as far as I’m concerned, the best Superman stories aren’t the ones that challenge him physically, but the ones that test his morals and ideals, his methods and resolve. Peter Tomasi and Patrick Gleason’s run on Superman has excelled in this respect, and issue 36 continues this streak, further defining Superman’s greatest strengths by showing what happens when he doesn’t live up to his own lofty standards. Continue reading
Retcon Punch 