Today, Michael and Patrick are discussing Super Sons 3, originally released April 19th, 2017. As always, this article contains SPOILERS.
Michael:Super Sons 3 picks up where we last left our boy wonders: Robin vs. Superman and Superboy vs. Batman. The pair quickly discover that they are not fighting their superdads, but instead robot duplicates. Despite their best efforts and hero poses, they prove unsuccessful in taking down their robodads without the help of Sara Duffy — you know, of the short-lived Super Duffys. After the events of Justice League’s “The Amazo Virus,” the Duffys were one of the three percent of the population that kept their superpowers. Following a brief stint of an Incredibles-esque family super team, Sara’s brother Reggie aka “Kid Amazo” went nuts and made his family the hostages we saw in previous issues of Super Sons.Continue reading →
Today, Michael and Taylor are discussing Super Sons 1, originally released February 15th, 2017. As always, this article contains SPOILERS.
Michael: “What a delight!” I found myself saying after reading Pete Tomasi and Jorge Jimenez’s Super Sons 1. Super Sons has arguably been one of the most anticipated Rebirth books ever since Jim Lee threw in Damian Wayne and Jon Kent on that teaser poster that your comic book shop gave you back in June. Tomasi and Superman co-writer Patrick Gleason gave us a taste of what to expect from this series a few months ago, and Super Sons 1 carries on that joyful vibe without stumbling.
Today, Michael and Mark are discussing Superman Annual 1, originally released November 30th, 2016. As always, this article contains SPOILERS.
Michael: I harp on Annuals a lot because in short, they’re weird. Typically they exist outside of the main ongoing story and sometimes are not even written or drawn by the title’s current creative team. Rebirth is not immune to the pitfalls of Annuals, as Drew and I pointed out in our discussion of Batman Annual 1. The consistently strong Superman title, however, follows through with Superman Annual 1. Pete Tomasi, Patrick Gleason, and Jorge Jimenez provide us with a story that compliments the main narrative and encapsulates the same joy that has made Superman one of the stand-out Rebirth titles. Continue reading →
Today, Michael and Patrick are discussing Superman 11, originally released November 16th, 2016. As always, this article contains SPOILERS.
Michael: Superman 11 concludes the fantastic and fun “World’s Smallest” arc/prelude to the upcoming Super Sons series. Batman, Superman and Alfred have devised a series of tests for Jon and Damian to overcome by working as a team. With Robin: Son of Batman’s Maya Ducard and “not a man-bat” Goliath in on the fun, Superman 11 is a complete Patrick Gleason/Pete Tomasi partnership. With its classic approach of the character, Superman has consistently been one of the best Rebirth titles. But by throwing Damian Wayne into the equation Tomasi and Gleason up their game exponentially. Continue reading →
Today, Patrick and Mark are discussing Superman 9, originally released October 19th, 2016. As always, this article contains SPOILERS.
Patrick: Issues 8 and 9 of Superman read like an entire season of LOST. I’m only partially saying that because the action takes place on a mysterious, temporally displaced, impossible-to-escape island populated by monsters. The comparison is actually more apt in the way both LOST and Superman treat their central mysteries. By the end of issue 9, Clark and Jon’s adventure on the island may appear to be over, but readers are left with a host of lingering questions. In lieu of answers, storytellers Patrick Gleason and Peter Tomasi revel in the charming and illuminating details of the mystery itself, letting the mysterious, the symbolic, and the evocative beats speak for themselves. Continue reading →
Today, Mark and Shane are discussing Superman 4, originally released August 3rd, 2016.
Mark: Ever since they started teaming up, Batman has been the yin to Superman’s yang. And after 5 years of Peter Tomasi and Patrick Gleason tackling the Batman/Damian dynamic, it’s an interesting exercise to watch them explore the similar-yet-not-at-all-the-same dynamic of Superman and his son Jon (aka Superboy). Jon is the anti-Damian; reluctant to use his powers, he has no problem keeping his nose clean and following the rules. An eager to learn Jon has provided Superman the perfect opportunity to reiterate his ethos, and by extension allowed Tomasi and Gleason to hammer home their operating thesis: Superman isn’t super because of his powers, he’s super because of the strength of his character. Continue reading →
Today, Shane and Michael are discussing Superman Rebirth 1, originally released June 1st, 2015.
Shane: It can be incredibly difficult to lose a hero. This year has seen a lot of notable role models pass — David Bowie, Prince, Mohammed Ali, and others. To be entirely honest, though? I know that they meant a lot to a lot of people — many close friends were crushed with Bowie’s passing, as an example — but although I appreciate them all, they weren’t as influential to my own life. In fact, I have a hard time thinking of any real-life famous figure who notably inspired me…but Superman? He was my hero. Reading his adventures during my formative years genuinely helped impart a true sense of right and wrong, to try to not just take the easy route, to genuinely do better and make a difference if possible. Continue reading →
Today, Michael and Ryan D are discussing House of Penance 1, originally released April 13, 2016.
Michael: Do you remember when you didn’t know how to read? It’s odd and interesting to remark on how we train ourselves to recognize the different combination of intersecting lines as letters and words etc. Likewise, we as comic book readers have been conditioned to read the language of comic books: panels, bubbles, captions and the like. One thing in particular that struck me about House of Penance 1 was its knowing subversion of a widely recognized comic book exclamation: BLAM! Continue reading →
Writing a mystery story in any medium is an unenviable task. It’s basically impossible to nail the landing. For my money, the ideal solution to any mystery is both surprising and logical. Once the solution is revealed, the audience wants to see that the answer was hiding in plain sight all along. Writing a satisfying conclusion like that is nearly impossible. It’s why when something like The Sixth Sense comes along it is so successful. But M. Night Shyamalan learned the wrong lesson from its success, thinking that audiences craved a “GOT YA” ending. And it’s why his other films that attempted a twist failed. Sure, the twists are surprising…but they’re meaningless and add no additional understanding to what came before. So after two (and a half) strong issues of Peter J. Tomasi’s Detective Comics mystery, we reach the end of The Bronze Age arc and, again, I ask: is that all there is? Continue reading →
Today, Michael and Drew are discussing Detective Comics 49, originally released February 3rd, 2016.
Michael: Jim Gordon has been Gotham’s Dark Knight since June and with Bruce descending into the Batcave in the pages of Batman, it seems that Gordon’s rooftop days are nearing their end. That kind of bums me out to be honest. While Snyder’s work on Gordon in Batman has been bombastic fun, I’m not sure that he’s had enough time to engage in the wide array of Batman capers. Enter Pete Tomasi’s three-part story arc: “The Bronze Age.” Continue reading →