Author Archives: Drew

Mar 6 2014

Swamp Thing 29

Alternating Currents: Swamp Thing 29, Drew and ShelbyToday, Drew and Shelby are discussing Swamp Thing 29, originally released March 5th, 2014. 

slim-bannerDrew: Ah, the learning curve. It’s a testament to the resilience of the human spirit that there are things that everyone simply sucks at when they start. Some stick with it and get better, others don’t, but the fact that so many people are out there parallel parking or whatever just goes to show what we’re capable of when we put our minds to it. Of course, a good teacher helps, and the learning curve has a funny way of exaggerating the type of help we get. At our noblest, humans are capable of providing age-old (or even personal) wisdom to n00bs, but we’re just as capable as having a few yuks at the expense of the new guy. As much as I enjoy a good larf, I’ll never fully understand the inclination to let the new guy muddle through the same mistakes everyone else has made. Sure, maybe he needs to experience those mistakes firsthand, but how are we to know if nobody’s ever bothered to help anyone avoid it? At best, it’s negligent, and at worst, it’s malicious, but it always leaves the new guy worse off. Unfortunately, Alec is still in the early stages of learning the ropes as the Avatar, and every one of his mentors seems more content to watch him fuck up than offer any kind of help. Continue reading →

Mar 5 2014

Weekly Round-Up: Comics Released 2/26/14

round upLook, there are a lot of comics out there. Too many. We can never hope to have in-depth conversations about all of them. But, we sure can round up some of the more noteworthy titles we didn’t get around to from the week. Today, Drew and Patrick discuss Manhattan Projects 18, Deadpool 24, Batman/Superman 8, Tomb Raider 1, Fantastic Four 1, All-Star Western 28, Daredevil: Road Warrior Infinite Comic 1, and Guardians of the Galaxy 12. 

slim-banner4Drew: I love tvtropes.org. Its snarky tone is a great salve when you’re identifying lazy stereotypes or tired scenarios in whatever you’re reading (which I’ve been doing a bit recently), but I also respect it as a catalogue for those tropes. Without that site, I would have never put a name to The Worf Effect (when a villain is proven a physical threat by making short work of a known physical threat), which means I wouldn’t have been able to so specifically identify what is going on in Manhattan Projects 18. Feynman and Einsteins alien Frankenstein might not exactly fit the definition of a “known” threat, but by the end of the first page, there’s no real doubt what he might be capable of. That Westmooreland then takes him down (adding the creature’s ear to his necklace) cements the general as perhaps the biggest threat the Projects have faced. That Groves then forms a partnership with Westmoreland feels a bit like a deal with the devil, but is quickly trumped by Einstein’s partnership with Oppenheimer. Continue reading →

Mar 3 2014

Empire of the Dead 2

Alternating Currents: Empire of the Dead 2, Drew and PatrickToday, Drew and Patrick are discussing Empire of the Dead 2, originally released February 26th, 2014. 

slim-bannerDrew: What is it that makes us human? Is it the capacity for emotion? Reason? Is it the ability to recognize that other people might have perspectives and motivations that are different from our own? These are some of the most fundamental questions of philosophy and psychology– perhaps too big to hope to tackle in a discussion of a horror comic book — but I’d like to suggest that humanity, however we define it, is the detail that separates Zombies and Vampires. Sure, there are the obvious cosmetic differences (illustrated beautifully by Alex Maleev on this month’s cover), but they’re ultimately quite similar: both are undead, both feed on humans, and both have the power to convert their victims into more monsters. The fundamental difference between the two — and what makes each so scary — is the question of their humanity: vampires have all of those qualities I mentioned up front, but zombies don’t at all. Or, at least they usually don’t — Empire of the Dead 2 reveals that its zombies may be more human than it may seem. Continue reading →

Feb 27 2014

100 Bullets: Brother Lono 8

Alternating Currents: 100 Bullets 8, Drew and PatrickToday, Drew and Patrick are discussing 100 Bullets: Brother Lono 8, originally released February 26th, 2014.

We are what he made us to be. To try and be something else…is the greatest sin of all.

Lono

Drew: I didn’t know religion growing up. My parents never took me to church, and somehow, none of my childhood friends ever went, either. It wasn’t until I entered middle school that I made friends with people of any kind of faith — run of the mill midwest Lutheranism, but they might as well have been the pope in my sheltered mind. Being both 13 and an asshole (I know that seems redundant, but I only grew out of one of those), I enjoyed picking fights with them over simple religious tenants. The simplest — why do bad things happen to good people? — was most commonly answered with the wimpy cop-out of “God works in mysterious ways.” That seems like a simple enough “we’ll never know” (and was probably only ever invoked to get me off their backs), but as with most religious answers, that simplicity masks a world infinitely more complex than the question itself. Is everything that ever happens part of God’s “mysterious” workings? If “bad” things can be part of God’s plan, doesn’t that throw the whole notion of morality out the window? These questions lie at the heart of Brother Lono 8, though the answers Brian Azzarello and Eduardo Risso come up with may not be what anyone suspected. Continue reading →

Feb 26 2014

Uncanny X-Men 17

Alternating Currents: Uncanny X-Men 17, Drew and TaylorToday,  Drew and Taylor are discussing Uncanny X-Men 17, originally released February 19th, 2014.

Drew: What would you do if you found yourself lost in the wilderness? It’s the kind of thought experiment that captured my mind as a child. I’m sure the survival skills I cobbled together from movies and second-hand stories from friends wouldn’t have gotten me very far, but I liked to imagine that I would be cool and in control. I still find myself mentally preparing for similarly absurd hypotheticals (where would I go if there was a zombie apocalypse?), but experience has made it clear that decision-making tends to be impaired by the heat of the moment. That is, you may know you’re supposed to turn into the skid, but there’s a pretty big gap between what you know and what you’re actually capable of when in a state of panic. The only way to practice working under pressure is to actually be under pressure, which is exactly what Uncanny X-Men 17 is all about. Continue reading →

Feb 25 2014

Fables 138

Alternating Currents: Fables 138, Drew and PatrickToday, Drew and Patrick are discussing Fables 138, originally released February 19th, 2014.

Drew: I know this cements me as a twenty-something white-boy nerd, but I love it when stories get meta. Fiction is full of characters and situations we can relate to, but few themes are as unifying as the love of storytelling itself. Fables has long been a celebration of the power of storytelling — the way it inspires us, challenges us, and teaches us — but in the wrong hands, that power can be dangerous. After all, what is a lie if not a story? It would be easy to ignore the dark side of fiction, but Fables 138 boldly turns away from Rose Red’s Camelot to detail the deceit Geppetto has hidden behind as he works in secret to rebuild his empire.

Continue reading →

Feb 20 2014

Harley Quinn 3

Alternating Currents: Harley Quinn 3, Drew and SpencerToday, Drew and Spencer are discussing Harley Quinn 3, originally released February 19th, 2014.

Drew: When someone accuses a joke of “going too far,” they tend to mean that it is offensive — that it has left the concept of good taste behind in the pursuit of a bigger laugh. But offensiveness isn’t the only metric of taste. Indeed, I would argue that even the most family-friendly humor can take its core concepts “too far,” neglecting to cultivate the expectations that jokes are designed to subvert. Taken too far, scenarios become unrecognizable, characters become unrelatable, and irony curdles into nihilism. It’s the reason I can’t really get into Tim and Eric Awesome Show, Great Job! — I’m unable to form a frame of reference for why it’s even supposed to be funny, making the experience little more than a parade of one-note awkwardness. I found myself feeling the same things as I read Harley Quinn 3, as the series continues to stretch its own rules to the breaking point. When absolutely anything is possible, it’s hard to be surprised by a punchline. Continue reading →

Feb 18 2014

Manifest Destiny 4

Alternating Currents: Manifest Destiny 4, Drew and Taylor

Today, Drew and Taylor are discussing Manifest Destiny 4, originally released February 12th, 2014.

I’m busier than you.

College, Traditional

Drew: I don’t know if it is true everywhere, but when I was in college, scheduling a meeting or asking someone to help with something was basically made impossible by everyone’s knee-jerk insistence that they were SO busy. I absolutely understand the importance of saying “no” when you really are busy, but the implication that someone was unwilling to make time for whatever group project that everyone else was making time for always drove me nuts. It was known around campus as the “I’m busier than you” game, which found its practitioners preemptively complaining about how busy they were in hopes of avoiding being asked to do anything. The best response I ever saw to these kinds of complaints was a friend insisting that he had just run a marathon with knives embedded in both thighs — something so over-the-top to (hopefully) give everyone a little perspective on how silly it is to complain about term papers or whatever. Of course, nothing we could come up with was quite as extreme as single-handedly fighting off a band of monsters WHILE PREGNANT, which is to say, Sacagawea (or at least the version of her that appears in Manifest Destiny 4) would have easily won the “I’m busier than you” game. Continue reading →

Feb 13 2014

Deadpool 23

Alternating Currents: Deadpool 23, Drew and PatrickToday, Drew and Patrick are discussing Deadpool 23, originally released February 12th, 2014.

Drew: I like to think that I’m an open-minded guy when it comes to art, but I’m actually proud of the fact that I’ve never seen any of Jason Friedberg and Aaron Seltzer’s films. Frankly, the commercials alone embarrass me enough to scare me off. That’s not an embarrassment of prudishness — I can make dick jokes until the cows come home — but of intelligence: the grasping, desperately hackneyed pop culture references those movies are built on bring me closer to tears than laughter. Unfortunately, that brand of humor has dominated parody films over the past two decades, leaving only a few exceptions — like Edgar Wright’s Cornetto Trilogy — that even attempt to respect either the genre it’s sending up or the audience’s intelligence. Deadpool’s tendency to break the fourth wall has long made him the most likely source of parody in the Marvel universe, and that parody lived up the its potential for depth in the recent “The Good, the Bad, and the Ugly” arc. Unfortunately, this arc finds ‘pooly once again aiming for yuks in the cheapest ways possible. Continue reading →

Feb 11 2014

Ms. Marvel 1

ms marvel 1

Today, Drew and Spencer are discussing Ms. Marvel 1, originally released February 5th, 2014. 

slim-banner

But what did he see in the clear stream below? His own image; no longer a dark, gray bird, ugly and disagreeable to look at, but a graceful and beautiful swan.

Hans Christian Andersen, The Ugly Duckling

Drew: We all know the story, but have you ever actually read Hans Christian Andersen’s original The Ugly Ducking? It’s beyond dark. Before he realizes he’s actually a swan, the ugly duckling has embraced suicide as his only escape from a life as an outcast. Even without that particular detail, the ending has always struck me as grim. The happy ending stems from the ugly duckling actually being classically beautiful, after all, not from any kind of acknowledgement that looks aren’t everything. This particular duckling happened to be a swan, but what of ducklings that are actually ugly? I guess those end up actually committing suicide. In spite of this straight-up “difference is awful (unless it happens to make you the same as someone else)” message, this story is treated as though it empowers different-looking children. Its contradiction is almost tragic. As I read through the letters column of Ms. Marvel 1, which praised the notion of a non-white heroine, I couldn’t help but feel that same tragic disconnect, as the heroine herself turns out to be, well, you can see for yourself after the jump. Continue reading →