Jughead 3

Today, Ryan and Spencer are discussing Jughead 3, originally released December 30th, 2015.

Ryan M.: My name lends itself to nicknames. Since both my first and last names are easily shorted and morphed, I’ve never had the sort of nickname that doesn’t sound like my name. In middle school, I tried to get people to call me “R Money” but as we all know, you can’t give yourself a nickname. Jughead Jones does not go by a derivative of his birth name, so when the first page of Chip Zdarsky and Erica Henderson’s Jughead 3 ends with someone calling him Forsythe, you can tell things are not right in Riverdale. Continue reading

Chewbacca 5

chewbacca 5

Today, Taylor and Patrick are discussing Chewbacca 5, originally released December 30th, 2015.

Taylor: In the new Star Wars movie, it’s apparent that director J.J. Abrams wanted to make Chewbacca a more rounded character. The need for doing this is plain – Chewbacca is one of the main characters in the Star Wars movies, but he’s little more than Han Solo’s charismatic shadow. Abrams rounds out Chewbacca by having him interact with more characters than just Han and by also giving him more heroic things to do like blasting stormtroopers. For the most part I find this to be a fairly successful venture into Chewbacca’s character. He’s portrayed as being important but not to the point that his language barrier interferes with things at all. The Chewbacca comic series similarly attempts to flesh out this character, but as issue 5 highlights, it is not nearly as successful as Episode 7.

Continue reading

Batman: Europa 3

Batman europa 3

Today, Drew and Michael are discussing Batman: Europa 3 originally released December 30th, 2015.

Joel: There is another character that was just as important as the two of us: New York City.
Karen: So New York City is like another character?
Molly: Yeah.

They Came Together

Drew: Everyone has heard the old “setting as a character” cliche from some exhausted press tour interview, but filmmakers rarely acknowledge that cities aren’t fully fictional. That is, calling Chicago a character in The Fugitive is a bit like calling John F. Kennedy a character in Forrest Gump — these are real things (albeit fictionalized versions of them) that our fictional characters just happen to be interacting with. Moreover, if we accept the “setting as a character” cliche, it only ever reveals the setting to be a supremely boring character, undergoing no change over the course of the story. Indeed, because stories that tend to feature “settings as a character” tend to stay in just one city (I’m looking at you, New York), it’s impossible to separate the “character” of the setting from the general tone and mood of the narrative. Batman: Europa sets out to do the opposite, a kind of city character study — or perhaps “travel guide” is more accurate — by way of a superhero adventure. Continue reading

Superman: Lois & Clark 3

superman lois and clark 3

Today, Spencer and Mark are discussing Superman: Lois & Clark 3, originally released December 30th, 2015.

Spencer: In any comic storyline lasting more than two or three issues, it’s the middle chapters that are usually the weakest. Openings can rely on the excitement of starting a new story, penultimate chapters generally benefit from a big twist, and conclusions, of course, seem to matter the most simply because they’re the end of the story. Those middle chapters, though — third and fourth issues specifically, if it’s a six-issue arc — tend to blend together, existing only to “move the story forward” without really gaining an identity or having a complete, satisfying narrative of their own. Issue 3 of Dan Jurgens and Lee Weeks’ Superman: Lois and Clark fits this description to a “t,” and is a weaker installment because of it. Continue reading

Patsy Walker, A.K.A. Hellcat! 1

Today, Ryan M. and and Spencer are discussing Patsy Walker: A.K.A. Hellcat! 1, originally released December 23rd, 2015.

Ryan M.: A first issue in a series is sort of like a first date. You don’t need the full origin treatment. It’s really a matter of figuring out if you enjoy each other’s company. It provides a sample that hopefully indicates what’s to come, but cannot necessarily lay all of that out. After Patsy Walker, A.K.A. Hellcat! 1, I am ready to invite this series to my place for a home-cooked meal.

Continue reading

Teenage Mutant Ninja Turtles 53

tmnt 53

Today, Taylor and Drew are discussing Teenage Mutant Ninja Turtles 53, originally released December 23rd, 2015.

Taylor: One of the quintessential experiences of growing up is undergoing the trial of being picked for a team. Often times this happens on the playground at recess or even in gym class. Two captains (usually the biggest kids in class) are chosen to head teams and tasked with choosing which classmates they want to join their side. The captains take turns choosing from the class, each taking his or her turn and selecting the students who are best at sports first and the kids who are worst last. Being the last kid chosen for a team was a special sort of shame. You are branded in front of everyone as being inferior and essentially a cast-off. Almost everyone has experienced this minor trauma at some point, and for that reason, Teenage Mutant Ninja Turtles 53  resonates with me. It explores what it means to be a cast-off, and in the process also asks what it means to be accepted by others. Continue reading

Gotham By Midnight 12

gotham by midnight 12

Today, Michael and Patrick are discussing Gotham By Midnight 12 , originally released December 16th, 2015.

Michael: The finale: the final act of a story, the climax and conclusion, the final word that creators have with a set of characters that they have been working with. There are countless variations on the classic finale recipe (a different kind of examination for another day), but Gotham By Midnight 12 is a very specific finale: the publisher-induced cancellation finale. Ray Fawkes and Juan E. Ferreyra are saddled with the task of punctuating the tale of Gotham City’s resident ghost chasers. Continue reading

Descender 8

descender 8

Today, Ryan D. and Spencer are discussing Descender 8, originally released December 16th, 2015.

Ryan D: While comics began to thrive on the genres of fantasy and horror for numerous reasons such as accessibility, affordability, and an allowance for the niche and pulp, I would hazard that there are so many big, bold new universes being constructed in comics right now because the medium itself lends itself to the creation of new worlds. Comics take the visual aspect of realized fantastical realms of television or film and couple that with the liberty of imagination bestowed by novels. In eight issues, Jeff Lemire and Dustin Nguyen have built a far-reaching and seamless science fiction universe in a state of flux, carefully showing only what the reader needs to see, allowing for plenty of wiggle room and personal imaginative exploration. Continue reading

Batgirl 46

batgirl 46

Today, Mark and Spencer are discussing Batgirl 46, originally released Dec 16th, 2015.

Mark: Has anyone been reading DC’s (relatively) new Doctor Fate ongoing? The pitch for it was probably a lot like Cameron Stewart and Brenden Fletcher’s pitch for Batgirl: take a character struggling to find a compelling place in the post-Flashpoint universe (apologies to Gail Simone), and make them balance the typical problems of 20-somethings with the life of a superhero. There are countless problems with Doctor Fate, but one of the major failings is its inability to balance the various threats complicating Khalid Nassour’s life. Everything is treated with equal weight (which in this case is usually none at all), which makes the confrontations and resolutions ultimately unsatisfying. Continue reading

Starbrand and Nightmask 1

Alternating Currengs: Starbrand and Nightmask, Drew and Patrick

Today, Drew and Patrick are discussing Starbrand and Nightmask 1, originally released December 16th, 2015.

Drew: You’ll often hear comic book fans complain about superheroes being overpowered — that they’re simply too powerful for a villain to pose a credible threat. I’d actually argue that it isn’t a problem with the actual power-levels of the characters, but rather with the precedents set by the threats they face. There’s no reason Superman can’t get a kitten out of a tree, but when he’s otherwise occupied with fighting off planetary invasions, his street-level attentions seem like small potatoes. Unlike Superman, Starbrand and Nightmask were designed (or revived, as the case may be) specifically to fend off those planet-wide threats, putting the street-level conundrum at the center of their character descriptions, which makes the “Starbrand and Nightmask go to college” premise of Starbrand and Nightmask 1 particularly head-scratching. Continue reading