Animal Man 21

animal man 21

Today, Scott and Drew are discussing Animal Man 21, originally released June 19th, 2013. 

Scott: We’ve reached a historic lowpoint for privacy. Every phone call, email, text message you send can and will be recorded and filed away in some classified government database. It’s ironic, I think, that the harshest condemnations of the NSA I’ve come across have been voiced on Facebook and Twitter, forums infamous for their users’ public over-sharing of thoughts better kept private. The rise of social media has made privacy invasion a daily risk for nearly everyone; most of us can only take solace in knowing our every thought is of little interest to anyone but our inner circles. But it’s enough to make you feel bad for celebrities, who must pay for their time in the spotlight by never being able to truly leave it — their privacy always at the mercy of any bystander with a smartphone. Animal Man 21 explores the potential dangers social media poses for newfound celebrity Buddy Baker and his fans.

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Batman and Batgirl 21

batman and batgirl 21

Today, Drew and guest writer Gino Killiko are discussing Batman and Batgirl 21, originally released June 19th, 2013.

Drew: I have to admit, as a stage of grief, bargaining never made all that much sense to me — especially not as the third stage. I can accept that somebody might make an impassioned plea to whatever powers exist at the time of a loved one’s death, but I’m just not sure who people are bargaining with long after a loved one has died. It turns out, that is because the whole Kübler-Ross model that the “five stages of grief” are based on is actually adapted from the stages associated with an impending death, which kind of supports the notion that bargaining after the fact doesn’t necessarily make any sense. That might explain why Batman and Batgirl 21, which is meant to focus on the third stage of grief, doesn’t quite work. Continue reading

Invincible 103

invincible 103

Today, Patrick and (guest writer) Zach are discussing Invincible 103, originally released June 19th, 2013.

Patrick: Invincible is a series that resits being discussed on any terms but its own. Robert Kirkman has built up such an extensive cast of characters, and such a rich history, that nearly every new thing that happens can find its origin in previous issues of this series. There are three different editors’ notes in this issue, the first refers me back to to the Death of Everyone story (which I actually read), but the next note refers to issue 37 which came out seven years ago, and the other to the spin-off series Guarding the Globe. I always used to get the feeling that an editor’s note was in place to be helpful, assure you that there was some precedent for the thing that was happening. Failing that, the editor’s note was just trying to sell me some related material – a slightly-less-altruistic kind of helpful. Invincible editor Sean Mackiewicz uses them for another reason altogether – to identify moments of fan-service. It’s like Kirkman writes in all these winks and nudges to his long-time readers, only to have Mackiewicz let us newbies know how clever he’s being. Continue reading

100 Bullets: Brother Lono 1

100 bullets 1

Today, Patrick and Drew are discussing 100 Bullets: Brother Lono 1, originally released June 19th, 2013. Check out Drew’s interview with Brian Azzarello here!

Patrick: Revenge narratives are tough — in order to properly motivate a hero to undertake an immoral quest, the character needs to be severely wronged. We place so much moral capital on someone’s ability to turn the other cheek, that even when the protagonist is pushed to their limits, it feels a little icky to see the bad guy get what’s coming to ’em. I mean, they have to maintain the high ground somehow, right? But no matter how masterfully crafted, these stories are always ugly, always petty, and even in their moments of triumph, always revolting. Brian Azzarello and Eduaro Risso built a compelling story engine on the framework of revenge in 100 Bullets, and their new mini-series may have dropped many of the central conceits of the original, but that intensely repulsive element remains. I cannot wait to see the bad guys get what’s coming to ’em in this series. Continue reading

Manhattan Projects 12

Alternating Currents: Manhattan Projects 12, Drew and Patrick

Today, Drew and Patrick are discussing Manhattan Projects 12, originally released June 12th, 2013.

Oh my God. Oh my God! Oh my God! The whole time? The whole time, you were – THE WHOLE TIME?!

-Sally Field as Miranda Hillard
Mrs. Doubtfire

Drew: I love a good twist. Nothing is better than being surprised by a narrative — especially with something that fundamentally shifts the paradigm of the story. Of course, it’s possible to go too big with a twist — if you change the foundation too much, you run the risk of invalidating the emotional connections based on that foundation. Obviously, it’s difficult to bring up examples without spoiling some big twists, which hopefully explains the epigraph — by the climax of Mrs. Doubtfire Sally Field’s character is basically the only person that doesn’t know Robin Williams is her nanny, but that doesn’t negate her growing sense of betrayal as she realizes that this was the case THE WHOLE TIME. I had a similar reaction as Manhattan Projects 12 reveals that Fermi isn’t the character we think he is. When Harry reveals that he knows Fermi is an alien at the end of Manhattan Projects 11, Patrick and I were touched — we saw their friendship as the sweet story of two outsiders who found each other. In issue 12, Jonathan Hickman rips that still-beating heart out through our eye-holes, and lets us know that it was all a lie, anyway. Continue reading

Chat Cave: Man of Steel

chat-cave-header

Between the commercial success of a near-constant stream of Marvel Studios Avengers movies and the critical success of Christopher Nolan’s Dark Knight trilogy, there are impossible expectations for Man of Steel. Expectations like reigniting the public’s love for Superman; expectations like launching a blockbuster film franchise; expectations like being any good in its own right. Zach Snyder’s Superman slug-fest has a lot to accomplish. Does it achieve any of that? Welcome to the Chat Cave.

Drew: Like many comics fans, I was incredibly excited by the teaser trailer for this movie. In spite of the trailer’s own prominent reminder that Zach Snyder directed both Watchmen and 300, it felt like this movie got Superman. Indeed, the trailer trades in Snyder’s standard embarrassing music cues and slow-motion punches for meditative statements about Superman’s power as a symbol. Between story credits by Dark Knight Trilogy scribe David S. Goyer and director  Christopher Nolan, I dared hope that Man of Steel might be to Superman what The Dark Knight films were to Batman: an operatic drama that understands the defining nature of the hero.

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Deadpool 11

deadpool 11

Today, Ethan and Drew are discussing Deadpool 11, originally released June 12th, 2013.

Ethan: Stories have to follow a lot of formulas — rising action, tension, struggle, resolution. Comics are often even more constrained — extraordinary people, powers, and villains combine to make extraordinarily predictable outcomes. Familiarity sells. But while you could say a lot of horrible things about Deadpool — and they’d all be true — if there’s one thing that he is NOT, it’s conventional. Maybe it’s because his superpower has more to do with the basic act of survival rather than leaping a building in a single bound; maybe it’s because he’s just a bastard of a guy who lucked out with the world’s most impressive healing factor. Maybe it’s because he’s Canadian. I dunno. Either way, he’s up to his eyeballs in demonic intrigue right now, so perhaps the standard operating procedures wouldn’t be the best fit anyway. As he continues his contract with Vetis, hunting and killing superpowered humans who sold their souls for their abilities, writers Brian Posehn and Gerry Duggan continue to entertain while Wade Wilson continues to backstab his way to freedom.

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Batman 21

batman 21

Today, Spencer and Drew are discussing Batman 21, originally released June 12th, 2013.

Spencer: Two gunshots ring out in a dark alley. A string of pearls falls to the ground. Sound familiar? It should — Batman’s origin story is one of the best-known and most beloved in comic book history. It’s been told and retold countless times, and while many of these stories are flat-out classics — Year One, Batman Begins, Mask of the Phantasm — one still wonders: Is another Batman origin story really necessary? Can Batman’s origin still be retold in a fresh way that doesn’t rehash or invalidate those earlier stories? The jury’s still out on the first question, but in Batman 21, Scott Snyder and Greg Capullo prove that they’re capable of telling a Batman origin story the likes of which we’ve never seen before.

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Superman Unchained 1

Alternating Currents: Superman Unchained 1, Drew and Scott

Today, Drew and Scott are discussing Superman Unchained 1, originally released June 12th, 2013.

Drew: When DC began its New 52 experiment in 2011, they made a point of putting their best foot forward. The first issue (and ostensibly their flagship title), Justice League 1, featured one of comicdom’s most popular writers paired with one of its most popular artists. It’s a bit strange that they would repeat the same big guns formula (even going so far as to tap Jim Lee again) for an entirely new title in Superman Unchained. Of course, the way the title features the standard Superman logo with “unchained” incongruously typeset below suggests that this isn’t so much a new title as it is the Superman DC wishes it could publish if it weren’t tied (chained, if you will) to Scott Lobdell. But here I am reading between the lines on the cover. What about what’s inside? Continue reading

Guardians of the Galaxy: Infinite Comics 1-4

guardians infinite 1-4Today, Patrick, Shelby, Mikyzptlk and Drew are discussing Guardians of the Galaxy: Infinite Comics 1-4, originally released March 6th, March 20th, April 10th and May 1st, 2013. 

Patrick: Marvel Studios makes no great secret of their film plans. We already know that a Guardians of the Galaxy movie is to be released in 2014 as part of their second phase of Avengers movies. Unlike Thor or Hulk or Iron Man, regular movie goers have absolutely no idea who these “Guardians” are, and — truth be told — I could use the introduction as well. Enter: Guardians of the Galaxy: Infinite Comic, a series of free digital comics that will introduce the four non-human members of the team.

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