Before Watchmen – Rorschach 1

Before WatchmenToday, Drew and Patrick are discussing Rorschach 1, originally released August 15th, 2012. Rorschach is part of DC’s Before Watchmen prequel series. Click here for complete Before Watchmen coverage (including release dates).

Drew: Before Watchmen has a uphill battle to climb as far as justifying its existence. We’ve already gone over our reactions the the idea, but I feel compelled to reiterate my main objection: Watchmen is a singular and self-contained book, and treating it like a universe where cool stories happen or one of a series of adventures this particular group of characters had is missing the point. That said, I do like these characters, and their universe, but it’s incredibly difficult for me to tell if that means I want to spend more time with them, or if I’m simply drawn to them because of their allegorical significance. The successes of Before Watchmen have side-stepped this issue by delivering stories so outside or even contrary to — our expectations, they really stand on their own (allowing me to ignore any potential desecrations). I was particularly impressed with Brian Azzarello’s work on Comedian 2, where he managed to find enough unclaimed space within the strictures of the character’s history to tell (or at least set-up) a compelling story, which gave me high hopes for his work here. Unfortunately, Rorschach 1 finds less room to breathe, yielding decidedly mixed results. Continue reading

Before Watchmen – Ozymandias 2

Alternating Currents: Ozymandias 2, Drew and Peter B4WToday, Drew Patrick and Peter are discussing Ozymandias 2, originally released August 8th, 2012. Ozymandias is part of DC’s Before Watchmen prequel series. Click here for complete Before Watchmen coverage (including release dates).

Drew: Patrick: Surprise! It’s actually going to be me taking lead on Ozy today. Drew had both his copy of Ozymandias and his computer stolen today. And that’s enough to make me want to put on an old Halloween costume and take to the streets for some righteous vengeance. And while I don’t plan on that leading to a life of crime fighting, there’s really no saying where life will take me, and which sources I will draw upon for inspiration.  Whatever the case, I just hope it will be consistently rendered in breathtaking beauty (because otherwise, what’s the point?).

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Batman 12

Today, Patrick and Drew are discussing Batman 12, originally released August 8th, 2012.

Patrick: Scott Snyder’s run on Batman has been fantastic. The 11-issue Court of Owls story-line is going to go down in history as one of the best Batman stories ever, and there are precious few titles in the New 52 that can claim the same level of quality. So, I approached this first post-Owls issue tentatively: would I discover that I was enamored with Snyder’s Owls, and not Snyder’s Batman? What we have in issue 12 is about as radical a departure as we could have asked for – the story is self-contained; the scope of the story is small; and Batman himself doesn’t make an appearance until page 14. But in this gear-shift, Snyder asserts that he’s in it for the long haul, and committed to delivering excellence in Batman, no matter what story he wants to tell in Gotham City.
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Batgirl 12

Today, Shelby and Patrick are discussing Batgirl 12, originally released August 8th, 2012.

Shelby:  I am no stranger to the feeling of being unable to put a book down. There are some authors out there whose stories get their hooks in your brain; as you read, you reach a point of no return, a point that leaves you still reading at 2:30 AM on a work night because you just HAVE to know what happens next. Luckily for me, Batgirl is doled out in little bite-sized portions once a month, otherwise I would quickly reach that point. This title is so good, I can’t tear my eyes away. 

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Worlds’ Finest 4

Today, Patrick and Peter are discussing Worlds’ Finest 4, originally released August 1st, 2012.

Patrick: It did not take long for the good will this series established in the first issue to wear off. Two months ago we were saying “well, I still remain hopeful” and all those things you say when you feel like you’re witnessing a one-time mistake. But issue three doubled down on its mistakes and reduced its leads to painfully dull stereotypes. This month’s outing is only an improvement in that it commits no new sins, but that’s cold comfort when business-as-usual is boring, unlikable characters.
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Swamp Thing 12

 

Today, Shelby and Patrick are discussing Swamp Thing 12, originally released August 1st, 2012. This issue is part of the RotWorld crossover event. Click here for complete RotWorld coverage. Not caught up on Swamp Thing ? No problem! Get up to speed with our video Cram Session.  Also, we’ve got Animal Man 12 coverage, supplying commentary on the first half of this story.

Shelby: I love seeing heroes working together. I don’t mean like in Justice League, on an established team (also, they aren’t really working  together anyway); I’m talking about the almighty Crossover Event. Swamp Thing and Animal Man’s Rotworld isn’t a traditional comic crossover, with multiple books dealing with the same issue and borrowing characters. Snyder and Lemire have instead told the opposite sides of the same story, and now those two halves have finally come together so seamlessly I had to check the cover multiple times to remember which title I was reading.  

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Cram Session: Animal Man 1-11

It can be hard to keep up with all the comics you love. But it’s damn near impossible to keep up with all the comics you’re interested in.

Retcon Punch got you covered.

A guy that channels animal powers? Yeah, okay, I can dig it. Didn’t expect to love it. Buddy Baker’s whole family gets drawn into a war between the very forces of life and death. PLUS THERE’S A TALKING CAT. Get all caught up so you can read the Rot World crossover with Swamp Thing.

Cram Session: Swamp Thing 1-11

It can be hard to keep up with all the comics you love. But it’s damn near impossible to keep up with all the comics you’re interested in.

Retcon Punch got you covered.

Alec Holland is just about the most reluctant hero of the New 52. Dude didn’t even cape-up until the end of issue 7. But it’s been a great ride, and now all human and plant life hangs in the balance. Catch up here and prepare for the Rot World crossover with Animal Man.

Earth-2 4

Today, Patrick and Drew are discussing Earth-2 4, originally released August 1st, 2012.

Patrick:  Self-awareness is all the rage these days. You can get away with telling any story – no matter how cliche or inane – by simply having the characters acknowledge the various well-worn tropes they’re engaged in. It’s a safe way for writers and film-makers to assure their audience that they’re in on the joke – yes, we all know how crazy this looks. Joss Whedon is the king of this sort of thing (y’all saw Avengers, right?), but you see it everywhere. There are a couple of draw-backs to this approach, but the biggest danger is that of white-washing your characters’ personalities. If everyone is savvy enough to comment on their genre-adventures, then no one’s really an individual. Another big draw-back is that it makes everyone extremely — and interchangeably — chatty. While Earth-2 manages some neat concepts and fun characters, the cut-and-paste nature of the dialogue is holding it back in a serious way.
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Justice League Dark 9-11

Today, Shelby and Patrick are discussing Justice League Dark 9-11, originally released May 23rd, June, 27th and July 25th, 2012.

Shelby: We’re doing something a little unusual here with Justice League Dark: we are not reviewing issues 1-8. I’ve read all those issues, and there is really no need to do so. Peter Milligan wrote 1-8, and they are not awesome. The story was all over the place and confusing. Even though we’re dealing with magic, the story still needs to be grounded in some sort of established reality, and this story was not. With issue 9, Jeff Lemire has taken over the writing, and there has been a marked improvement. The arc is completely new, even some of the team members have changed. I call it the “reverse Deathstroke” effect, in that a new creative team has made big changes, but for the better instead of for the worst.

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